發(fā)布時(shí)間：2024-05-07 00:54

　　宋詞是中國(guó)傳統(tǒng)文化的瑰寶。詞牌名,是詞不可分割的部分,亦是中國(guó)文化寶貴的組成部分。隱喻在詞牌名中普遍存在,這使得詞牌的英譯尤為困難。然而,這一現(xiàn)象在以往研究中并未受到人們的關(guān)注。本研究選取113個(gè)宋詞詞牌名作為研究對(duì)象,并選取其中六個(gè)詞牌名,搜集六個(gè)詞牌的六個(gè)英譯本,綜合分析以往詞牌名英譯法的優(yōu)勢(shì)和不足。基于此,本研究在紐馬克隱喻翻譯理論指導(dǎo)下,采用案例分析的方法,探究宋詞詞牌名隱喻英譯策略。本研究主要研究并回答以下三個(gè)問(wèn)題:(1)宋詞詞牌名中隱喻的文化來(lái)源有哪些?(2)這些詞牌名中隱喻的文化來(lái)源是如何影響詞牌名中隱喻的英譯?(3)宋詞詞牌名中隱喻英譯策略有哪些?研究發(fā)現(xiàn):(1)宋詞詞牌名中隱喻的文化來(lái)源主要有以下四種:神話傳說(shuō)、歷史故事、傳統(tǒng)習(xí)俗和價(jià)值觀。(2)文化重疊和差異決定了文化意象在英譯隱喻時(shí)是否應(yīng)該保留、轉(zhuǎn)換或舍棄,因此其在探究英譯詞牌名的策略中起著重要的決定性作用。(3)英譯宋詞詞牌名中的隱喻主要有以下四種策略:在目的語(yǔ)中重現(xiàn)相同喻體、保留源語(yǔ)隱喻加注釋、將隱喻轉(zhuǎn)化為明喻并加注釋,以及將隱喻轉(zhuǎn)化為非隱喻。詞牌名隱喻英譯研究,進(jìn)一步補(bǔ)充了詞牌名的研究?jī)?nèi)容。本研究提出的詞牌名...

【文章頁(yè)數(shù)】：52 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
ABSTRACT
摘要
Chapter One Introduction
    1.1 Research Background
    1.2 Research Purpose
    1.3 Research Significance
    1.4 Research Method
    1.5 Research Layout
Chapter Two Literature Review
    2.1 Previous Studies on Metaphor Translation
        2.1.1 Previous Studies on Metaphor Translation at Home
        2.1.2 Previous Studies on Metaphor Translation Abroad
    2.2 Previous Studies on Translation of Cipai
        2.2.1 Previous Studies on Translation of Cipai at Home
        2.2.2 Previous Studies on Translation of Cipai Abroad
Chapter Three Theoretical Framework
    3.1 Newmark’s Definition of Metaphor
    3.2 Newmark’s Seven Procedures for Metaphor Translation
Chapter Four Translation of Metaphors in Cipai of Song-ci
    4.1 Introduction to Cipai
        4.1.1 Origins of Cipai of Song-ci
        4.1.2 Features of Cipai
        4.1.3 Origins of Metaphors in Cipai of Song-ci
    4.2 Data Analysis of Translation Methods of Cipai of Song-ci
        4.2.1 Analysis of Literal Translation in Cipai Translation
        4.2.2 Analysis of Transliteration in Cipai Translation
        4.2.3 Analysis of Free Translation in Cipai Translation
    4.3 Translation Strategies of Metaphors in Cipai of Song-ci
        4.3.1 Reproducing the Same Image in the TL
        4.3.2 Retaining the Original Metaphor with Annotation
        4.3.3 Transferring the Original Metaphor into Simile with Annotation
        4.3.4 Transferring to Non-Metaphor
            4.3.4.1 Transferring Metaphor to Connotation
            4.3.4.2 Transliteration Combined with Annotation
Chapter Five Conclusion
    5.1 Innovations
    5.2 Major Findings
    5.3 Limitations and Suggestions
Bibliography
Acknowledgements



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