本文選題：語言隱喻角度　切入點：《水滸傳》　出處：《語文建設》2016年33期

【摘要】：金圣嘆對古典小說《水滸傳》的人物形象塑造成就給予了很高的評價,認為《水滸傳》"寫一百八人,真是一百八樣"。雖然將本書中的一百單八將的性格均進行了超越類型化的評論方式,有些過于高估的成分,但不可否認的是,在明朝初年那個還沒有誕生《紅樓夢》的時代里,施耐庵的一部《水滸傳》打破了前代小說創(chuàng)作中包括《三國演義》在內所有人物形象塑造原則層面的窠臼,在古典小說史上具有非比尋常的里程碑作用。然而在人物形象的鮮明表現中,人物綽號的使用存在著比較有代表性的意義。伴隨著民族文化軟實力的逐漸增強,傳統(tǒng)文化的國際影響力也隨之不斷擴大,以至于《水滸傳》的翻譯成為了海外漢學研究中比較熱議的話題。本論文從語言隱喻的角度出發(fā),通過沙博理英譯本的《水滸傳》中有關綽號翻譯的討論,進一步展現出西方閱讀視野下,人物的綽號及其代表意義在外國讀者心目中的感知映像。
[Abstract]:Jin Shengtan gives a high appraisal to the achievement of portraying the characters of the classic novel Water margin, and thinks that "180 people write, 180 really".Although the character of the 100 single and eighth generals in this book has been commented in a way that goes beyond the type, and some elements are too overestimated, it is undeniable that in the early years of the Ming Dynasty, when the Dream of the Red Mansions had not yet been born, there was no such thing as a dream of the Red Mansions.A novel by Schneian, Water margin, breaks the stereotype of all the characters in the previous novels, including the Romance of the three Kingdoms, and plays an unusual role in the history of classical novels.However, the use of character nicknames has a more representative significance in the vivid expression of character image.With the gradual enhancement of the soft power of national culture, the international influence of traditional culture has been expanded, so that the translation of Water margin has become a hot topic in Sinology studies abroad.From the perspective of linguistic metaphor, this thesis, through the discussion on the translation of nicknames in Shapiro's English translation of the Water margin, further reveals the perspective of Western reading.The perception of the nicknames of characters and their representative meanings in the eyes of foreign readers.
【作者單位】： 南京特殊教育師范學院;
【基金】：江蘇省高校哲學社會科學基金《聾生的自然手語對其英語輸出的負向遷移研究》項目階段性研究成果;編號:2015SJB293
【分類號】：H315.9;I046
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本文編號：1708844