本文選題：吳炫　切入點(diǎn)：本體性否定　出處：《柳州職業(yè)技術(shù)學(xué)院學(xué)報(bào)》2016年02期

【摘要】：吳炫的批評(píng)之路具有系統(tǒng)性,因?yàn)樗恢痹噲D建立一種中國式的文藝?yán)碚?他這種嘗試注定會(huì)遇到最大的困難,但是他從文藝學(xué)的視野跳了出來,直接跳向了"哲學(xué)"、"美學(xué)",建立了否定主義哲學(xué)、美學(xué)、文藝學(xué)三維一體的理論體系。文章主要探討了吳炫的文學(xué)批評(píng)的價(jià)值取向,并且從文藝學(xué)的范圍來探討"本體性否定"價(jià)值觀的形成與發(fā)展。
[Abstract]:Wu Xuan's critical path is systematic, because he has been trying to establish a Chinese literary theory, which is bound to meet the greatest difficulties, but he jumped out of the field of literature and art.It directly jumps to "philosophy" and "aesthetics", and establishes the theory system of negativism philosophy, aesthetics, literature and art.This paper mainly discusses the value orientation of Wu Xuan's literary criticism, and discusses the formation and development of the value of "Noumenon negation" from the scope of literature and art.
【作者單位】： 沈陽師范大學(xué)文學(xué)院;
【分類號(hào)】：I0
，

本文編號(hào)：1702426