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《簡愛》、《傲慢與偏見》、《紅樓夢》中女性人物對比研究

發(fā)布時間:2018-11-26 18:58
【摘要】:小說在19世紀是最流行的文學體裁之一,并受大眾所歡迎。在男性主導的文壇經歷了漫長的歷史之后,許多女性小說家涌現(xiàn)在19世紀,如簡·奧斯汀、勃朗特姐妹、喬治·艾略特等。在他們的作品中,,他們創(chuàng)造出許多新的女性形象,她們反抗男權,為自由而戰(zhàn),力爭與男子平等。例如,簡·奧斯汀對當時社會習俗的諷刺,對女性智慧和身份的肯定,勃朗特姐妹對當時女性生存狀態(tài)的真實揭露,對女性獨立、對愛的平等權利和叛逆精神的鼓勵。他們?yōu)槠降群妥杂啥窢帲诓煌碾A段,被認為是西方女性意識的演變。紅樓夢是一部偉大的中國小說,其中刻畫了女性和女性活動,其中曹雪芹用其獨特的視角和全面的描繪刻畫了眾多優(yōu)秀的女性角色,透視出了女性的心理世界,顯示出了在中國封建社會中女性的自我意識和反叛精神。 本篇文章對比分析三部作品中典型的女性人物形象,對比分析了女性人物所展現(xiàn)出的反叛精神,對獨立自主的渴望和自由愛情觀。她們都被作者賦予新女性形象。但又存在不同點,不同的性格特點,處在不同的時代和社會背景。所以她們的結局必然不同。曹雪芹筆下的晴雯與勃朗特筆下的簡愛都具有反叛的精神,追求獨立平等。而奧斯汀筆下的伊利莎白和林黛玉都追求自己向往的愛情。她們的形象栩栩如生,分別體現(xiàn)出了不同時期女性意識發(fā)展的特點,也暗示了作者們寫作的真實意圖。同時,時代和文化背景也給予了這些女性人物意識發(fā)展的局限性。 本文以女性主義文學批評文的學理論為指導,本文的目的是兩種不同社會背景下對女性角色的女性意識進行比較研究。例如《傲慢與偏見》中的伊利莎白、《簡愛》中的簡愛、《紅樓夢》中的林黛玉、晴雯等。作者高度評價了這些女性人物形象的反叛精神,盡管她們生活在不同的社會,依附于不同的階級,反抗著不同的統(tǒng)治者。最終《簡愛》、《傲慢與偏見》中的女性人物表現(xiàn)出來的叛逆精神和對獨立的追求推動了英國19世紀女性意識的發(fā)展;《紅樓夢》中的優(yōu)秀的女性人物形象充分展現(xiàn)了封建時代中國女性的精神世界和文化品格。
[Abstract]:Fiction was one of the most popular literary genres in the 19 th century and was popular with the public. After a long history in the male-dominated literary world, many female novelists emerged in the 19th century, such as Jane Austen, the Bronte sisters, George Eliot and so on. In their works, they create many new images of women fighting against male power, fighting for freedom and striving for equality with men. For example, Jane Austen's satire on social customs at that time, the affirmation of women's wisdom and identity, the Bronte sisters' true revelation of women's living conditions at that time, their independence for women, and the encouragement of equal rights of love and rebellious spirit. Their struggle for equality and freedom, at different stages, is considered the evolution of Western feminine consciousness. The Dream of Red Mansions is a great Chinese novel, which depicts women and their activities. Cao Xueqin portrays many excellent female characters with his unique perspective and comprehensive description, and perspective out the psychological world of women. It shows the self-consciousness and rebellious spirit of women in Chinese feudal society. This article contrasts and analyzes the typical female characters in the three works, and analyzes the rebellious spirit, the desire for independence and the free love view of the female characters. They were all given a new female image by the author. But there are also differences, different personality characteristics, in different times and social background. So their ending must be different. Cao Xueqin's Qing Wen and Bronte's Jane Eyre both have a rebellious spirit and pursue independence and equality. And Austin's Elizabeth and Lin Daiyu both pursue the love they yearn for. Their images are lifelike, reflecting the characteristics of the development of women's consciousness in different periods, and implying the authors' real intention in writing. At the same time, the era and cultural background also give these women the limitations of the development of consciousness. Guided by the theory of feminist literary criticism, the purpose of this paper is to make a comparative study of the female consciousness of women's roles in two different social backgrounds. For example, Elizabeth in Pride and Prejudice, Jane Eyre in Jane Eyre, Lin Daiyu and Qingwen in A Dream of Red Mansions. The author highly values the rebellious spirit of these female characters, although they live in different societies, cling to different classes and resist different rulers. Finally, Jane Eyre, the rebellious spirit of the female characters in Pride and Prejudice and the pursuit of independence promoted the development of the female consciousness in the 19th century in England. The excellent female characters in A Dream of Red Mansions fully reveal the spiritual world and cultural character of Chinese women in feudal times.
【學位授予單位】:哈爾濱理工大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:I106.4-03

【參考文獻】

相關期刊論文 前7條

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