阿多諾的文化工業(yè)理論在中國的傳播研究
發(fā)布時(shí)間：2019-01-10 06:59
【摘要】：文化工業(yè)產(chǎn)生于西方社會(huì),它雖然出現(xiàn)得較晚但很快占據(jù)了主導(dǎo)地位而成為了文化霸主。這種勁頭得到西方學(xué)界重視,使西方學(xué)者從不同學(xué)科領(lǐng)域進(jìn)行理論闡釋,形成了多種具有較大影響的文化研究理論,其中以阿多諾的文化工業(yè)理論產(chǎn)生的影響最為廣泛。本文主要研究文化工業(yè)理論在我國各個(gè)時(shí)期的傳播背景、概況、特征和意義,以及主要人物、代表作品等等。在阿多諾提出了文化工業(yè)理論后,恰逢中國社會(huì)的經(jīng)濟(jì)和文化改革,比如市場(chǎng)經(jīng)濟(jì)的興起,科學(xué)技術(shù)或傳媒技術(shù)的革新,再加之全球化、世界化的浪潮,文化工業(yè)席卷了中國的文化、經(jīng)濟(jì)、政治各個(gè)領(lǐng)域,使中國呈現(xiàn)出新的發(fā)展潮流。這種趨勢(shì)引起了中國學(xué)界的關(guān)注,文化工業(yè)成為了學(xué)者們研究的熱門課題,阿多諾的文化工業(yè)理論被借用于分析中國文化工業(yè)的發(fā)展變化�？墒怯捎谄鋸�(fù)雜的現(xiàn)實(shí)和駁雜的文化歷史,文化工業(yè)理論在中國傳播之時(shí)必會(huì)產(chǎn)生變異,即此文化工業(yè)不同于彼文化工業(yè),此理論不同于彼理論�；谝陨系陌l(fā)展背景,阿多諾的文化工業(yè)理論在中國的傳播可以分成四個(gè)階段。首先是二十世紀(jì)九十年代之前,其次是九十年代初期,以照搬使用為主,再次是九十年代后期,對(duì)理論進(jìn)行反思質(zhì)疑,最后是二十一世紀(jì)至今,以冷靜辯證的研究為主。因?yàn)榈谝浑A段,即九十年代之前,對(duì)文化工業(yè)理論的傳播停留在翻譯和介紹階段,而且引用頻率較低,理解得不夠透徹,故本文主要研究后三個(gè)階段的發(fā)展變化,第一時(shí)期僅在第三章開頭作簡單概述,方便于理解其他時(shí)期的傳播情況。第一章是本文的緒論部分,主要論述了本文的研究目的、意義、國內(nèi)外研究現(xiàn)狀、研究思路與方法、研究預(yù)期達(dá)到的結(jié)果等等。通過研究理論上的闡述,可以使閱讀者清楚明白本文的研究標(biāo)準(zhǔn)和價(jià)值,以便真正了解文化工業(yè)理論在中國的發(fā)展變化的脈絡(luò)。而且正確的理論方法的指導(dǎo)有助于文本研究的順利展開,是為論文的分析研究作出準(zhǔn)確的方向引導(dǎo)。第二章主要解釋了本文的研究對(duì)象即阿多諾的文化工業(yè)理論。該理論的隆重登場(chǎng)是在阿多諾創(chuàng)作的《啟蒙辯證法》一書中,在此書中,阿多諾提出文化工業(yè)具備標(biāo)準(zhǔn)化、商品屬性、個(gè)性虛假、意識(shí)形態(tài)功能的特點(diǎn),并且批判了大工業(yè)時(shí)代中技術(shù)理性對(duì)文化藝術(shù)造成的消極影響,提出了技術(shù)使藝術(shù)走向了其反面,即文化工業(yè)具有反啟蒙的效果。這些批判加深了人們對(duì)文化工業(yè)的認(rèn)識(shí)。此章節(jié)分別從來源、內(nèi)涵、歷史背景、性質(zhì)等方面詳細(xì)介紹文化工業(yè)理論,這有助于理解該理論在中國的傳播發(fā)展概況。第三章論述九十年代初期及其之前的傳播概況,包括在我國傳播的背景、現(xiàn)狀、原因和特點(diǎn)。關(guān)注點(diǎn)是在九十年代初期這一階段,因?yàn)閷?duì)文化工業(yè)的大量引用是在九十年代初期才開始的,這和中國文化工業(yè)的興起時(shí)間基本同步。此階段以直接挪用為特點(diǎn)的原因有三個(gè):一是中國本土文化工業(yè)的興旺;二是國內(nèi)文化工業(yè)批評(píng)理論的稀少;三是對(duì)轉(zhuǎn)型的迷茫以及自我身份認(rèn)同的焦慮。第四章主要論述了在二十世紀(jì)九十年代中期,中國學(xué)界開始反思對(duì)文化工業(yè)理論的引用。準(zhǔn)確地說是從1995年從徐賁發(fā)表的論文開始,以學(xué)者陶東風(fēng)為明顯轉(zhuǎn)折的。這種反思主要表現(xiàn)在三個(gè)方面,第一是反思文化工業(yè)理論自身的局限性,第二是文化工業(yè)理論與中國文化工業(yè)之間的契合度,第三是國內(nèi)學(xué)者對(duì)文化工業(yè)理論的解讀是否存在誤讀。但因阿多諾的文本缺少辯證性的思索,與其說是對(duì)文化理論的探究,不如說是片段化的自我探索,而且?guī)狭俗晕业那榫w由此探索此理論是否完全適用于我國的文化工業(yè)批評(píng),并且提出應(yīng)探索適合中國工業(yè)的文化理論。第五章是從二十一世紀(jì)開始,我國學(xué)界以冷靜辯證的眼光看待文化工業(yè)理論,并且出現(xiàn)了新的研究方法和手段。加之其他的相關(guān)理論比如英美文化研究理論成為主流,“非常法蘭克�！币呀�(jīng)成為過去。用一種客觀的心態(tài)對(duì)待文化發(fā)展現(xiàn)狀,摒棄浮躁的喧嘩更有利學(xué)術(shù)研究,而且我國學(xué)界在二十一世紀(jì)之前并沒有系統(tǒng)的文化工業(yè)批判理論研究。這些現(xiàn)實(shí)情況導(dǎo)致文化工業(yè)理論在中國的傳播出現(xiàn)了新的情況。第六章是對(duì)文化工業(yè)理論的傳播總結(jié),主要是從各個(gè)時(shí)期傳播特點(diǎn)進(jìn)行原因論述。對(duì)文化工業(yè)理論的傳播過程進(jìn)行了一個(gè)脈絡(luò)梳理,在梳理這個(gè)過程當(dāng)中得出傳播的意義,使得理論的運(yùn)用不浮于表面。關(guān)注文化工業(yè)理論在中國的傳播發(fā)展特征,探討中國文化工業(yè)的發(fā)展,引發(fā)對(duì)中國文化工業(yè)的研究思考,有著重要的理論和現(xiàn)實(shí)意義。
[Abstract]:The culture industry, which is produced in the western society, has become the dominant of the culture, although it appears late but has taken the dominant position soon. This kind of strength is attached to the western academic circle, which makes the western scholars theoretically explain the different subject fields, and has formed a variety of cultural research theories with great influence, in which the influence of the cultural industry theory of Adorno is the most widespread. This paper mainly studies the background, general situation, characteristics and significance of the cultural industrial theory in various times of our country, as well as the main characters, the representative works and so on. After Adoruo put forward the theory of cultural industry, it coincides with the economic and cultural changes of Chinese society, such as the rise of the market economy, the innovation of science and technology or the media technology, and the globalization and the globalization of the world, and the cultural industry has swept the cultural, economic and political fields of China. to make China present a new trend of development. This trend has attracted the attention of the Chinese academic circle, and the culture industry has become a hot topic for scholars to study, and Adorno's cultural industrial theory is used to analyze the development and change of Chinese culture industry. However, due to its complex reality and the cultural history of the rejection, the cultural industry theory will change when it is spread in China, that is, the cultural industry is different from the culture industry, and the theory is different from the theory. Based on the above development background, Adorno's cultural industrial theory can be divided into four stages in China. First of all, in the early 1990 's, followed by the early 1990' s, the second is to copy the use of the main, again in the late 1990 's, to reflect on the theory, and finally to the present in the twenty-first century, with a cool and dialectical study. Because the first stage, that is, the 1990' s, the dissemination of the cultural industry theory is in the translation and introduction stage, and the reference frequency is low and the understanding is not thorough, so the development of the three stages after the main research in this paper is the simple overview of the first time in the beginning of the third chapter, to facilitate the understanding of the spread of other periods. The first chapter is the introduction part of this paper, mainly discusses the research purpose, significance, domestic and foreign research situation, research thoughts and methods, and studies the expected results and so on. Through the study of the theory, the reader can clearly understand the research standard and value of the article so as to truly understand the development and development of the cultural industrial theory in China. And the guidance of the correct theoretical method is helpful to the smooth development of the text research, and it is an accurate direction guide for the research of the thesis. The second chapter mainly explains the research object in this paper, namely, Adorno's cultural industrial theory. The grand appearance of the theory is in Ardono's
本文編號(hào)：2406024
[Abstract]:The culture industry, which is produced in the western society, has become the dominant of the culture, although it appears late but has taken the dominant position soon. This kind of strength is attached to the western academic circle, which makes the western scholars theoretically explain the different subject fields, and has formed a variety of cultural research theories with great influence, in which the influence of the cultural industry theory of Adorno is the most widespread. This paper mainly studies the background, general situation, characteristics and significance of the cultural industrial theory in various times of our country, as well as the main characters, the representative works and so on. After Adoruo put forward the theory of cultural industry, it coincides with the economic and cultural changes of Chinese society, such as the rise of the market economy, the innovation of science and technology or the media technology, and the globalization and the globalization of the world, and the cultural industry has swept the cultural, economic and political fields of China. to make China present a new trend of development. This trend has attracted the attention of the Chinese academic circle, and the culture industry has become a hot topic for scholars to study, and Adorno's cultural industrial theory is used to analyze the development and change of Chinese culture industry. However, due to its complex reality and the cultural history of the rejection, the cultural industry theory will change when it is spread in China, that is, the cultural industry is different from the culture industry, and the theory is different from the theory. Based on the above development background, Adorno's cultural industrial theory can be divided into four stages in China. First of all, in the early 1990 's, followed by the early 1990' s, the second is to copy the use of the main, again in the late 1990 's, to reflect on the theory, and finally to the present in the twenty-first century, with a cool and dialectical study. Because the first stage, that is, the 1990' s, the dissemination of the cultural industry theory is in the translation and introduction stage, and the reference frequency is low and the understanding is not thorough, so the development of the three stages after the main research in this paper is the simple overview of the first time in the beginning of the third chapter, to facilitate the understanding of the spread of other periods. The first chapter is the introduction part of this paper, mainly discusses the research purpose, significance, domestic and foreign research situation, research thoughts and methods, and studies the expected results and so on. Through the study of the theory, the reader can clearly understand the research standard and value of the article so as to truly understand the development and development of the cultural industrial theory in China. And the guidance of the correct theoretical method is helpful to the smooth development of the text research, and it is an accurate direction guide for the research of the thesis. The second chapter mainly explains the research object in this paper, namely, Adorno's cultural industrial theory. The grand appearance of the theory is in Ardono's
本文編號(hào)：2406024
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