【摘要】：進(jìn)入21世紀(jì),中國當(dāng)代藝術(shù)也開始步入藝術(shù)體制全面建設(shè)階段。在此情境下,“藝術(shù)體制與藝術(shù)創(chuàng)作主體生成”成為重要的研究課題�！八拇佬g(shù)學(xué)院青年駐留藝術(shù)家計(jì)劃”作為國內(nèi)首個(gè)以學(xué)院為主體的青年藝術(shù)家扶持計(jì)劃,在學(xué)院體制內(nèi)建立了一個(gè)能夠自主運(yùn)行的藝術(shù)小“圈子”,正是“藝術(shù)體制與藝術(shù)創(chuàng)作主體生成”研究的鮮活樣本,所以對(duì)“四川美術(shù)學(xué)院青年駐留藝術(shù)家群體”研究有極其重要的意義。本文以布爾迪厄“場域”概念和霍華德“藝術(shù)界”為理論基礎(chǔ),以藝術(shù)人類學(xué)常用的田野調(diào)查、切身體驗(yàn)、跟蹤訪談為研究方法,將四川美術(shù)學(xué)院青年藝術(shù)家駐留群體以及周邊生態(tài)作為藝術(shù)場域,對(duì)此場域的緣起、構(gòu)建、意義進(jìn)行討論。論文第1章介紹了國內(nèi)外相關(guān)的研究現(xiàn)狀;第2章通過梳理川美駐留藝術(shù)家計(jì)劃的制定及實(shí)施來討論場域的緣起;第3章通過對(duì)川美青年藝術(shù)家駐留群體的人員構(gòu)成、群體生態(tài)、創(chuàng)作面貌進(jìn)行場域的構(gòu)建分析;第4章從“對(duì)于青年藝術(shù)家生成的意義、藝術(shù)體制建設(shè)的實(shí)驗(yàn)、駐留計(jì)劃的反思”三個(gè)方面思考場域生發(fā)的意義。以此將藝術(shù)場域的“緣起、構(gòu)建、意義”轉(zhuǎn)化為駐留計(jì)劃的“緣起和實(shí)施、群體生態(tài)構(gòu)成、生成意義”。以此達(dá)到兩個(gè)方面的研究目的:其一,希望本論文對(duì)“四川美術(shù)學(xué)院青年駐留藝術(shù)家群體”深入調(diào)查所得到的一手資料,能為以后相關(guān)研究貢獻(xiàn)微薄之力;其二,希望此案例中關(guān)于“藝術(shù)體制與藝術(shù)創(chuàng)作主體生成”的討論能為當(dāng)下的藝術(shù)體制的全面建設(shè)提供參考和借鑒。
[Abstract]:Enter 21 st century, Chinese contemporary art also begins to enter art system all-round construction stage. In this context, the formation of art system and art creation subject has become an important research topic. The Sichuan Academy of Fine Arts Youth resident Artist Program, as the first young artist support program with the college as the main body in China, has established a small "circle" of art that can operate on its own within the college system. It is the living sample of the study of "the artistic system and the subject of artistic creation", so it is of great significance to study the "Young resident artists Group of Sichuan Academy of Fine Arts". Based on Bourdieu's concept of "field" and Howard's "art world", this paper takes field investigation, personal experience and tracking interview as the research methods, which are commonly used in art anthropology. This paper discusses the origin, construction and significance of the art field of Sichuan Academy of Fine Arts. Chapter 1 introduces the current situation of research at home and abroad, the second chapter discusses the origin of the field by combing the formulation and implementation of the plan of resident artists in Sichuan. The third chapter analyzes the composition of the group, the ecology of the group and the appearance of the creation of the young artists in Sichuan. The fourth chapter considers the meaning of field growth from three aspects: the meaning of young artists' generation, the experiment of art system construction, and the reflection of resident plan. In this way, the "origin, construction, meaning" of the art field is transformed into the "origin and implementation, group ecological composition and generating significance" of the resident plan. In order to achieve two research purposes: first, I hope this paper to "Sichuan Academy of Fine Arts Young resident artists" in-depth investigation of the data, can contribute to the relevant research in the future. Secondly, it is hoped that the discussion of "the art system and the creation of the subject" in this case can provide reference and reference for the overall construction of the present art system.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J120.9

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