【摘要】：正"時代動亂,思想活躍導(dǎo)致了人的自覺。與春秋末期第一次覺醒不同,這一次人的覺醒不是以群體為本位,而是以個體為本位。這時的文人掙脫了儒學(xué)名教的束縛,注意的不是神的意志而是人的命運,關(guān)心的不是社會的功業(yè)而是個人的養(yǎng)生,追求的不是外在的行為道德而是內(nèi)在的才情風(fēng)神,因而生命意識空前增強(qiáng),不同個性充分顯露。人的覺醒又導(dǎo)致了魯迅所謂‘文的自覺’,即各門類藝術(shù)及其美學(xué)的發(fā)展與繁榮,我國藝術(shù)至魏晉而一變,至宋元明清又一變……與兩漢時期相比,魏晉
[Abstract]:The turmoil of the times and the active thinking have led to people's consciousness. Different from the first awakening in the late Spring and Autumn period, this awakening is not based on the group but on the individual. At this time, the literati broke away from the shackles of Confucianism, paid attention not to the will of God but to the fate of human beings. What they cared about was not the merits of society but the health of individuals, and what they were pursuing was not the external behavior morality but the inner intellectual spirit. As a result, the consciousness of life has never been strengthened, and different personalities have been fully revealed. The awakening of people led to Lu Xun's so-called "self-consciousness of literature", that is, the development and prosperity of various kinds of art and its aesthetics. The art of our country changed from Wei to Jin and to Song, Yuan and Ming and Qing dynasties. Compared with the Han Dynasty, the Wei and Jin dynasties
【作者單位】： 湖北理工學(xué)院藝術(shù)學(xué)院;貴州大學(xué)藝術(shù)學(xué)院;
【基金】：湖北省教育廳2016年人文社會科學(xué)研究項目(項目編號:16Q268)階段成果
【分類號】：J120.9

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