發(fā)布時間：2018-12-25 20:49

【摘要】：西方19世紀時代精神的自我理解主要建立在泰坦英雄普羅米修斯形象上。從謝林、海涅和馬克思三大家的普羅米修斯神話研究中可以歸納出一種辯證法神話研究路徑。謝林"反神圣成為神圣"的辯證法造成了時代主體普羅米修斯造物個體市民和赫爾克勒斯審美創(chuàng)造天才的二元精神分裂。海涅通過詩學的反諷——辯證法的反題研究,揭示啟蒙運動流產(chǎn)的內(nèi)在原因:作為個體審美創(chuàng)造者的啟蒙者反被市民個體被啟蒙者所傷。布魯門貝格對馬克思的資本主義需要辯證法的審查,揭示資本主義積累規(guī)律壓迫和束縛人性的憂郁事實。我們應該通過勞動來發(fā)展集體性神圣價值的學說,批判和揚棄資本私人性。
[Abstract]:The self-understanding of the western spirit of the 19 th century is mainly based on the image of the Titan hero Prometheus. From the research of Prometheus mythology by Schelling, Heine and Marx, we can conclude a research path of dialectical mythology. Schelling's dialectics of anti-sacredness has caused the dualistic split between the individual citizens of Prometheus, the subject of the times, and the genius of Herr Klees's aesthetic creation. Heine reveals the inner cause of the miscarriage of the Enlightenment Movement through the poetics irony-dialectical counter-problem research: the enlightening person as the individual aesthetic creator is injured by the citizen individual by the enlightening person. Brunenberg's examination of Marx's capitalism needs dialectics to reveal the sad fact that capitalist accumulation laws oppress and constrain human nature. We should develop the doctrine of collective sacred value through labor, criticize and sublate the private nature of capital.
【作者單位】： 溫州大學人文學院;
【基金】：教育部人文社會科學項目“布魯門貝格的詩學與解釋學研究”(09YJC751067)的階段性成果
【分類號】：I01

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