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乾隆花園的“松竹梅”主題:帝王審美與文人情懷的雙重協(xié)奏

發(fā)布時(shí)間:2018-04-14 14:09

  本文選題:乾隆花園 + 松竹梅; 參考:《中國(guó)社會(huì)科學(xué)院研究生院》2017年碩士論文


【摘要】:寧壽宮花園,又稱乾隆花園,是乾隆皇帝為自己準(zhǔn)備的退政歸閑后的休閑娛樂(lè)之處,花園的布局、建筑設(shè)計(jì)、家具陳設(shè)無(wú)不由乾隆本人親自參與與監(jiān)督,在造園理念和設(shè)計(jì)思想上,乾隆花園完全體現(xiàn)了乾隆帝個(gè)人的獨(dú)特風(fēng)格和審美情趣,在作為娛樂(lè)休閑的居所之外,他還將自己作為“文人”的身份和追求通過(guò)對(duì)松竹梅的大量運(yùn)用強(qiáng)烈地表現(xiàn)了出來(lái)。因此,本論文選取乾隆花園的“松竹梅”主題為研究對(duì)象,旨在通過(guò)對(duì)花園內(nèi)無(wú)處不在的松、竹、梅三種意象的整理和分析,梳理出乾隆花園以“松竹梅”作為造園主題的表面原因和根本原因。全文共分四個(gè)部分。第一部分“緒論”,著重陳述本論文的選題意義和國(guó)內(nèi)外相關(guān)研究現(xiàn)狀;第二部分通過(guò)收集整理乾隆花園內(nèi)的松、竹、梅意象,從植物種植、內(nèi)檐裝修、室內(nèi)陳設(shè)三個(gè)主要方面,說(shuō)明松竹梅意象的運(yùn)用之廣;第三部分從松、竹、梅三者在中國(guó)傳統(tǒng)文化中的象征意義入手,結(jié)合乾隆花園內(nèi)的具體建筑和環(huán)境,分析乾隆帝通過(guò)松竹梅所要表達(dá)出何種文人情懷;第四部分著重于分析現(xiàn)象背后的原因,皇家園林的造園主題,本質(zhì)上取決于作為造園者的乾隆帝的審美和藝術(shù)觀念。文人情懷的表達(dá)只是一種手段,皇家園林所具備的氣勢(shì)和奢華,才是真正符合帝王審美情趣和天朝大國(guó)威儀的方式。
[Abstract]:Ningshou Palace Garden, also known as Qianlong Garden, is the leisure and entertainment place that Emperor Qianlong prepared for himself after retreating from his administration. The layout, architectural design, and furnishings of the garden are not without the participation and supervision of Qianlong himself.In terms of garden construction and design ideas, Qianlong Garden fully embodies the unique style and aesthetic taste of Emperor Qianlong, besides being a residence for entertainment and leisure,His identity and pursuit as "literati" were strongly expressed through the extensive application of pine-bamboo plum.Therefore, this thesis chooses the theme of "Pine Bamboo and Plum" in Qianlong Garden as the research object, aiming at sorting out and analyzing the three images of pine, bamboo and plum, which are ubiquitous in the garden.Combing out Qianlong Garden with "Pine Bamboo Plum" as the theme of the surface and the root cause of the garden.The full text is divided into four parts.The first part, "introduction", focuses on the significance of this thesis and the current research situation at home and abroad; the second part through collecting and sorting out the images of pine, bamboo and plum in Qianlong Garden, planting from plants, decoration of inner eaves,The third part starts with the symbolic meaning of pine, bamboo and plum in traditional Chinese culture, and combines the concrete architecture and environment in Qianlong Garden.The fourth part focuses on the analysis of the reasons behind the phenomenon, the theme of the royal garden, essentially depends on the aesthetic and artistic concepts of Emperor Qianlong as a gardener.The expression of literati feelings is only a means, the royal garden with the momentum and luxury, is truly in line with the emperor's aesthetic taste and the majesty of the great power of the Chinese dynasty.
【學(xué)位授予單位】:中國(guó)社會(huì)科學(xué)院研究生院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:K878;J01

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