本文選題：乾隆花園 + 松竹梅��； 參考：《中國社會科學院研究生院》2017年碩士論文

【摘要】：寧壽宮花園,又稱乾隆花園,是乾隆皇帝為自己準備的退政歸閑后的休閑娛樂之處,花園的布局、建筑設計、家具陳設無不由乾隆本人親自參與與監(jiān)督,在造園理念和設計思想上,乾隆花園完全體現(xiàn)了乾隆帝個人的獨特風格和審美情趣,在作為娛樂休閑的居所之外,他還將自己作為“文人”的身份和追求通過對松竹梅的大量運用強烈地表現(xiàn)了出來。因此,本論文選取乾隆花園的“松竹梅”主題為研究對象,旨在通過對花園內(nèi)無處不在的松、竹、梅三種意象的整理和分析,梳理出乾隆花園以“松竹梅”作為造園主題的表面原因和根本原因。全文共分四個部分。第一部分“緒論”,著重陳述本論文的選題意義和國內(nèi)外相關研究現(xiàn)狀;第二部分通過收集整理乾隆花園內(nèi)的松、竹、梅意象,從植物種植、內(nèi)檐裝修、室內(nèi)陳設三個主要方面,說明松竹梅意象的運用之廣;第三部分從松、竹、梅三者在中國傳統(tǒng)文化中的象征意義入手,結(jié)合乾隆花園內(nèi)的具體建筑和環(huán)境,分析乾隆帝通過松竹梅所要表達出何種文人情懷;第四部分著重于分析現(xiàn)象背后的原因,皇家園林的造園主題,本質(zhì)上取決于作為造園者的乾隆帝的審美和藝術(shù)觀念。文人情懷的表達只是一種手段,皇家園林所具備的氣勢和奢華,才是真正符合帝王審美情趣和天朝大國威儀的方式。
[Abstract]:Ningshou Palace Garden, also known as Qianlong Garden, is the leisure and entertainment place that Emperor Qianlong prepared for himself after retreating from his administration. The layout, architectural design, and furnishings of the garden are not without the participation and supervision of Qianlong himself.In terms of garden construction and design ideas, Qianlong Garden fully embodies the unique style and aesthetic taste of Emperor Qianlong, besides being a residence for entertainment and leisure,His identity and pursuit as "literati" were strongly expressed through the extensive application of pine-bamboo plum.Therefore, this thesis chooses the theme of "Pine Bamboo and Plum" in Qianlong Garden as the research object, aiming at sorting out and analyzing the three images of pine, bamboo and plum, which are ubiquitous in the garden.Combing out Qianlong Garden with "Pine Bamboo Plum" as the theme of the surface and the root cause of the garden.The full text is divided into four parts.The first part, "introduction", focuses on the significance of this thesis and the current research situation at home and abroad; the second part through collecting and sorting out the images of pine, bamboo and plum in Qianlong Garden, planting from plants, decoration of inner eaves,The third part starts with the symbolic meaning of pine, bamboo and plum in traditional Chinese culture, and combines the concrete architecture and environment in Qianlong Garden.The fourth part focuses on the analysis of the reasons behind the phenomenon, the theme of the royal garden, essentially depends on the aesthetic and artistic concepts of Emperor Qianlong as a gardener.The expression of literati feelings is only a means, the royal garden with the momentum and luxury, is truly in line with the emperor's aesthetic taste and the majesty of the great power of the Chinese dynasty.
【學位授予單位】：中國社會科學院研究生院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：K878;J01

【參考文獻】

相關期刊論文 前6條

1 周智;吳翔;;竹絲鑲嵌工藝及體驗方式的商業(yè)探索[J];藝術(shù)科技;2016年10期

2 王時偉;劉暢;;金界樓臺思訓畫 碧城鸞鶴義山詩 如詩如畫的乾隆花園[J];紫禁城;2014年06期

3 閔俊嶸;;乾隆花園髹飾工藝的保護與修復[J];紫禁城;2014年06期

4 張淑嫻;;乾隆時期地方制作宮廷建筑內(nèi)檐裝修的特點[J];故宮博物院院刊;2013年06期

5 郭泓;;故宮符望閣內(nèi)檐木裝修的工藝特征及榫卯構(gòu)造[J];古建園林技術(shù);2012年04期

6 何福禮;蔡紅光;;破譯倦勤齋的竹編密碼[J];商品與質(zhì)量;2011年33期

，

本文編號：1749639