發(fā)布時(shí)間：2018-04-03 22:01

  本文選題：媒介融合　切入點(diǎn)：藝術(shù)批評　出處：《現(xiàn)代傳播(中國傳媒大學(xué)學(xué)報(bào))》2017年03期

【摘要】：當(dāng)前媒介環(huán)境下藝術(shù)批評"兩極化"現(xiàn)象突出,比以往更普遍、廣泛;同時(shí),接受之"熱"與批判之"嚴(yán)厲"形成鮮明對比、參與評價(jià)主體范圍擴(kuò)大、爭議焦點(diǎn)變化等也是主要表現(xiàn)和特征。相較于"傳統(tǒng)藝術(shù)",評價(jià)"兩極化"現(xiàn)象在"傳媒藝術(shù)"領(lǐng)域表現(xiàn)尤為明顯,也與"傳媒藝術(shù)"的審美特征密切相關(guān):受眾的分化及參與性增強(qiáng)、媒介為受眾自由發(fā)聲提供了技術(shù)性支持、與市場和受眾的表層需求密切相關(guān)的創(chuàng)作方式使得作品質(zhì)量存在爭議空間,這三者為評價(jià)"兩極化"提供了現(xiàn)實(shí)基礎(chǔ),而"獨(dú)立論"和"慣例論"這兩種評價(jià)標(biāo)準(zhǔn)的差異則是"兩極化"評價(jià)的理論基礎(chǔ)。藝術(shù)評價(jià)"兩極化"現(xiàn)象是藝術(shù)生態(tài)結(jié)構(gòu)從"時(shí)間優(yōu)勢媒介"藝術(shù)到"空間優(yōu)勢媒介"藝術(shù)變化的必然結(jié)果,同時(shí)也是當(dāng)下社會群體文化狀況、時(shí)代精神面貌復(fù)雜化的表征。
[Abstract]:In the current media environment, the phenomenon of "polarization" of art criticism is prominent, more widespread than ever, and at the same time, the acceptance of the "hot" and the "severe" criticism form a sharp contrast, and the scope of participation in the evaluation of the subject is expanded.The change of the focus of the dispute is also the main performance and characteristics.Compared with "traditional art", the phenomenon of "polarization" of evaluation is especially obvious in the field of "media art", and is closely related to the aesthetic characteristics of "media art": the differentiation of audience and the enhancement of participation.The media provides technical support for the audience's free voice, and the creation method closely related to the market and the audience's surface demand makes the quality of the work controversial. These three provide a realistic basis for the evaluation of "polarization".The difference between independent theory and convention theory is the theoretical basis of bipolarization evaluation.The phenomenon of "polarization" of art evaluation is the inevitable result of the change of art ecological structure from "time advantage medium" art to "space advantage medium" art, and it is also a symbol of the present social group culture situation and the complexity of the spirit of the times.
【作者單位】： 濟(jì)南大學(xué)文學(xué)院;
【分類號】：J05;G206

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本文編號：1707084