發(fā)布時(shí)間：2019-03-27 09:39

【摘要】： 關(guān)于文學(xué)形式的表述歷來(lái)頗多爭(zhēng)議,本文試圖從文學(xué)形式與文學(xué)性相關(guān)的角度關(guān)注文學(xué)的本身特征。文學(xué)形式概念的形成是一個(gè)漫長(zhǎng)的歷史過(guò)程,如果在文學(xué)活動(dòng)中看文學(xué)形式,可將其分為四種:質(zhì)料的形式、創(chuàng)造中的形式、創(chuàng)造出的形式、顯現(xiàn)的形式。文學(xué)形式的表情達(dá)意性是文學(xué)的形式的基本要求。 文學(xué)形式的文學(xué)性獨(dú)特地體現(xiàn)在它的修辭技巧和敘事安排中。同樣面對(duì)一個(gè)材料,文學(xué)的形式創(chuàng)新和自身的特殊性在于它的手法。這種手法的背后是人類的創(chuàng)造性不斷超越自身而產(chǎn)生的。本文試圖通過(guò)手法中文學(xué)性最突出的修辭和敘事兩個(gè)方面來(lái)進(jìn)行分析,找尋文學(xué)形式在多大程度上成就文學(xué)自身。歷代作者遵循文學(xué)形式不斷發(fā)展的規(guī)律,不斷探索創(chuàng)新形式。在這一過(guò)程中,文學(xué)形式自身的流變也經(jīng)歷一個(gè)過(guò)程,其結(jié)果是當(dāng)一個(gè)新的形式成為經(jīng)歷時(shí)間沉淀下來(lái)的慣例時(shí),又不斷有作者在繼承的基礎(chǔ)上創(chuàng)建新形式挑戰(zhàn)傳統(tǒng)的解讀模式。從語(yǔ)言的創(chuàng)新,到講述方式的創(chuàng)新。形式在變與不變的掙扎中考驗(yàn)著人類的闡釋理想。 文學(xué)形式本身回答了文學(xué)的特性所在。文學(xué)形式本身所蘊(yùn)含的詩(shī)性創(chuàng)造是文學(xué)特性的顯著表現(xiàn)。而互文性,很好地回答了文學(xué)形式為什么具有多義性、包蘊(yùn)性。本文還試圖通過(guò)對(duì)文學(xué)形式創(chuàng)新和接受過(guò)程中的兩個(gè)誤區(qū):形式主義和意圖謬誤的分析,揭示文學(xué)形式本身的“互文性”,既可以避免文學(xué)形式對(duì)社會(huì)、歷史的割裂,也可以避免解讀中的意圖謬誤。在此基礎(chǔ)上,文學(xué)形式的意義得以生成。
[Abstract]:The expression of the form of literature has always been controversial, and this article attempts to focus on the characteristics of literature from the angle of literature and literature. The formation of the concept of literary form is a long historical process. If the literary form is seen in the literary activity, it can be divided into four types: the form of material, the form of creation, the form of creation and the form of appearance. The expression of the form of literature is the basic requirement of the form of literature. The literariness in the form of literature is embodied in its rhetoric and narrative. In the same way, in the face of a material, the form of literature and its own particularity lie in it The back of this technique is that human creativity continues to go beyond its own. In this paper, the author tries to analyze the most prominent rhetoric and narrative in the method of literature, to find the extent to which the literary form is to be accomplished. The author of the past dynasties followed the law of the continuous development of the literature form, and constantly explored the innovation In this process, the change of the form of literature also goes through a process, and the result is that when a new form becomes the practice of settling down in time, the author constantly has the author to create a new form of challenge traditional interpretation on the basis of succession. The pattern. From the language's innovation, to the way it's going to be. The form of the change and the constant struggle test the human interpretation The ideal. The literary form itself answers the literature The characteristic of literature is the poetic creation in the form of literature itself is the characteristic of literature. On the other hand, it is very good to answer the reason why the literary form is multi-sense. The paper also tries to reveal the "intertextuality" of the form of literature through the analysis of the form of formalism and the fallacy of the intention, which can not only avoid the separation of the form of literature to the society and the history, but also avoid the interpretation. On the basis of this, the meaning of literary form
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：I02

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 常力強(qiáng);西方形式主義文論中的讀者接受研究[D];中央民族大學(xué);2011年

2 王子旋;蘇珊·朗格藝術(shù)形式理論研究[D];廣西師范大學(xué);2012年

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本文編號(hào)：2448071