【摘要】：自從在西方工業(yè)革命時代商品化、世俗化浪潮中興起以來,到二十世紀(jì)五六十年代在西方社會興盛、八九十年代向中國蔓延,大眾藝術(shù)已經(jīng)逐漸發(fā)展為一種文化產(chǎn)業(yè),具有了商品的屬性,這在客觀上要求必須對其進行理論上的探討。目前,國內(nèi)外理論界關(guān)于大眾藝術(shù)的研究雖然不少,但從藝術(shù)學(xué)和經(jīng)濟學(xué)兩個角度,運用社會學(xué)和文化學(xué)兩種方法研究大眾藝術(shù)產(chǎn)業(yè)仍比較少,即使有也僅是就某一種門類藝術(shù)的單一論述。因此,研究大眾藝術(shù)產(chǎn)業(yè)的經(jīng)營,尤其是將大眾藝術(shù)放在我國改革開放、市場經(jīng)濟體制不斷完善過程中,是具有十分重要的現(xiàn)實意義的。 本文在研究過程中,盡量把握藝術(shù)學(xué)學(xué)科特點,堅持運用、借鑒馬克思主義哲學(xué)、政治經(jīng)濟學(xué)的基本理論和社會學(xué)研究一些經(jīng)驗,探討大眾藝術(shù)產(chǎn)業(yè)的產(chǎn)生、現(xiàn)狀、特征以及與其他藝術(shù)形態(tài)的關(guān)系。 論文的具體內(nèi)容及理論框架如下: 論文分為引言、第一章、第二章、第三章、第四章、結(jié)語五個部分。 引言部分對論文的主要核心概念,如:“大眾藝術(shù)”、“產(chǎn)業(yè)化”、“經(jīng)營”等進行剖析與界定。尤其是對大眾藝術(shù)這個范疇的使用,本文著重強調(diào):它是藝術(shù)這一特殊實踐形式在社會結(jié)構(gòu)由“平民社會”或“市民社會”向“大眾社會”轉(zhuǎn)型過程中本能回應(yīng),是藝術(shù)形式與內(nèi)容大眾化的表現(xiàn),其決定因素是藝術(shù)生產(chǎn)方式變革。 第一章主要梳理大眾藝術(shù)產(chǎn)生的歷史條件,并以馬克思的精神生產(chǎn)理論,尤其是商品論和藝術(shù)生產(chǎn)理論為指導(dǎo),著重分析大眾藝術(shù)的產(chǎn)生以及產(chǎn)業(yè)化發(fā)展的條件。在這一章,大眾藝術(shù)產(chǎn)品屬性和大眾藝術(shù)產(chǎn)生的決定因素-----藝術(shù)生產(chǎn)方式是論述的關(guān)鍵。 既然,當(dāng)前大眾藝術(shù)可以走產(chǎn)業(yè)化發(fā)展的道路,但發(fā)展?fàn)顩r如何呢?因此在論題研究的第二章我們運用事實說明的方法,分析比較西方發(fā)達國家大眾藝術(shù)產(chǎn)業(yè)和當(dāng)前我國大眾藝術(shù)產(chǎn)業(yè)之間的差異,并力圖歸納出影響我國大眾藝術(shù)產(chǎn)業(yè)發(fā)展的主要障礙,從而引發(fā)論題研究的方向。 第三章主要是結(jié)合當(dāng)前我國大眾藝術(shù)產(chǎn)業(yè)中出現(xiàn)的問題,闡述、分析大眾藝術(shù)產(chǎn)業(yè)主體,并進一步總結(jié)歸納出解決大眾藝術(shù)產(chǎn)業(yè)發(fā)展障礙的一些建議。
[Abstract]:Since the rise of commercialization and secularization in the era of the Western Industrial Revolution, by the 1950s and 1960s it has flourished in the western society and spread to China in the 1980s and 1990s. Mass art has gradually developed into a cultural industry. Because of the attribute of commodity, it is necessary to discuss it in theory. At present, although there are a lot of researches on mass art in domestic and foreign theorists, there are still few studies on mass art industry from the angles of art and economics, using sociology and culturology. Even if there is, it is only a single exposition of a certain category of art. Therefore, it is of great practical significance to study the management of mass art industry, especially to put mass art in the process of reform and opening up in our country and the continuous improvement of market economy system. In the course of the research, this paper tries to grasp the characteristics of the subject of art, insist on its application, draw lessons from the basic theories of Marxist philosophy, political economics and sociological research, and discuss the emergence and present situation of the mass art industry. Features and relationships with other forms of art. The specific contents and theoretical framework of the thesis are as follows: the paper is divided into five parts: introduction, chapter one, chapter two, chapter three, chapter four, and conclusion. The introduction analyzes and defines the main core concepts of the thesis, such as "popular art", "industrialization", "management" and so on. In particular, the use of the category of popular art is emphasized in this paper: it is an instinctive response to the transformation of social structure from "civilian society" or "civil society" to "mass society" in this special form of practice. It is the expression of the popularization of artistic form and content, whose decisive factor is the change of artistic mode of production. The first chapter mainly combs the historical conditions of the emergence of mass art, and analyzes the conditions of the emergence and industrialization of mass art under the guidance of Marx's spiritual production theory, especially commodity theory and art production theory. In this chapter, the attributes of mass art products and the decisive factor of mass art production-art production mode are the key to the discussion. Since the current mass art can take the road of industrialization development, but what is the development status? Therefore, in the second chapter of the thesis study, we analyze and compare the differences between the popular art industry in the western developed countries and the current mass art industry in China by using the method of factual explanation. And try to sum up the main obstacles affecting the development of China's mass art industry, thus triggering the direction of topic research. The third chapter mainly discusses and analyzes the main body of the mass art industry and summarizes some suggestions to solve the obstacles in the development of the mass art industry according to the problems existing in the current mass art industry in our country.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J124

【引證文獻】

相關(guān)期刊論文 前1條

1 劉昂;;山東民間藝術(shù)產(chǎn)業(yè)的創(chuàng)意研發(fā)[J];棗莊學(xué)院學(xué)報;2011年04期

相關(guān)博士學(xué)位論文 前1條

1 劉昂;山東省民間藝術(shù)產(chǎn)業(yè)開發(fā)研究[D];山東大學(xué);2010年

相關(guān)碩士學(xué)位論文 前3條

1 鐘聲;文化創(chuàng)意產(chǎn)業(yè)理論與實踐研究[D];廣西師范大學(xué);2008年

2 何阿珠;藝術(shù)產(chǎn)業(yè)背景下的藝術(shù)定位問題[D];廈門大學(xué);2008年

3 楊閩;信息時代社會大眾藝術(shù)素養(yǎng)的培養(yǎng)研究[D];南京郵電大學(xué);2012年

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本文編號：2448030