論“隱喻性”現(xiàn)成品在后現(xiàn)代藝術(shù)中的表現(xiàn)
發(fā)布時間：2019-03-20 18:17
【摘要】： 現(xiàn)成品的使用是后現(xiàn)代藝術(shù)的一個重要標志，后現(xiàn)代藝術(shù)既包括對現(xiàn)代主義的某些繼承，又是對現(xiàn)代藝術(shù)美學(xué)實踐的批判、叛離和反諷。從雕塑角度來看，后現(xiàn)代主義和現(xiàn)代主義區(qū)別并不在于作品的面貌，而在于它們的創(chuàng)作方法論。創(chuàng)作方法論具體體現(xiàn)在藝術(shù)家的材料觀念、空間的關(guān)注以及藝術(shù)主題�，F(xiàn)成品也成為后現(xiàn)代藝術(shù)的形式問題之一。 后現(xiàn)代藝術(shù)最重要的起點是達達和杜尚的反美學(xué)主張以及“現(xiàn)成品”概念，從波普藝術(shù)、激浪派藝術(shù)、極少主義到觀念藝術(shù)的后現(xiàn)代藝術(shù)流派，，對現(xiàn)成品的使用有兩種傾向：一是擺脫現(xiàn)代主義的自我，尋找藝術(shù)同生活的聯(lián)系；二是消除形式主義對材料的處理方式以及作品的物質(zhì)形態(tài)，將知覺與認識引向觀念。德國藝術(shù)家波伊斯雖然參與到上述流派的活動中并接受影響，但是對現(xiàn)成品的使用卻隱喻地回到人文主義的闡述模式中，在他的藝術(shù)作品中關(guān)注的是材料和行為的象征意義�！半[喻性”現(xiàn)成品的材料觀的成型成了轉(zhuǎn)折點，藝術(shù)的主題開始關(guān)注社會、政治、性別與文化的差異和大眾文化這些上層建筑。 “隱喻性”現(xiàn)成品的材料觀念對當代藝術(shù)創(chuàng)作產(chǎn)生了極大的影響，體現(xiàn)出后現(xiàn)代藝術(shù)的某些特征，即意義的非確定性，與同時代的解構(gòu)主義哲學(xué)遙相呼應(yīng)。現(xiàn)成品的隱喻性提供了解讀的多重可能性，也導(dǎo)致了寫作與閱讀的分離。
[Abstract]:The use of finished products is an important symbol of post-modern art, which includes not only some inheritance to modernism, but also criticism, betrayal and irony to the practice of modern art aesthetics. From the point of view of sculpture, the difference between post-modernism and modernism lies not in the appearance of the works, but in their creative methodology. The methodology of creation is embodied in the artist's concept of material, the concern of space and the theme of art. The finished product has also become one of the formal problems of post-modern art. The most important starting point of post-modern art is the anti-aesthetic ideas of Dada and Duchamp, as well as the concept of "finished goods", from pop art, surging art, minimal doctrine to the post-modern art school of concept art. There are two tendencies in the use of the finished product: one is to get rid of the modernist self and to find the connection between art and life; The second is to eliminate the formalism of material processing and the material form of the work, and to lead perception and knowledge to the concept. Although the German artist Boyce is involved in the activities of the above schools and accepts the influence, the use of the finished goods is metaphorically returned to the humanistic model of elaboration. In his works of art, he pays attention to the symbolic significance of materials and behavior. The "metaphorical" material view of the finished product became a turning point, and the theme of art began to focus on the superstructures of society, politics, gender and culture, and mass culture. The concept of "metaphorical" material has a great influence on contemporary art creation, which reflects some characteristics of post-modern art, namely, the non-certainty of meaning, which corresponds with the contemporary deconstruction philosophy. The metaphorical nature of the finished product provides multiple possibilities for interpretation and leads to the separation of writing and reading.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J01
本文編號：2444482
[Abstract]:The use of finished products is an important symbol of post-modern art, which includes not only some inheritance to modernism, but also criticism, betrayal and irony to the practice of modern art aesthetics. From the point of view of sculpture, the difference between post-modernism and modernism lies not in the appearance of the works, but in their creative methodology. The methodology of creation is embodied in the artist's concept of material, the concern of space and the theme of art. The finished product has also become one of the formal problems of post-modern art. The most important starting point of post-modern art is the anti-aesthetic ideas of Dada and Duchamp, as well as the concept of "finished goods", from pop art, surging art, minimal doctrine to the post-modern art school of concept art. There are two tendencies in the use of the finished product: one is to get rid of the modernist self and to find the connection between art and life; The second is to eliminate the formalism of material processing and the material form of the work, and to lead perception and knowledge to the concept. Although the German artist Boyce is involved in the activities of the above schools and accepts the influence, the use of the finished goods is metaphorically returned to the humanistic model of elaboration. In his works of art, he pays attention to the symbolic significance of materials and behavior. The "metaphorical" material view of the finished product became a turning point, and the theme of art began to focus on the superstructures of society, politics, gender and culture, and mass culture. The concept of "metaphorical" material has a great influence on contemporary art creation, which reflects some characteristics of post-modern art, namely, the non-certainty of meaning, which corresponds with the contemporary deconstruction philosophy. The metaphorical nature of the finished product provides multiple possibilities for interpretation and leads to the separation of writing and reading.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J01
【引證文獻】
相關(guān)碩士學(xué)位論文 前1條
1 陶媛;白南準研究[D];南京藝術(shù)學(xué)院;2010年
本文編號：2444482
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