油畫寫生中的情感表達(dá)
發(fā)布時間：2018-10-20 17:14
【摘要】：當(dāng)我們在欣賞大師的經(jīng)典之作時，當(dāng)我們久久佇立在前輩們的名畫之前，用心感悟的時候，我們不僅僅被畫面的形象和色彩所折服，更重要的是我們被畫面所表達(dá)出來的情感所打動。情感，作為塑造藝術(shù)形象的動力可以說是貫穿與每一部作品的創(chuàng)作過程，情感是人類藝術(shù)創(chuàng)作的源泉，更是油畫寫生過程中最重要的成分，試想一部作品，如果沒有作者的情感滲透進(jìn)畫面中，這幅畫就是技巧再高超，也不能是一部好的作品。 人類自從有了情感，便擁有了想象，有了想象便產(chǎn)生了藝術(shù)形式，藝術(shù)形式只有和個性情感的表達(dá)有機(jī)結(jié)合起來，才能變得豐富多彩。 本文以油畫寫生和情感表達(dá)作為切入點(diǎn)，認(rèn)真研究了情感和油畫的關(guān)系、油畫歷史的情感烙印以及在油畫寫生過程中構(gòu)成情感的各種要素等等。 全文共分五章： 第一章是引言，主要論述本課題研究的學(xué)術(shù)背景及意義、研究的目的及研究的主要內(nèi)容。 第二章主要研究油畫的歷史及情感在油畫中的時代烙印，本章共分兩部分內(nèi)容，第一部分是西方油畫中的情感體現(xiàn)，由原始社會最樸素的情感表達(dá)直至近現(xiàn)代油畫情感表達(dá)的多樣多姿，第二部分為中國油畫的情感表達(dá)，主要列舉了從民國時期油畫的西學(xué)東漸以及人文主義情懷，紅色中國革命理想的激情對油畫的沖擊和影響，改革開放后寫實(shí)主義的情感體現(xiàn)。 第三章主要從構(gòu)成畫面情感的要素入手，比如油畫技法與情感的關(guān)系、油畫寫生過程中構(gòu)圖的意義及情感，畫家意識的確立以及畫面中線條、色彩、肌理、筆觸等等所表達(dá)出的情感關(guān)聯(lián)，來詮釋表達(dá)畫面物象構(gòu)成所必不可少的情感概念。 第四章列舉一些當(dāng)今在油畫寫生過程中的理解誤區(qū)以及在油畫寫生過程中情感的缺失。 第五章主要論述傳統(tǒng)寫生與藝術(shù)創(chuàng)作相輔相成的關(guān)系，并最終一切的論述落到油畫寫生和創(chuàng)作的靈魂—“情感”表達(dá)上面。 最后是結(jié)論，總結(jié)全文，綜述藝術(shù)家們豐富的情感對于作品的影響以及我們要懷著對生活、對藝術(shù)的熱愛，堅(jiān)持對藝術(shù)不懈的追求和夢想。 總之，對于油畫豐富情感的表達(dá)是一個充滿了各種因素的過程，是一個潛移默化滲透的過程，油畫不論是寫生還是創(chuàng)作，都是作者內(nèi)心感受的一種體現(xiàn)。畫家們只有相信自己的感受力和直覺力，大膽創(chuàng)新，突破拘囿，盡情施展才華，才能創(chuàng)造出飽含個人魅力的畫界杰作。
[Abstract]:When we appreciate the master's classics, when we stand long before the famous paintings of our predecessors, we are not only overwhelmed by the image and color of the picture. What is more important is that we are moved by the emotions expressed in the picture. Emotion, as the motive force for shaping the artistic image, can be said to run through the creative process of each work. Emotion is the source of human art creation, and it is the most important component in the process of oil painting. Imagine a work. Without the emotional penetration of the artist, the painting is no better than a good one. Human beings have had imagination since they have emotion, and art form has emerged with imagination. Only when the artistic form is combined with the expression of individual emotion can it become rich and colorful. In this paper, oil painting and emotional expression as a starting point, a careful study of the relationship between emotion and oil painting, oil painting history of emotional imprint, as well as in the process of oil painting constitute a variety of emotional elements and so on. This paper is divided into five chapters: the first chapter is the introduction, mainly discusses the academic background and significance of this research, the purpose of the research and the main content of the research. The second chapter mainly studies the history of oil painting and the epoch imprint of emotion in oil painting. This chapter is divided into two parts, the first part is the emotional embodiment in western oil painting. The second part is the emotional expression of Chinese oil painting. The second part mainly enumerates the evolution of western oil painting and humanism in the period of the Republic of China. The impact and influence of red Chinese revolutionary ideal passion on oil painting, realism emotion embodiment after reform and opening up. The third chapter mainly starts with the elements that constitute the emotion of the picture, such as the relationship between oil painting techniques and emotion, the significance and emotion of composition in the painting process, the establishment of painter's consciousness, and the lines, colors, texture in the picture. Brush strokes and other expressions of emotional association, to explain the expression of the image of the essential emotional concept. The fourth chapter enumerates some misunderstandings in the painting process and the lack of emotion in the painting process. The fifth chapter mainly discusses the relationship between traditional sketch and artistic creation, and finally all the discussion falls to the soul of oil painting and creation-"emotion" expression. Finally, it is the conclusion, the summary full text, summarizes the artist rich emotion to the work influence as well as we must hold with the life, to the art love, persisted to the art unremitting pursue and the dream. In a word, the expression of rich emotion for oil painting is a process full of various factors, is a process of imperceptible infiltration, oil painting is a reflection of the author's inner feelings, whether it is sketch or creation. Painters can create masterpieces full of personal charm only if they believe in their own sensibility and intuition, make bold innovations, break through the confines, and exert their talents to the fullest extent.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213
本文編號：2283837
[Abstract]:When we appreciate the master's classics, when we stand long before the famous paintings of our predecessors, we are not only overwhelmed by the image and color of the picture. What is more important is that we are moved by the emotions expressed in the picture. Emotion, as the motive force for shaping the artistic image, can be said to run through the creative process of each work. Emotion is the source of human art creation, and it is the most important component in the process of oil painting. Imagine a work. Without the emotional penetration of the artist, the painting is no better than a good one. Human beings have had imagination since they have emotion, and art form has emerged with imagination. Only when the artistic form is combined with the expression of individual emotion can it become rich and colorful. In this paper, oil painting and emotional expression as a starting point, a careful study of the relationship between emotion and oil painting, oil painting history of emotional imprint, as well as in the process of oil painting constitute a variety of emotional elements and so on. This paper is divided into five chapters: the first chapter is the introduction, mainly discusses the academic background and significance of this research, the purpose of the research and the main content of the research. The second chapter mainly studies the history of oil painting and the epoch imprint of emotion in oil painting. This chapter is divided into two parts, the first part is the emotional embodiment in western oil painting. The second part is the emotional expression of Chinese oil painting. The second part mainly enumerates the evolution of western oil painting and humanism in the period of the Republic of China. The impact and influence of red Chinese revolutionary ideal passion on oil painting, realism emotion embodiment after reform and opening up. The third chapter mainly starts with the elements that constitute the emotion of the picture, such as the relationship between oil painting techniques and emotion, the significance and emotion of composition in the painting process, the establishment of painter's consciousness, and the lines, colors, texture in the picture. Brush strokes and other expressions of emotional association, to explain the expression of the image of the essential emotional concept. The fourth chapter enumerates some misunderstandings in the painting process and the lack of emotion in the painting process. The fifth chapter mainly discusses the relationship between traditional sketch and artistic creation, and finally all the discussion falls to the soul of oil painting and creation-"emotion" expression. Finally, it is the conclusion, the summary full text, summarizes the artist rich emotion to the work influence as well as we must hold with the life, to the art love, persisted to the art unremitting pursue and the dream. In a word, the expression of rich emotion for oil painting is a process full of various factors, is a process of imperceptible infiltration, oil painting is a reflection of the author's inner feelings, whether it is sketch or creation. Painters can create masterpieces full of personal charm only if they believe in their own sensibility and intuition, make bold innovations, break through the confines, and exert their talents to the fullest extent.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 王萌;;高校藝術(shù)實(shí)踐教學(xué)體系寫生構(gòu)圖的探索研究[J];美術(shù)教育研究;2012年12期
2 張利;;寫實(shí)繪畫中的藝術(shù)真實(shí)與生活真實(shí)[J];解放軍藝術(shù)學(xué)院學(xué)報(bào);2010年03期
，本文編號：2283837
本文鏈接：http://www.lk138.cn/wenyilunwen/huihuayishu/2283837.html
