發(fā)布時間：2018-10-20 16:40

【摘要】：油畫作為外來畫種在中國的發(fā)展雖然只有百年上下,但油畫在中國已經(jīng)歷了幾個不同的發(fā)展階段——唯蘇聯(lián)老大哥馬首是瞻的蘇聯(lián)模式；“文革”期間的“紅、光、亮”和“高、大、全”；改革開放以來受西方當(dāng)代藝術(shù)思潮的沖擊和多種原因所引發(fā)的藝術(shù)格局多元化。在這一發(fā)展過程當(dāng)中,寫實(shí)主義油畫取得了輝煌的成就,顯示了極強(qiáng)的藝術(shù)生命力。 在藝術(shù)創(chuàng)作中,寫實(shí)主義即是藝術(shù)創(chuàng)作方法,也是藝術(shù)創(chuàng)作主體的人文精神所宗。藝術(shù)家作為人文財富的創(chuàng)造者,不僅要擔(dān)負(fù)起傳承發(fā)展繪畫傳統(tǒng)的責(zé)任,更要堅(jiān)守精神的高地,追求具有永恒價值的作品。 本文試圖從寫實(shí)主義油畫的相關(guān)概念及在中國的發(fā)展歷程出發(fā),結(jié)合中國當(dāng)代寫實(shí)油畫作品,分析其形式語言,并通過其作品所呈現(xiàn)出的思想精神,剖析藝術(shù)家的思想,結(jié)合時代現(xiàn)狀和文化特色來探討寫實(shí)油畫中傳達(dá)的畫家的思想愿望與精神追求。指出只有畫家在提高技術(shù)語言的同時積極培養(yǎng)自身的藝術(shù)修養(yǎng)、人文素質(zhì)和歷史責(zé)任感,才能創(chuàng)作出具有時代精神的現(xiàn)實(shí)主義的優(yōu)秀作品。本文在國內(nèi)現(xiàn)有的研究基礎(chǔ)上,進(jìn)一步分析中國寫實(shí)油畫的精神內(nèi)質(zhì)和形式語言,希望能更加深入具體的分析論述兩者對于中國寫實(shí)主義油畫的重要性以及兩者對于作品來說相輔相成的關(guān)系。通過對這些問題的探討和研究,進(jìn)而加深對中國寫實(shí)油畫的整體認(rèn)識,促進(jìn)中國寫實(shí)油畫的形式語言新的發(fā)展及精神內(nèi)涵的進(jìn)一步提高,繁榮繪畫創(chuàng)作更好的服務(wù)于社會大眾。
[Abstract]:Although oil painting has developed in China for only about a hundred years as a foreign painting species, oil painting has gone through several different stages of development in China-the Soviet model followed by the great brother of the Soviet Union; the "red, light" period during the "Cultural Revolution." Bright "and" high, big, complete "; since the reform and opening up to the outside world by the western contemporary art trend of thought and a variety of reasons caused by the diversity of the art pattern. In this development process, realistic oil painting has made brilliant achievements, showing a strong artistic vitality. Realism is not only the method of artistic creation, but also the humanistic spirit of the subject of art creation. As the creators of human wealth, artists should not only shoulder the responsibility of inheriting and developing painting traditions, but also stick to the spiritual heights and pursue works of eternal value. Based on the concept of realistic oil painting and its development in China, this paper attempts to analyze the formal language of realistic oil painting in China, and analyze the artist's thoughts through the spirit of his works. Combined with the current situation and cultural characteristics of the times to explore the realistic oil painting conveyed in the artist's ideological desire and spiritual pursuit. It is pointed out that only when artists improve their technical language and actively cultivate their own artistic accomplishment, humanistic quality and historical responsibility, can they create outstanding works of realism with the spirit of the times. Based on the existing domestic research, this paper further analyzes the spiritual endoplasm and formal language of Chinese realistic oil paintings. I hope to analyze the importance of the two to the Chinese realistic oil painting and the relationship between the two works. Through the discussion and research of these problems, we can deepen the whole understanding of Chinese realistic oil painting, promote the new development of the formal language and the further improvement of spiritual connotation of Chinese realistic oil painting, and prosper the painting creation to serve the public better.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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本文編號：2283741