寫實油畫中光的表現研究
發(fā)布時間:2018-06-28 22:09
本文選題:寫實油畫 + 光; 參考:《沈陽師范大學》2017年碩士論文
【摘要】:從古至今,寫實油畫創(chuàng)作的題材多樣,風格多變。然而這些作品的形成都離不開一個因素,那就是光。光這一元素在寫實油畫中的重要性與功能性是非常明顯的,如果一幅寫實油畫作品對于光的運用非常優(yōu)秀,可以說這幅作品已經成功了一大半。隨著時代的不斷發(fā)展,國內外油畫的描繪風格與技法也在不斷地增加,而且在諸多油畫作品中對于光的表現手法也是各有特色,許多畫家也通過光在作品中的靈活運用,為觀者呈現出了豐富多彩的畫面氛圍與內涵。如果想將寫實油畫處理的精彩,熟練掌握寫實油畫中光的類型與特色是必不可少的一個過程。本文主要圍繞寫實油畫中的光進行研究,通過分析經典寫實油畫作品中不同的光,去分析并整理光這一元素在寫實油畫中扮演的重要角色。本文中包含了寫實油畫中光的基本概念,存在意義以及功能類型,通過多個角度去研究寫實油畫中的光,結合不同時期的作品來分析不同時期光的作用的不同側重點、及其最終表現形式與效果,歸納出寫實油畫中光的基本規(guī)律,以至于學習運用。
[Abstract]:Since ancient times, realistic oil painting creation of a variety of subjects, style variety. However, the formation of these works can not be separated from one factor, that is light. The importance and function of light in realistic oil painting is very obvious. If a realistic oil painting is very good at the use of light, it can be said that this work has been more than half successful. With the development of the times, the depiction style and technique of oil paintings at home and abroad are also increasing, and in many oil paintings, the expressive methods of light have their own characteristics. Many painters also use light flexibly in their works. For the viewer presents a rich and colorful picture atmosphere and connotation. It is an essential process to master the type and characteristics of light in realistic oil painting. This paper focuses on the study of light in realistic oil paintings, through the analysis of different light in classic realistic oil paintings, to analyze and sort out the important role that light plays in realistic oil paintings. This paper includes the basic concept, meaning and function type of light in realistic oil painting, studies the light in realistic oil painting from many angles, and analyzes the different emphases of the function of light in different periods combined with the works of different periods. And its final manifestation and effect, summed up the basic law of light in realistic oil painting, so that learning to use.
【學位授予單位】:沈陽師范大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J213
【參考文獻】
相關期刊論文 前4條
1 霍緒德;;巴洛克光影的回歸與復活——浪漫主義思潮與浪漫主義畫家作品中的光影運用[J];美術大觀;2006年09期
2 安琦;架上繪畫的淺空間意識[J];美苑;2004年04期
3 水天中;當代中國油畫[J];美術;2003年11期
4 卓凡;平面化繪畫中的光與影[J];福建藝術;2002年04期
相關碩士學位論文 前4條
1 江峰;具象油畫創(chuàng)作中的光影研究[D];湖南科技大學;2014年
2 顧曉璐;論具象油畫中的光影運用[D];南京藝術學院;2013年
3 季洪鵬;具象油畫藝術中關于光影因素的探索和研究[D];北京服裝學院;2012年
4 成梅;油畫光影表述與藝術風格[D];中央民族大學;2006年
,本文編號:2079543
本文鏈接:http://www.lk138.cn/shoufeilunwen/zaizhiboshi/2079543.html
教材專著