本文選題：新雅樂　切入點(diǎn)：藝術(shù)價值　出處：《鄭州大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：本文所探討的音樂形式是由哈輝發(fā)起的新雅樂的音樂藝術(shù)形式,倡導(dǎo)一種“靜雅、古雅、典雅、清雅”的音樂風(fēng)格。是對中國古典音樂之雅樂部分的重新認(rèn)證、傳承、組建與創(chuàng)新,又在此基礎(chǔ)上使之升華,實現(xiàn)了古代音樂美學(xué)與現(xiàn)代音樂美學(xué)視野的巧妙轉(zhuǎn)換與承接。本文僅對新雅樂音樂現(xiàn)象及啟示和弘揚(yáng)問題進(jìn)行闡述探討。共設(shè)五個章節(jié)進(jìn)行探論,主要講述了與新雅樂這一藝術(shù)不可分割的古詩詞的研究,它們之間的相互作用;怎樣將傳統(tǒng)文化更好的運(yùn)用于這一新的音樂形式當(dāng)中,這一新的音樂形式又是怎樣更好的傳承和創(chuàng)新了傳統(tǒng)國學(xué)文化;研究新雅樂這一藝術(shù)形式的出現(xiàn)對于人格建立的意義,講述這一音樂形式較之于其他音樂形式的不可替代性。
[Abstract]:The music form discussed in this paper is the music art form of the new elegant music initiated by Ha Hui, which advocates a kind of music style of "quiet elegance, quaint elegance, elegance and elegance". It is the re-certification and inheritance of the elegant music part of Chinese classical music. Formation and innovation, and on this basis to make it sublimate, It realizes the ingenious transformation and acceptance of the vision of ancient music aesthetics and modern music aesthetics. This paper only discusses the phenomenon of new elegant music and its enlightenment and promotion. This paper mainly describes the study of ancient poetry, which is inseparable from the art of neo-elegant music, the interaction between them, and how to better apply traditional culture to this new musical form. This new form of music is how to better inherit and innovate the traditional Chinese culture, study the appearance of the new artistic form of elegant music for the establishment of personality, to describe this music form compared with other forms of music can not be replaced.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J605

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1 彭彥彥;新雅樂文化現(xiàn)象探究[D];鄭州大學(xué);2017年

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本文編號：1650690