【摘要】：民國(guó)時(shí)期的美術(shù)展覽會(huì)是東西方文化交流的結(jié)果,它的出現(xiàn)改變了中國(guó)傳統(tǒng)的藝術(shù)鑒藏方式,是中國(guó)美術(shù)史上的重大跨越。美術(shù)作品公開(kāi)展示,不僅促進(jìn)了美術(shù)展覽模式的形成,也通過(guò)對(duì)當(dāng)時(shí)藝術(shù)風(fēng)格、藝術(shù)思潮的呈現(xiàn),進(jìn)一步影響了畫(huà)壇的發(fā)展動(dòng)向,對(duì)于藝術(shù)家的社會(huì)地位、創(chuàng)作風(fēng)格的確立也起著較大的作用。美術(shù)展覽是西風(fēng)東漸的產(chǎn)物,它徹底改變了中國(guó)藝術(shù)的欣賞習(xí)慣,建立了面向大眾的美育,也成為西方了解中國(guó)美術(shù)文化的窗口。 本文以民國(guó)時(shí)期(1912-1949)的美術(shù)展覽活動(dòng)為研究對(duì)象。通過(guò)歷史分析研究的方法,在對(duì)民國(guó)時(shí)期美術(shù)展覽會(huì)的歷史和流變進(jìn)行橫向梳理的基礎(chǔ)上進(jìn)一步地從縱向上對(duì)其進(jìn)行分析。本文導(dǎo)論部分首先對(duì)此選題相關(guān)的概念進(jìn)行闡釋,以明確研究的對(duì)象,正文第一部分根據(jù)不同時(shí)期美術(shù)展覽的具體情況進(jìn)行分類概括,共分為四個(gè)部分,分別為興起和初步發(fā)展階段(1910-1918)、規(guī)模壯大和展覽模式形成階段(1919-1927)、展覽類型多元化階段(1928-1936)、曲折發(fā)展階段(1937-1949)。第二部分將從展覽模式、藝術(shù)發(fā)展、文化傳播等多個(gè)角度進(jìn)行展開(kāi)分析,以呈現(xiàn)民國(guó)這一時(shí)期美術(shù)展覽會(huì)的獨(dú)特面貌。
[Abstract]:The art exhibition in the period of the Republic of China was the result of the cultural exchange between the East and the West. Its appearance changed the traditional Chinese art collection and was a great leap forward in the history of Chinese art. The public display of art works not only promoted the formation of the art exhibition mode, but also further affected the development trend of the painting world and the social status of the artists through the presentation of the artistic style and the artistic trend of thought at that time. The establishment of creative style also plays a greater role. Art exhibition is the product of the western-style art exhibition, which has completely changed the appreciation habit of Chinese art, established the aesthetic education for the masses, and also became the window for the West to understand the Chinese art culture. This article takes the art exhibition activity of the Republic of China period (1912-1949) as the research object. Through the method of historical analysis and research, this paper analyzes the history and evolution of the art exhibition in the period of the Republic of China on the basis of further longitudinal analysis. The first part of the text is divided into four parts, which are classified and summarized according to the specific situation of the art exhibition in different periods. They are the stage of rising and initial development (1910-1918), the stage of scale expansion and the formation of exhibition mode (1919-1927), the stage of diversification of exhibition types (1928-1936), the stage of tortuous development (1937-1949). The second part will carry on the analysis from the exhibition pattern, the art development, the culture dissemination and so on, in order to present the unique appearance of the art exhibition in the period of the Republic of China.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J209.2

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本文編號(hào)：2319346