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從雙重壓迫到身心解放—《紫色》中西麗覺醒過程的象征主義解讀

發(fā)布時間:2018-12-13 23:16
【摘要】:愛麗斯·沃克出生于1944年,是當代美國最著名的女作家之一。她的代表作《紫色》于1982年一經(jīng)出版,就引起了世界范圍內(nèi)的轟動,這部作品在給她贏來大量贊譽的同時也使她遭受了很多批評。 通過仔細研讀小說,除了題目“紫色”,作者在小說中找到了其他多個象征并且把它們進行了如下歸類:西麗地位低下的象征(包括:“!焙汀皹洹);非洲傳統(tǒng)遺產(chǎn)的象征(包括:“百納被”,“布魯斯”,“信”);暴力反抗和非暴力反抗的象征(包括:“剪刀”,“針”);西麗解放的象征(包括:“褲子”和“一間自己的房子”);阿爾伯特轉(zhuǎn)變的象征(包括:“貝殼”和“青蛙”);以及黑人團聚的象征(“獨立日”)。對這些象征符號的解讀能夠更好地展示西麗從一個地位比“!钡偷哪驹G女孩到一個勇敢的,并且擁有自己的“房子”以及“褲子”公司的獨立女性的覺醒過程。 在這些象征中,“百納被”,“布魯斯”精神以及“信”在喚醒西麗的過程中起了很大的作用。通過解讀這些象征能夠體現(xiàn)出,夏葛,作為一個布魯斯精神的傳遞者,她的自由精神和無私幫助西麗的事跡符合愛麗絲·沃克所描述的“婦女主義者”的這一特征:“一個黑人女性主義者。愛護其他婦女。愛音樂,愛一種精神,關(guān)愛他人,喜歡抗爭,愛她的親朋,愛她自己”。而且,最終,在西麗已經(jīng)取得獨立的情況下,她并沒有報復(fù)曾經(jīng)壓迫她的男人,而是原諒了他并且?guī)椭一刈晕。西麗的所作所為符合愛麗絲·沃克筆下的另一個婦女從主義者的形象:“一個投身于解救全人類的女性”,這讓讀者能夠更好的理解愛麗絲·沃克的婦女主義:一個婦女主義者不會把黑人婦女的獨立和自由作為最終目標,她關(guān)注的是黑人這個整體,甚至全人類的生存。
[Abstract]:Born in 1944, Alice Walker is one of the most famous women writers in contemporary America. Since its publication in 1982, her masterpiece, Purple, has caused a worldwide sensation. It has won her a great deal of praise and has also attracted a lot of criticism. By studying the novel carefully, in addition to the title "Purple", the author finds several other symbols in the novel and classifies them as follows: the symbol of the low status of Xiali (including "cattle" and "Tree"); Symbols of the traditional heritage of Africa (including: "Bonaquet", "blues", "letter"); symbols of violent and non-violent resistance (including "scissors", "needles"); Symbols of liberation (including "pants" and "a house of their own"); symbols of Albert's transformation (including "shells" and "frogs"); and symbols of black reunion ("Independence Day"). The interpretation of these symbols can better showcase the awakening of an independent woman who has moved from a timid girl with a lower status than a cow to an independent woman who has her own "house" and "pants". Among these symbols, the Burnabe, the Blues, and the letter played a significant role in arousing Celia. By interpreting these symbols, Xia GE, as a transporter of the blues spirit, Her spirit of freedom and selfless help for Shelly are in line with Alice Walker's characteristic of "womanist": "A black feminist." Love other women. Love music, love a spirit, love others, like to fight, love her friends, love herself. And, in the end, when Celia had achieved independence, she did not retaliate against the man who had oppressed her, but forgave him and helped him find himself. What Shelly did was in line with Alice Walker's portrayal of another woman as a feminist: "a woman devoted to the salvation of all mankind." This enables readers to better understand Alice Walker's feminism: a womanist does not regard the independence and freedom of black women as the ultimate goal, she is concerned with the whole of black, and even the survival of all mankind.
【學位授予單位】:海南大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:I712.074

【參考文獻】

相關(guān)期刊論文 前3條

1 彌沙;;象征主義手法在《紫色》中的運用[J];東北農(nóng)業(yè)大學學報(社會科學版);2005年04期

2 于海燕;;小說《紫顏色》中的象征手法[J];鞍山科技大學學報;2007年01期

3 曾玲;;成長小說主題在《紫顏色》中的體現(xiàn)——美國非裔女性西麗的成長分析[J];集美大學學報(哲學社會科學版);2010年03期



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