萬比洛夫劇作：主題與詩學
發(fā)布時間：2018-11-22 10:32
【摘要】：亞歷山大·瓦連季諾維奇·萬比洛夫（Александр Валентинович Вампилов，1937-1972）是二十世紀一位非常重要的劇作家。他的戲劇創(chuàng)作在俄羅斯戲劇領域具有舉足輕重的地位。 萬比洛夫的劇作繼承和創(chuàng)新了俄羅斯戲劇文學，創(chuàng)作了一系列反映蘇聯(lián)六七十年代青年人性格、內(nèi)心世界和形象的劇作，如《六月的離別》（Прощание винюне1966），《長子》（Старший сын1968），《打野鴨》（Утинная охота1968），《外省軼事》（Провинциальные анелдоты1971）和《去年夏天在秋里木斯克》（Прошлым летом в Чулимуске1972）等等。本論文以這些劇作為研究對象，從中追尋萬比洛夫對前蘇聯(lián)戲劇的繼承與創(chuàng)新，論述萬比洛夫如何以他與眾不同的藝術審美方式刻畫二十世紀年輕人的道德問題和精神退化，分別從情節(jié)、人物形象、敘事上進行分析，力求挖掘萬比洛夫戲劇的荒誕性和悲喜劇的藝術創(chuàng)作方式，從而有助于對萬比洛夫戲劇創(chuàng)作有整體認識、理解和把握。
[Abstract]:Alexander Valledinovich Wambirov is a very important playwright in the 20 th century. His dramatic creation plays an important role in the field of Russian drama. Wanbirov's plays inherited and innovated Russian dramatic literature, and produced a series of plays that reflected the character, inner world and image of young people in the 1960s and 1970s of the Soviet Union, such as farewell in June (1966) and eldest son (1968). "beating wild ducks" (1968), "anecdotes from other provinces" (1971) and "last summer in autumn Musk" (1972), and so on, and so on. This thesis takes these plays as the research object, from which to pursue Wanbirov's inheritance and innovation to the former Soviet drama, and discusses how Wanbirov portrays the moral problems and spiritual degradation of the young people in the 20th century in his distinctive artistic aesthetic way. By analyzing the plot, characters and narration, the author tries to explore the absurdity of Wanbirov's drama and the artistic creation of tragicomedy, which is helpful to the overall understanding, understanding and grasp of Wanbirov's drama creation.
【學位授予單位】：黑龍江大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I512.073
本文編號：2349045
[Abstract]:Alexander Valledinovich Wambirov is a very important playwright in the 20 th century. His dramatic creation plays an important role in the field of Russian drama. Wanbirov's plays inherited and innovated Russian dramatic literature, and produced a series of plays that reflected the character, inner world and image of young people in the 1960s and 1970s of the Soviet Union, such as farewell in June (1966) and eldest son (1968). "beating wild ducks" (1968), "anecdotes from other provinces" (1971) and "last summer in autumn Musk" (1972), and so on, and so on. This thesis takes these plays as the research object, from which to pursue Wanbirov's inheritance and innovation to the former Soviet drama, and discusses how Wanbirov portrays the moral problems and spiritual degradation of the young people in the 20th century in his distinctive artistic aesthetic way. By analyzing the plot, characters and narration, the author tries to explore the absurdity of Wanbirov's drama and the artistic creation of tragicomedy, which is helpful to the overall understanding, understanding and grasp of Wanbirov's drama creation.
【學位授予單位】：黑龍江大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I512.073
【參考文獻】
相關期刊論文 前3條
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2 高紅櫻,李京華;從萬比洛夫看前蘇聯(lián)當代戲劇的繼承與創(chuàng)新[J];北華大學學報(社會科學版);2003年02期
3 鄭永旺;論世紀末的俄羅斯文學[J];新疆大學學報(哲學社會科學版);2000年04期
，本文編號：2349045
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