【摘要】：索爾·貝婁(1915-2005)是20世紀(jì)美國猶太裔小說家,是海明威和�？思{之后的重要的現(xiàn)代作家。其作品的背景大多數(shù)是在美國中部工業(yè)重鎮(zhèn)芝加哥,探索自然、文明以及人生活的意義。《赫索格》展現(xiàn)主人公摩西·赫索格在五天的旅行中迷茫的狀態(tài)、龐雜的思緒、精神流浪與受難精神。后現(xiàn)代主義理論是一個(gè)相當(dāng)寬泛的概念,它源自西方藝術(shù)領(lǐng)域的變革。在文學(xué)上,它是對(duì)現(xiàn)代主義的繼承和發(fā)展,反對(duì)現(xiàn)代主義的宏大敘事。本文作者從后現(xiàn)代主義的戲仿、異化、互文性三方面特點(diǎn)著手,解讀了《赫索格》中主人公摩西·赫索格的戲仿性,赫索格的異化及其自我升華,以及貝婁通過拼貼和引用的手法來豐富文本。通過分析得出：《赫索格》中的戲仿、異化和互文性的后現(xiàn)代主義特征只是作者真實(shí)刻畫當(dāng)時(shí)社會(huì)以及人物形象的手段和方法,他的最終目的是想通過主人公摩西·赫索格的思想和命運(yùn)的轉(zhuǎn)變來揭示：通往有意義的存在只有一條道路可以選擇,那就是在這個(gè)荒誕異化的現(xiàn)代社會(huì),重新審視自己與社會(huì),并肩負(fù)起對(duì)自己、對(duì)他人的責(zé)任。貝婁的《赫索格》呈現(xiàn)了美國戰(zhàn)后人們生活狀態(tài),扭曲的價(jià)值觀和動(dòng)蕩的社會(huì)狀況;小說的結(jié)尾摩西·赫索格最終拋棄了自我異化,回歸到大自然,以一顆平靜的心態(tài)來面對(duì)這個(gè)世界,完成了自我的超脫。因此,本文結(jié)論部分指出,從后現(xiàn)代主義視角解讀《赫索格》同樣具有重要意義。
[Abstract]:Saul Bellow (1915-2005) is an American Jewish novelist in the 20th century and an important modern writer after Hemingway and Faulkner. Most of his works are set in Chicago, an industrial city in the middle of the United States, exploring nature, civilization and the meaning of human life. "Herzog" shows the protagonist Moses Herzog's confused state of mind during a five-day journey. Spiritual wandering and suffering spirit. Post-modernism theory is a very broad concept, which originates from the changes in the field of western art. In literature, it is the inheritance and development of modernism, against the grand narrative of modernism. The author begins with the parody, alienation and intertextuality of postmodernism, and interprets the parody of the protagonist Moses Herzog in Herzog, the alienation of Herzog and his self-sublimation. Bellow enriches the text by collage and quotation. Through the analysis, it is concluded that the parody, alienation and intertextuality of postmodernism in Herzog are only the means and methods for the author to truly depict the society and the image of the characters at that time. His ultimate aim is to reveal through the transformation of the thought and destiny of the protagonist Moses Herzog: there is only one way to meaningful existence, that is, in this absurd and alienated modern society, we should re-examine ourselves and society. And shoulder the responsibility to yourself and to others. Bellow's Herzog presents people's living conditions, distorted values and turbulent social conditions in the United States after the war. At the end of the novel, Moses Herzog finally abandoned self-alienation, returned to nature, faced the world with a calm mind, and completed the transcendence of self. Therefore, the conclusion of this paper points out that it is also important to interpret Herzog from the perspective of postmodernism.
【學(xué)位授予單位】：華北電力大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I712.074

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本文編號(hào)：2329481