本文選題：寬焦點(diǎn) + 窄焦點(diǎn)��； 參考：《暨南大學(xué)》2015年碩士論文

【摘要】：本文將包含兩個(gè)韻律詞、三個(gè)韻律詞和四個(gè)韻律詞的陳述句作為實(shí)驗(yàn)研究對(duì)象,分析了漢語語句焦點(diǎn)音高及時(shí)長模式。首先,通過對(duì)寬焦點(diǎn)句內(nèi)韻律詞的音高和時(shí)長進(jìn)行比較,分析了寬焦點(diǎn)句的音高和時(shí)長模式。然后,通過將寬、窄焦點(diǎn)句中韻律詞的音高和時(shí)長進(jìn)行對(duì)比,分析了窄焦點(diǎn)對(duì)句中焦點(diǎn)、焦點(diǎn)前和焦點(diǎn)后韻律詞音高和時(shí)長的影響,以及對(duì)整個(gè)語句下傾和時(shí)長分布模式的影響。實(shí)驗(yàn)結(jié)果表明,所有寬焦點(diǎn)語句有共同的音高模式:韻律詞高音點(diǎn)呈明顯下降趨勢;句末韻律詞低音點(diǎn)最低;句首韻律詞調(diào)域最寬。不同長度的語句,時(shí)長分布模式有差異。在窄焦點(diǎn)句中,焦點(diǎn)韻律詞高音點(diǎn)上升,調(diào)域擴(kuò)大,低音點(diǎn)沒有一致性變化;焦點(diǎn)前韻律詞高音點(diǎn)下降,調(diào)域縮小,低音點(diǎn)沒有一致性變化;焦點(diǎn)后韻律詞高音點(diǎn)和低音點(diǎn)都下降,調(diào)域縮小。當(dāng)窄焦點(diǎn)韻律詞位于句首時(shí),整個(gè)語句仍保持音高下傾狀態(tài);當(dāng)窄焦點(diǎn)位于非句首位置時(shí),大部分語句的音高下傾狀態(tài)被打破。焦點(diǎn)韻律詞時(shí)長增長,焦點(diǎn)前韻律詞時(shí)長縮短,焦點(diǎn)后韻律詞時(shí)長無一致性變化。在雙韻律詞窄焦點(diǎn)句中,不存在固定的時(shí)長分布模式。大多數(shù)情況下,三韻律詞和四韻律詞窄焦點(diǎn)句的時(shí)長模式不會(huì)發(fā)生改變。
[Abstract]:In this paper, we take the declarative sentences, which include two prosodic words, three prosodic words and four prosodic words as experimental objects, and analyze the pattern of the focus pitch of Chinese sentences in time. First, by comparing the pitch and duration of prosodic words in wide focus sentences, this paper analyzes the pitch and duration patterns of wide focus sentences. Then, by comparing the pitch and duration of prosodic words in wide and narrow focus sentences, this paper analyzes the effects of narrow focus on the pitch and duration of prosodic words in the sentence, before and after the focus. And the effect on the whole sentence down-down and time-length distribution mode. The experimental results show that all sentences with wide focus have the same pitch pattern: the tenor of prosodic words is obviously decreasing; the low point of prosodic words is the lowest at the end of sentences; and the range of tone of prosodic words at the beginning of sentences is the widest. Different length of statements, time distribution patterns are different. In narrow focus sentence, the tenor of focus prosody word rises, the tone field expands, and the bass point has no consistent change, while the tenor point of prefocal prosodic word decreases, the tone field shrinks, and the bass point has no consistent change. Both the tenor point and the bass point decrease, and the tone domain shrinks. When the narrow focus prosodic word is at the beginning of the sentence, the whole sentence is still in the pitch down state, and when the narrow focus is in the non-sentence beginning position, the pitch downward state of most statements is broken. The duration of focus prosodic words increased, the duration of focus prerhythm words shortened, and the duration of focus prosodic words did not change consistently. In narrow focus sentences of double prosodic words, there is no fixed pattern of time distribution. In most cases, the length pattern of narrow focus sentences in three and four prosodic words will not change.
【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：H195

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1 熊瑋;漢語語句焦點(diǎn)音高及時(shí)長模式研究[D];暨南大學(xué);2015年

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