【摘要】：上世紀(jì)60年代,阿克肖諾夫的《帶星星的火車票》和塞林格的《麥田里的守望者》都作為"內(nèi)部批判"的"黃皮書"被首次譯介到中國大陸。兩部小說中的"叛逆青春"也由此進(jìn)入中國讀者身處的政治、文化語境之中,引發(fā)不盡相同的接受、解讀和衍生。這固然與兩部小說自身的源出語境與個(gè)中敘事特質(zhì)有著緊密關(guān)聯(lián),同時(shí)處在特定時(shí)代環(huán)境中的中國讀者作為兩則"成長敘事"的受眾,其對于小說中人物經(jīng)歷、成長體驗(yàn)的理解、投射和闡發(fā),也自然受到其主體性的文化心理、審美訴求的影響和規(guī)約,而這一過程也突出地體現(xiàn)在王朔、劉索拉、徐星等中國作家的"成長書寫"之中。
[Abstract]:In the 1960s, Aksyonov's "Star Train ticket" and Salinger's "Catcher in the Rye" were first translated and introduced to mainland China as "internal criticism" of the Yellow Book. The rebellious youth in the two novels also enters the political and cultural context of Chinese readers, which leads to different acceptance, interpretation and derivation. Of course, this is closely related to the source context and narrative characteristics of the two novels themselves. At the same time, Chinese readers in a specific era, as the audience of the two "growth narration", experience the characters in the novel. The understanding, projection and interpretation of the growth experience is naturally influenced and regulated by its subjective cultural psychology and aesthetic demands, and this process is also highlighted in the "growth writing" of Wang Shuo, Liu Suola, Xu Xing and other Chinese writers.
【作者單位】： 南京大學(xué)文學(xué)院;
【分類號】：I106.4

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