發(fā)布時(shí)間：2025-01-14 19:32

　　愛(ài)麗絲·門(mén)羅是2013年諾貝爾文學(xué)獎(jiǎng)的獲得者,也是加拿大著名短篇小說(shuō)作家,丁玲是中國(guó)現(xiàn)代文學(xué)史上出類拔萃的女作家之一。作為著名的兩位女性主義作家,愛(ài)麗絲·門(mén)羅與丁玲在小說(shuō)創(chuàng)作中有鮮明的陰性書(shū)寫(xiě)特點(diǎn),她們用陰性書(shū)寫(xiě)的方式表達(dá)女性在男權(quán)社會(huì)中的無(wú)奈和壓抑。愛(ài)麗絲·門(mén)羅的短篇小說(shuō)《姑娘和女人們的生活》以及丁玲的作品《莎菲女士的日記》都描寫(xiě)了女性對(duì)男權(quán)社會(huì)的逃離,但運(yùn)用了不同的陰性書(shū)寫(xiě)方式,以往的研究對(duì)此鮮有關(guān)注。本文從敘事學(xué)原理出發(fā),對(duì)比愛(ài)麗絲·門(mén)羅和丁玲的代表作中的陰性書(shū)寫(xiě)并對(duì)其異同進(jìn)行了原因分析。通過(guò)分析研究,筆者發(fā)現(xiàn)在敘述視角方面,兩部小說(shuō)都采用了內(nèi)視角,但是《姑娘和女人們的生活》不僅關(guān)注敘述者的內(nèi)心,也將視線投向歷史社會(huì)以及女性個(gè)人成長(zhǎng)等問(wèn)題,而《莎菲女士的日記》更多的關(guān)注敘述者自己的內(nèi)心和情感；在敘述聲音方面,兩部小說(shuō)都傾向于采用直接引語(yǔ)以增強(qiáng)說(shuō)服力,但在書(shū)寫(xiě)女性體驗(yàn)與女性欲望時(shí),兩部小說(shuō)又有不同之處；在敘述結(jié)構(gòu)方面,《姑娘和女人們的生活》采取非線性的敘述結(jié)構(gòu),而《莎菲女士的日記》則采用了線性復(fù)調(diào)式敘事結(jié)構(gòu)。雖然同為女性主義作家,但是兩人所處的社會(huì)環(huán)境造成了不同的陰性書(shū)寫(xiě)方式。愛(ài)麗絲...

【文章頁(yè)數(shù)】：59 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
    1.1 The Purpose of the Research
    1.2 Significance of the Research
    1.3 Structure of the Thesis
CHAPTER TWO LITERATURE REVIEW
    2.1 Previous Studies on Lives of Girls and Women
    2.2 Previous Studies on Miss Sophie's Diary
    2.3 Research Question
CHAPTER THREE THEORETICAL FRAMEWORK
    3.1 Development of Narratology
    3.2 Main Concepts of Narratology
        3.2.1 Narrative Perspective
        3.2.2 Narrative Vioce
        3.2.3 Narrative Structure
    3.3 Studies Between Narratology and Ecriture Feminine
CHAPTER FOUR ECRITURE FEMININE IN LIVES OF GIRLS ANDWOMEN AND MISS SOPHIE'S DIARY
    4.1 Ecriture Feminine in Lives of Girls and Women
        4.1.1 Introduction to Lives of Girls and Women
        4.1.2 Ecriture Feminine of Lives of Girls and Women in Narrative Perspective
        4.1.3 Ecriture Feminine of Lives of Girls and Women in Narrative Voice
        4.1.4 Ecriture Feminine of Lives of Girls and Women in Narrative Structure
    4.2 Ecriture Feminine in Miss Sophie's Diary
        4.2.1 Introduction to Miss Sophie's Diary
        4.2.2 Ecriture Feminine of Miss Sophie's Diary in Narrative Perspective
        4.2.3 Ecriture Feminine of Miss Sophie s Diary in Narrative Voice
        4.2.4 Ecriture Feminine of Miss Sophie's Diary in Narrative Structure
CHAPTER FIVE THE DIFFERENCE OFECRITURE FEMININE BETWEENTWO NOVELS AND REASON ANALYSIS
    5.1 The Differences of Ecriture Feminine between Two Novels
        5.1.1 Comparison from Narrative Perspective
        5.1.2 Comparison from Narrative Voice
        5.1.3 Comparison from Narrative Structure
    5.2 Reasons Analysis
CHAPTER SIX CONCLUSION
WORKS CITED
APPENDIX



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