【摘要】：安德烈·勒菲弗爾是20世紀(jì)西方譯學(xué)巨匠,他的翻譯思想包含了對(duì)翻譯的意識(shí)形態(tài)研究、詩學(xué)研究及文化研究,融合了操縱學(xué)派和文化學(xué)派的理論觀點(diǎn),打破了傳統(tǒng)的譯學(xué)研究范疇,推動(dòng)了翻譯理論的發(fā)展,在其著作《翻譯、改寫以及對(duì)文學(xué)名聲的制控》引入了"改寫"這一理念,并提出了"翻譯即改寫"的主張。本文以安德烈·勒菲夫爾的改寫理論為基礎(chǔ),以葛浩文英譯本《紅高粱》為研究樣本,通過對(duì)比譯作與原作中體現(xiàn)鄉(xiāng)土氣息的典型部分,分析譯者怎樣運(yùn)用翻譯技巧來表現(xiàn)原作的鄉(xiāng)土氣息。以期為后續(xù)譯者翻譯鄉(xiāng)土小說提供借鑒。
[Abstract]:Andre Lefevere is a master of western translatology in the 20th century. His translation thoughts include ideological studies, poetic studies and cultural studies of translation, and combine the theoretical views of the manipulative school and the cultural school. It breaks the traditional category of translatology and promotes the development of translation theory. It introduces the concept of "rewriting" and puts forward the idea of "translation is rewriting" in his works Translation, rewriting and the Control of Literary reputation. Based on the rewriting theory of Andre Lefevre, and taking the English translation of GE Haowen, Red Sorghum, as the research sample, this paper compares the typical parts of the translation with the original one, which reflect the local flavor. This paper analyzes how the translator uses translation techniques to express the native flavor of the original work. The purpose of this paper is to provide a reference for translators to translate local novels.
【作者單位】： 江漢大學(xué);
【基金】：湖北省大學(xué)生創(chuàng)新訓(xùn)練項(xiàng)目“莫言作品英譯過程中的鄉(xiāng)土氣息再現(xiàn)策略研究”成果之一(項(xiàng)目編號(hào):201411072015)
【分類號(hào)】：H315.9;I046

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本文編號(hào)：2395611