當(dāng)代藝術(shù)中的中國(guó)性問(wèn)題
發(fā)布時(shí)間:2018-12-20 22:34
【摘要】:由于中國(guó)經(jīng)濟(jì)的不斷繁榮發(fā)展,在當(dāng)代藝術(shù)中,人們對(duì)建構(gòu)中國(guó)性本土文化精神的意識(shí)逐漸增強(qiáng),越來(lái)越多的藝術(shù)家選擇使用“紅色符號(hào)”、“文字符號(hào)”、“假山石”、“中山裝”等符號(hào)到創(chuàng)作中,使中國(guó)性當(dāng)代藝術(shù)的發(fā)展獲得了前行的助力,在作品中出現(xiàn)的這些表現(xiàn)中國(guó)性的符號(hào)或圖式的作品,也引起了人們對(duì)當(dāng)代生活、文化的反思。本論文以當(dāng)代藝術(shù)中呈現(xiàn)的中國(guó)性問(wèn)題為主,通過(guò)對(duì)1979年以來(lái)具有代表性的當(dāng)代藝術(shù)作品和藝術(shù)家進(jìn)行分析和研究,主旨在于對(duì)當(dāng)代藝術(shù)中的中國(guó)性問(wèn)題的一些表現(xiàn)方法和精神進(jìn)行論述,進(jìn)而總結(jié)和梳理出中國(guó)性在當(dāng)代藝術(shù)創(chuàng)作表達(dá)中的規(guī)律和方式,通過(guò)理論結(jié)合實(shí)際,比較全面的分析和歸納出當(dāng)代藝術(shù)中中國(guó)性的精神表達(dá),為中國(guó)當(dāng)代藝術(shù)的本土文化回歸和藝術(shù)家的創(chuàng)作提供適用的理論依據(jù)和方法指導(dǎo)。
[Abstract]:Due to the prosperity and development of Chinese economy, people's consciousness of constructing the spirit of Chinese native culture is gradually strengthened in contemporary art. More and more artists choose to use "red symbol", "character symbol", "false mountain stone", and more artists choose to use "red symbol", "character symbol" and "false mountain stone". "Zhongshan suit" and other symbols to the creation, so that the development of Chinese contemporary art to obtain the help of the forward, in the works of these symbols or schemata of Chinese expression, also caused people to contemporary life, cultural reflection. This paper mainly focuses on the Chinese problems in contemporary art, through the analysis and research of the representative contemporary art works and artists since 1979. The main purpose is to discuss some methods and spirit of Chinese sex in contemporary art, and then summarize and sort out the law and method of Chinese sex in contemporary art creation, and combine theory with practice. A comprehensive analysis and induction of contemporary art of the spirit of Chinese expression, for the return of Chinese contemporary art local culture and the creation of artists to provide applicable theoretical basis and method guidance.
【學(xué)位授予單位】:深圳大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J120.9
本文編號(hào):2388524
[Abstract]:Due to the prosperity and development of Chinese economy, people's consciousness of constructing the spirit of Chinese native culture is gradually strengthened in contemporary art. More and more artists choose to use "red symbol", "character symbol", "false mountain stone", and more artists choose to use "red symbol", "character symbol" and "false mountain stone". "Zhongshan suit" and other symbols to the creation, so that the development of Chinese contemporary art to obtain the help of the forward, in the works of these symbols or schemata of Chinese expression, also caused people to contemporary life, cultural reflection. This paper mainly focuses on the Chinese problems in contemporary art, through the analysis and research of the representative contemporary art works and artists since 1979. The main purpose is to discuss some methods and spirit of Chinese sex in contemporary art, and then summarize and sort out the law and method of Chinese sex in contemporary art creation, and combine theory with practice. A comprehensive analysis and induction of contemporary art of the spirit of Chinese expression, for the return of Chinese contemporary art local culture and the creation of artists to provide applicable theoretical basis and method guidance.
【學(xué)位授予單位】:深圳大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J120.9
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,本文編號(hào):2388524
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