論藝術(shù)與設(shè)計(jì)的辯證關(guān)系
發(fā)布時(shí)間：2019-04-04 13:12
【摘要】： 論文以馬克思主義辯證法思想為核心,按設(shè)計(jì)與藝術(shù)歷史發(fā)展順序,研究分析了每一時(shí)期的一些典型藝術(shù)與設(shè)計(jì)作品,探討了不同時(shí)代背景下藝術(shù)與設(shè)計(jì)的辨證關(guān)系。研究指出了,原始社會(huì)低劣的生產(chǎn)力水平?jīng)Q定了設(shè)計(jì)先于藝術(shù)而生,設(shè)計(jì)和藝術(shù)必須服務(wù)于生存需求;奴隸社會(huì)設(shè)計(jì)起著主干作用,藝術(shù)處于從屬地位,二者相互影響與滲透;封建社會(huì)手工業(yè)生產(chǎn)的特點(diǎn)使得藝術(shù)地位飆升,設(shè)計(jì)地位處于下層,設(shè)計(jì)與藝術(shù)而完全分離開來;現(xiàn)代藝術(shù)與設(shè)計(jì)因大機(jī)器生產(chǎn)而使得設(shè)計(jì)成為主體,藝術(shù)處于服從地位;而后現(xiàn)代設(shè)計(jì)與藝術(shù)又一次從主從關(guān)系,走向融合。藝術(shù)與設(shè)計(jì)相互區(qū)別,時(shí)而分離與對立,主從關(guān)系明顯;時(shí)而又彼此相互聯(lián)系、相互融合,和諧統(tǒng)一�？傊�,藝術(shù)與設(shè)計(jì)的關(guān)系是辨證的。
[Abstract]:Taking Marxist dialectics as the core, according to the development order of design and art history, this paper studies and analyzes some typical works of art and design in each period, and probes into the dialectical relationship between art and design in different times. It is pointed out that the poor level of productivity in primitive society determines that design is born before art, and that design and art must serve the needs of survival, the design of slave society plays a main role, art is in a subordinate position, and the two influence and permeate each other. The characteristics of the handicraft industry in feudal society caused the artistic status to soar, the design position was in the lower level, the design and the art were completely separated, the modern art and the design became the main body because of the large machine production, and the art was in the obedient position. Post-modern design and art once again from the master-slave relationship, towards integration. Art and design are different from each other, sometimes separated and opposed, the relationship between master and follower is obvious, and sometimes they are connected with each other, fused with each other, harmonious and unified. In short, the relationship between art and design is dialectical.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J06
本文編號：2453849
[Abstract]:Taking Marxist dialectics as the core, according to the development order of design and art history, this paper studies and analyzes some typical works of art and design in each period, and probes into the dialectical relationship between art and design in different times. It is pointed out that the poor level of productivity in primitive society determines that design is born before art, and that design and art must serve the needs of survival, the design of slave society plays a main role, art is in a subordinate position, and the two influence and permeate each other. The characteristics of the handicraft industry in feudal society caused the artistic status to soar, the design position was in the lower level, the design and the art were completely separated, the modern art and the design became the main body because of the large machine production, and the art was in the obedient position. Post-modern design and art once again from the master-slave relationship, towards integration. Art and design are different from each other, sometimes separated and opposed, the relationship between master and follower is obvious, and sometimes they are connected with each other, fused with each other, harmonious and unified. In short, the relationship between art and design is dialectical.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J06
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前4條
1 楊松崧;現(xiàn)代設(shè)計(jì)和現(xiàn)代藝術(shù)發(fā)展的同步性與錯(cuò)位性[D];齊齊哈爾大學(xué);2011年
2 李春梅;馬蒂斯繪畫語言與當(dāng)代設(shè)計(jì)視覺形式同構(gòu)研究[D];齊齊哈爾大學(xué);2012年
3 楊亞波;高等藝術(shù)設(shè)計(jì)教育規(guī)律初探[D];山東大學(xué);2012年
4 婁婧婧;中原地區(qū)傳統(tǒng)典型木質(zhì)農(nóng)耕器具研究[D];中南林業(yè)科技大學(xué);2013年
，本文編號：2453849
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