【摘要】： 綜合造型藝術作為后現(xiàn)代主義藝術中的一種藝術形態(tài),主要研究的是人的生存空間與視覺空間的關系以及視覺方式、視覺造型和表現(xiàn)形式三者之間的關系。在綜合造型藝術中存在著各種符號,以及由各種符號組成的符號系統(tǒng),從其所運用的藝術符號可以感知符號的外在形式和在這些符號背后所隱藏的整體情感和文化內(nèi)涵,因此在綜合造型藝術中廣泛存在著符號學的身影。 而符號學是一門研究符號或符號語言的學問,其主要研究內(nèi)容有:符號的本質、符號的發(fā)展變化規(guī)律、符號的意義、符號的運用等。從符號學的角度來理解綜合造型藝術,一般有以下幾個觀點:1、綜合造型藝術所運用的藝術符號是一種文化載體,包含著人們的文化態(tài)度、思維模式和價值觀念,運用這些符號就是在表達符號被賦予的文化內(nèi)涵。2、綜合造型藝術中的物體可以看作是被異化為符號,是按一定規(guī)則由一些相對固定的符號組成的結構體。3、綜合造型藝術中的實物存在是具有藝術的符號性的能動存在,被賦予具有代表性典型性的語義符號的實物能表達無限的寓義。由此可見,在符號學理論的指導下,綜合造型藝術被賦予了新的生命。 根據(jù)上述研究思路,本文將符號學理論進一步深入到綜合造型藝術創(chuàng)作中,根據(jù)符號學的基本框架和研究層面,結合當今一些綜合造型藝術作品探討綜合造型藝術符號的表達方式,從而創(chuàng)作出一些具有不同符號學含義的綜合造型藝術作品。
[Abstract]:As a kind of art form in post-modernism art, synthetic plastic art mainly studies the relationship between human living space and visual space, as well as the relationship among visual mode, visual modeling and expression form. There are all kinds of symbols in the synthetic plastic arts, as well as the symbol system composed of various symbols. From the artistic symbols used in them, the external form of the symbols and the overall emotion and cultural connotation hidden behind these symbols can be perceived. Therefore, there is a wide range of semiotics in the comprehensive plastic arts. Semiotics is a study of symbols or symbolic language. Its main research contents are: the essence of symbols, the development and change of symbols, the significance of symbols, the use of symbols and so on. From the perspective of semiotics to understand the comprehensive plastic arts, there are generally the following points of view: 1. The artistic symbols used in the comprehensive plastic arts are a kind of cultural carrier, which contains people's cultural attitudes, thinking patterns and values. The use of these symbols is to express the cultural connotations given to them. 2. Objects in the synthetic plastic arts can be regarded as being alienated as symbols, and are structural bodies composed of some relatively fixed symbols according to certain rules. The physical existence in the synthetic plastic arts is a symbolic and dynamic existence which is endowed with a representative semantic symbol which can express infinite parable. Thus, under the guidance of semiotics theory, comprehensive plastic art has been endowed with new life. According to the above-mentioned research ideas, this paper will further deepen the semiotics theory into the comprehensive plastic arts creation, according to the basic framework and research level of semiotics, Combined with some comprehensive plastic art works, this paper discusses the expression of comprehensive plastic art symbols, and then creates some comprehensive plastic art works with different semiotics meanings in order to create some comprehensive plastic art works with different semiotics meanings.
【學位授予單位】：中國美術學院
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J06

【同被引文獻】

相關期刊論文 前5條

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本文編號：2453819