發(fā)布時(shí)間：2019-04-04 12:38

【摘要】： 綜合造型藝術(shù)作為后現(xiàn)代主義藝術(shù)中的一種藝術(shù)形態(tài),主要研究的是人的生存空間與視覺空間的關(guān)系以及視覺方式、視覺造型和表現(xiàn)形式三者之間的關(guān)系。在綜合造型藝術(shù)中存在著各種符號(hào),以及由各種符號(hào)組成的符號(hào)系統(tǒng),從其所運(yùn)用的藝術(shù)符號(hào)可以感知符號(hào)的外在形式和在這些符號(hào)背后所隱藏的整體情感和文化內(nèi)涵,因此在綜合造型藝術(shù)中廣泛存在著符號(hào)學(xué)的身影。 而符號(hào)學(xué)是一門研究符號(hào)或符號(hào)語(yǔ)言的學(xué)問(wèn),其主要研究?jī)?nèi)容有:符號(hào)的本質(zhì)、符號(hào)的發(fā)展變化規(guī)律、符號(hào)的意義、符號(hào)的運(yùn)用等。從符號(hào)學(xué)的角度來(lái)理解綜合造型藝術(shù),一般有以下幾個(gè)觀點(diǎn):1、綜合造型藝術(shù)所運(yùn)用的藝術(shù)符號(hào)是一種文化載體,包含著人們的文化態(tài)度、思維模式和價(jià)值觀念,運(yùn)用這些符號(hào)就是在表達(dá)符號(hào)被賦予的文化內(nèi)涵。2、綜合造型藝術(shù)中的物體可以看作是被異化為符號(hào),是按一定規(guī)則由一些相對(duì)固定的符號(hào)組成的結(jié)構(gòu)體。3、綜合造型藝術(shù)中的實(shí)物存在是具有藝術(shù)的符號(hào)性的能動(dòng)存在,被賦予具有代表性典型性的語(yǔ)義符號(hào)的實(shí)物能表達(dá)無(wú)限的寓義。由此可見,在符號(hào)學(xué)理論的指導(dǎo)下,綜合造型藝術(shù)被賦予了新的生命。 根據(jù)上述研究思路,本文將符號(hào)學(xué)理論進(jìn)一步深入到綜合造型藝術(shù)創(chuàng)作中,根據(jù)符號(hào)學(xué)的基本框架和研究層面,結(jié)合當(dāng)今一些綜合造型藝術(shù)作品探討綜合造型藝術(shù)符號(hào)的表達(dá)方式,從而創(chuàng)作出一些具有不同符號(hào)學(xué)含義的綜合造型藝術(shù)作品。
[Abstract]:As a kind of art form in post-modernism art, synthetic plastic art mainly studies the relationship between human living space and visual space, as well as the relationship among visual mode, visual modeling and expression form. There are all kinds of symbols in the synthetic plastic arts, as well as the symbol system composed of various symbols. From the artistic symbols used in them, the external form of the symbols and the overall emotion and cultural connotation hidden behind these symbols can be perceived. Therefore, there is a wide range of semiotics in the comprehensive plastic arts. Semiotics is a study of symbols or symbolic language. Its main research contents are: the essence of symbols, the development and change of symbols, the significance of symbols, the use of symbols and so on. From the perspective of semiotics to understand the comprehensive plastic arts, there are generally the following points of view: 1. The artistic symbols used in the comprehensive plastic arts are a kind of cultural carrier, which contains people's cultural attitudes, thinking patterns and values. The use of these symbols is to express the cultural connotations given to them. 2. Objects in the synthetic plastic arts can be regarded as being alienated as symbols, and are structural bodies composed of some relatively fixed symbols according to certain rules. The physical existence in the synthetic plastic arts is a symbolic and dynamic existence which is endowed with a representative semantic symbol which can express infinite parable. Thus, under the guidance of semiotics theory, comprehensive plastic art has been endowed with new life. According to the above-mentioned research ideas, this paper will further deepen the semiotics theory into the comprehensive plastic arts creation, according to the basic framework and research level of semiotics, Combined with some comprehensive plastic art works, this paper discusses the expression of comprehensive plastic art symbols, and then creates some comprehensive plastic art works with different semiotics meanings in order to create some comprehensive plastic art works with different semiotics meanings.
【學(xué)位授予單位】：中國(guó)美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J06

【同被引文獻(xiàn)】

相關(guān)期刊論文 前5條

1 沃野,朔柏;結(jié)構(gòu)主義方法論與教育研究[J];安徽教育學(xué)院學(xué)報(bào);1998年04期

2 趙啟贏,姚俠文;關(guān)于競(jìng)技體操美學(xué)特征的研究[J];北京體育大學(xué)學(xué)報(bào);2001年04期

3 馬海東,徐q，

本文編號(hào)：2453819