發(fā)布時間：2018-10-21 15:21

【摘要】：超寫實油畫起源于20世紀(jì)70年代的美國藝術(shù)派別，又稱照相寫實主義油畫，不僅僅是油畫一種，其他藝術(shù)種類也深受超寫實主義的影響，多以圖片作為參照，客觀的再現(xiàn)藝術(shù)家所要表達(dá)的真實心理活動，不追求風(fēng)格。超寫實油畫不強(qiáng)調(diào)筆觸的變化，畫面整潔，藝術(shù)家嘗試著將畫面效果的真實性超越照片的影像效果。無論是誰，再現(xiàn)物象只是表現(xiàn)的手段，畫面的背后所要表達(dá)的思想才是最終目的。再現(xiàn)不重要，重要的是表現(xiàn)的思想。每一位藝術(shù)家創(chuàng)作選題上都會考慮其自身的價值觀取向、文化程度、政治思想，而審美取向?qū)λ囆g(shù)家的影響更巨大。藝術(shù)家可以追求單純的古典美，也可以超越現(xiàn)實的審美價值，最終都體現(xiàn)出畫面所帶來的強(qiáng)大的視覺盛宴。中國當(dāng)代超寫實油畫大師冷軍、石沖及潛在的年輕藝術(shù)家，專門研究超寫實油畫的表現(xiàn)與觀念性。我個人比較欣賞石沖的創(chuàng)作觀念，其強(qiáng)調(diào)的是觀念先行，后期以裝置行為藝術(shù)為藍(lán)本，主觀設(shè)計所要闡述的中心思想，客觀再現(xiàn)摹本，其獨(dú)特的藝術(shù)創(chuàng)作手段，更深的分析了社會紕漏與人的精神狀態(tài)。石沖整個藝術(shù)創(chuàng)作過程會揭示更多的人文精神和社會本質(zhì)。本文延伸到西方超寫實藝術(shù)的繪畫、雕塑等范疇，與之相互比較滲透，以《欣慰中的年輕人》為誘餌展開論述超寫實油畫的觀念性。 藝術(shù)不僅是單一的藝術(shù)學(xué)科，與科學(xué)、哲學(xué)、政治和經(jīng)濟(jì)學(xué)科等等都有著必要的聯(lián)系，，相互作用�，F(xiàn)今社會，學(xué)科分的比較清晰，知識的交叉性為超寫實油畫帶來更多的意義。石沖較早的完成了超寫實油畫藝術(shù)形式的表達(dá)，能夠在油畫中豐富更多的學(xué)科知識，為超寫實油畫賦予了新的生命。觀念的變化和發(fā)展不會停息，隨之藝術(shù)的腳步也必將繼續(xù)前進(jìn)。
[Abstract]:Superrealistic oil painting originated in the 1970s American art school, also known as photographic realism oil painting, not only one kind of oil painting, other types of art are also deeply influenced by hyperrealism, many of them take pictures as reference. An objective representation of the artist's true psychological activities, not the pursuit of style. The superrealistic oil painting does not emphasize the change of stroke, the picture is neat, the artist tries to transcend the image effect by the authenticity of the picture effect. No matter who, reappearance is only the means of expression, the idea behind the picture is the ultimate goal. Reproduction is not important, what is important is the thought of expression. Every artist will consider his own value orientation, culture level, political thought, and aesthetic orientation has a great influence on the artist. Artists can pursue pure classical beauty, but also transcend the aesthetic value of reality, and ultimately reflect the powerful visual feast brought by the picture. Chinese contemporary superrealistic oil painting master cold army, Shi Chong and potential young artists, specializing in superrealistic oil painting performance and concept. I personally appreciate Shi Chong's creative concept, which emphasizes the idea first, and in the later stage, with the installation act art as the basis, the central idea to be elaborated by the subjective design, the objective reproduction of the copy, and its unique means of artistic creation. A deeper analysis of social flaws and people's mental state. Shi Chong's whole artistic creation process will reveal more humanistic spirit and social essence. This article extends to the western superrealistic art of painting, sculpture and other categories, and compared with each other, with the "young people in relief" as bait to discuss the concept of superrealistic oil painting. Art is not only a single subject of art, but also has a necessary relationship and interaction with science, philosophy, politics and economics. Nowadays, the division of disciplines is clear and the intersection of knowledge brings more meaning to superrealistic oil painting. Shi Chong completed the expression of the art form of superrealistic oil painting earlier, which can enrich more subject knowledge in oil painting, and give new life to superrealistic oil painting. The change and development of ideas will not stop, with the pace of art will continue to move forward.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 愛德華·盧西－史密斯,蔣大可;新現(xiàn)實主義藝術(shù)[J];世界美術(shù);1996年03期

本文編號：2285510