論大衛(wèi)繪畫中的理性光輝
發(fā)布時間：2018-10-21 09:35
【摘要】：在18世紀(jì)末19世紀(jì)初法國新古典主義盛行，在這之前的羅馬藝術(shù)已經(jīng)被新古典之一所取代，隨之法國成為當(dāng)時的藝術(shù)中心，這時期也產(chǎn)生了一些主要的藝術(shù)流派，其中最為重要的是以達維特為代表的新古典主義，新古典主義的出現(xiàn)與當(dāng)時法國大革命有密切的關(guān)系，而這一時出現(xiàn)的新古典主義它主要是為資產(chǎn)階級服務(wù)的并在此基礎(chǔ)上建立起來的，它并不是再現(xiàn)希臘羅馬藝術(shù)的藝術(shù)風(fēng)格，也不是對古典主義的延續(xù)，它是一場新的藝術(shù)潮流，也就是新古典主義，新古典主義的代表人物是達偉特，達維特出生在資產(chǎn)階級家庭中，很小的時候就想成為一名畫家，他最初學(xué)習(xí)的老師也是他的親戚，由于當(dāng)時的革命形式，法國正式大革命時期，達維特親自參加革命，他的這些的親身的經(jīng)歷，和當(dāng)時的革命形勢，使他在以后的繪畫創(chuàng)作中帶有理性的思維，由于這場美術(shù)它是與當(dāng)時的革命形式聯(lián)系在一起的，又稱革命古典主義。 本文主要是介紹了達維特在繪畫中的理性思維，這種理性思維的產(chǎn)生原因，從四個部分來講述了達維特繪畫中的理性思維，首先是介紹了一下新古典主義產(chǎn)生的背景，第二部分從達維特藝術(shù)的整個生涯中來分析達維特的繪畫特點，，達維特他的整個的藝術(shù)生涯總的來說可以概括為四個部分；先是在法國大革命之前他創(chuàng)作歷史性的作品，然后是法國革命期間他創(chuàng)作的一些歷史性的肖像畫，在拿破侖執(zhí)政時他專門畫了一些宮廷的人物肖像畫，最后在拿破侖帝國失敗后他這時所創(chuàng)作的一些肖像畫及關(guān)于當(dāng)時歷史情況的繪畫，帝國失敗后的歷史畫及人物肖像。第三部分是介紹了在達維特繪畫中的理性思維的形成，這一部分主要是從兩方面來闡述的，第四部分是通過與普桑、安格爾的對比分析來說明在具體繪畫中的這種理性思維的表現(xiàn)形式，這一部分分別從三個方面來說明的，首先是在題材的選擇上他們的不同，其次是在構(gòu)圖上，通過對比發(fā)現(xiàn)在構(gòu)圖上的差異也是他繪畫中理性思維的表現(xiàn)，最后是從線條的運用上來分析達維特在繪畫中的理性思維的表現(xiàn)，達維特的這種繪畫對后世的影響，在達維特的歷史肖像畫中更具有欣賞的價值，從他的繪畫中我們看到不管是對線條的運用還是畫面中的色彩，都能從其中分析出他的這種理性的思維在其中，達維特在肖像畫方面的成就影響到了他的學(xué)生安格爾以及以后的學(xué)院派的畫風(fēng)，以及與新古典主義相抗衡的浪漫主義的畫家德拉克羅瓦曾贊美說是達維特在繪畫中是將現(xiàn)實和理想美的完美的結(jié)合。 本課題主要通過著作參照法，文獻考察法、理論研究法、比較分析法、歷史調(diào)研法、作品分析法，理論聯(lián)系實際等一系列的研究方法進研究。
[Abstract]:At the end of the 18th century and the beginning of the 19th century, French neoclassicism prevailed, before which the Roman art had been replaced by one of the neoclassical ones, and then France became the center of art at that time, and some major art schools emerged during this period. Among them, the most important is the Neo-classicism represented by Dawit. The appearance of Neo-classicism was closely related to the French Revolution at that time. And the neo-classicism that appeared on this occasion is mainly for the bourgeoisie and built on this basis. It is not a reproduction of the art style of Greek and Roman art, nor is it a continuation of classicism. It is a new artistic trend. That is, Neo-classicism, the representative figure of Neo-classicism is Davit. Dawit was born into a bourgeois family and wanted to become a painter when he was very young. The teacher he studied at first was also a relative of him, because of the revolutionary form at that time. During the French formal Revolution, Dawit personally took part in the revolution. His personal experience and the revolutionary situation at that time made him have a rational thinking in his later paintings. Because of this art it was associated with the revolutionary form of the time, also known as revolutionary classicism. This paper mainly introduces Dawit's rational thinking in painting, the reason of this kind of rational thinking, tells the rational thinking in Dawit's painting from four parts, first of all, it introduces the background of the emergence of neoclassicism. The second part analyzes Dawit's painting characteristics from the whole career of Dawit's art. Dawit's whole artistic career can be summarized into four parts: first, before the French Revolution, he created historical works. Then there were some historic portraits he created during the French Revolution. During Napoleon's reign, he specially painted portraits of court figures. Finally, after the defeat of Napoleon Empire, he created some portraits and paintings about the historical situation of the time, historical paintings and portraits of the Empire after the defeat of the Empire. The third part is to introduce the formation of rational thinking in Dawit's painting, this part is mainly from two aspects to elaborate, the fourth part is through with Pusanne, Angel's comparative analysis shows the manifestation of this kind of rational thinking in specific paintings. This part is explained from three aspects, first of all, their differences in the choice of subjects, and secondly, in composition. Through comparison, we find that the difference in composition is also the expression of rational thinking in his paintings. Finally, it is analyzed from the use of lines to analyze the expression of Dawit's rational thinking in painting. Dawit's paintings have an impact on later generations. In Dawit's historical portraits, they have more value to appreciate. From his paintings, we can see that whether they are the use of lines or the colors in the pictures, we can analyze his rational thinking from them. Dawit's achievements in portrait painting influenced the style of his students, Angel and later academicians. Drake Lois, a romantic painter who competed with neoclassicism, praised Dawit as a perfect combination of reality and ideal beauty in his paintings. This subject is mainly studied through a series of research methods, such as reference method, literature review method, theoretical research method, comparative analysis method, historical investigation method, work analysis method, theory combined with practice and so on.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
本文編號：2284709
[Abstract]:At the end of the 18th century and the beginning of the 19th century, French neoclassicism prevailed, before which the Roman art had been replaced by one of the neoclassical ones, and then France became the center of art at that time, and some major art schools emerged during this period. Among them, the most important is the Neo-classicism represented by Dawit. The appearance of Neo-classicism was closely related to the French Revolution at that time. And the neo-classicism that appeared on this occasion is mainly for the bourgeoisie and built on this basis. It is not a reproduction of the art style of Greek and Roman art, nor is it a continuation of classicism. It is a new artistic trend. That is, Neo-classicism, the representative figure of Neo-classicism is Davit. Dawit was born into a bourgeois family and wanted to become a painter when he was very young. The teacher he studied at first was also a relative of him, because of the revolutionary form at that time. During the French formal Revolution, Dawit personally took part in the revolution. His personal experience and the revolutionary situation at that time made him have a rational thinking in his later paintings. Because of this art it was associated with the revolutionary form of the time, also known as revolutionary classicism. This paper mainly introduces Dawit's rational thinking in painting, the reason of this kind of rational thinking, tells the rational thinking in Dawit's painting from four parts, first of all, it introduces the background of the emergence of neoclassicism. The second part analyzes Dawit's painting characteristics from the whole career of Dawit's art. Dawit's whole artistic career can be summarized into four parts: first, before the French Revolution, he created historical works. Then there were some historic portraits he created during the French Revolution. During Napoleon's reign, he specially painted portraits of court figures. Finally, after the defeat of Napoleon Empire, he created some portraits and paintings about the historical situation of the time, historical paintings and portraits of the Empire after the defeat of the Empire. The third part is to introduce the formation of rational thinking in Dawit's painting, this part is mainly from two aspects to elaborate, the fourth part is through with Pusanne, Angel's comparative analysis shows the manifestation of this kind of rational thinking in specific paintings. This part is explained from three aspects, first of all, their differences in the choice of subjects, and secondly, in composition. Through comparison, we find that the difference in composition is also the expression of rational thinking in his paintings. Finally, it is analyzed from the use of lines to analyze the expression of Dawit's rational thinking in painting. Dawit's paintings have an impact on later generations. In Dawit's historical portraits, they have more value to appreciate. From his paintings, we can see that whether they are the use of lines or the colors in the pictures, we can analyze his rational thinking from them. Dawit's achievements in portrait painting influenced the style of his students, Angel and later academicians. Drake Lois, a romantic painter who competed with neoclassicism, praised Dawit as a perfect combination of reality and ideal beauty in his paintings. This subject is mainly studied through a series of research methods, such as reference method, literature review method, theoretical research method, comparative analysis method, historical investigation method, work analysis method, theory combined with practice and so on.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
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