改革開放以后中國油畫作品中女性形象的研究
發(fā)布時間：2018-10-20 07:47
【摘要】：潘洛夫斯基((Pnaofksy Erwin)曾說過:“實際上，人是唯一能在身后留下記錄的動物，因為他是唯一能制造產(chǎn)品的動物；其產(chǎn)品能使心靈回想一種不同于物質(zhì)存在的概念�！碑斘覀儗ο容叺淖髌愤M行欣賞和分析時，，既能夠了解他們的生活足跡和社會背景也能讓我們產(chǎn)生情感和創(chuàng)作者心靈上的共鳴。藝術(shù)作品本身就是人類進行精神活動的產(chǎn)物，它是對客觀存在和主觀情感性的重現(xiàn)和再造過程。我們通過作品能夠了解當時社會的物質(zhì)性內(nèi)容，也能感知欣賞者以及人類社會的精神層面。本課題立足于改革開放的大時代背景下，以女性形象作為研究視覺，分析了文革結(jié)束到改革開放過渡時期和改革開放以后到本世紀九十年代這兩大階段油畫作品中的女性形象的變遷，這其中又以后者為分析的重點，它包括三個部分：改革開放初期作品分析；90年代作品分析；女性油畫家的作品分析。通過這幾個時期具有代表性的女性形象的變化來了解女性形象變化的原因和特征。這些原因以及特征主要包括四個方面：女性觀的改變；女性藝術(shù)和女性主義的復蘇；多種藝術(shù)手法的融入；藝術(shù)家對個性化的追求。本文既討論了油畫作品中女性形象的變遷所帶來的藝術(shù)價值，也通過這一視覺來探討這種變遷所反映出來的諸多緣由。這種變化以及變化的原因體現(xiàn)了當今女性地位和身份的變化和背后隱含的社會狀況，審美趣味，思想觀念和文化內(nèi)涵。對于本課題的研究也給我自身的創(chuàng)作帶來影響，使我終身受益。
[Abstract]:Panovsky (Pnaofksy Erwin) once said: "in fact, man is the only animal that can leave a record behind him, because he is the only animal that can make a product; his product can remind the mind of a concept different from the existence of matter." When we appreciate and analyze the works of our predecessors, we can not only understand their life footprints and social background, but also make us feel and resonate with the mind of the creators. Works of art itself is the product of human spiritual activities, it is the objective existence and subjective feelings of reproduction and reconstruction process. Through the works, we can understand the material content of the society at that time, and we can also perceive the appreciator and the spiritual aspect of the human society. This subject is based on the background of the reform and opening to the outside world, taking the female image as the research vision. This paper analyzes the changes of the female images in the oil paintings in the two major stages from the end of the Cultural Revolution to the reform and opening up period and from the end of the reform and opening up to the 1990s, in which the latter is the focus of the analysis. It consists of three parts: the analysis of works in the early stage of reform and opening up; the analysis of works in 1990's; and the analysis of the works of female oil painters. To understand the reasons and characteristics of the change of female image through the change of representative female image in these periods. These reasons and characteristics mainly include four aspects: the change of female view; the revival of female art and feminism; the integration of various artistic techniques; and the artist's pursuit of individuation. This paper not only discusses the artistic value brought by the change of female image in oil painting, but also discusses the reasons reflected by this change through this vision. This change and its causes reflect the change of women's status and identity and the hidden social situation, aesthetic taste, ideology and cultural connotation. The research on this subject also has an impact on my own creation, which will benefit me all my life.
【學位授予單位】：湖南科技大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213
本文編號：2282509
[Abstract]:Panovsky (Pnaofksy Erwin) once said: "in fact, man is the only animal that can leave a record behind him, because he is the only animal that can make a product; his product can remind the mind of a concept different from the existence of matter." When we appreciate and analyze the works of our predecessors, we can not only understand their life footprints and social background, but also make us feel and resonate with the mind of the creators. Works of art itself is the product of human spiritual activities, it is the objective existence and subjective feelings of reproduction and reconstruction process. Through the works, we can understand the material content of the society at that time, and we can also perceive the appreciator and the spiritual aspect of the human society. This subject is based on the background of the reform and opening to the outside world, taking the female image as the research vision. This paper analyzes the changes of the female images in the oil paintings in the two major stages from the end of the Cultural Revolution to the reform and opening up period and from the end of the reform and opening up to the 1990s, in which the latter is the focus of the analysis. It consists of three parts: the analysis of works in the early stage of reform and opening up; the analysis of works in 1990's; and the analysis of the works of female oil painters. To understand the reasons and characteristics of the change of female image through the change of representative female image in these periods. These reasons and characteristics mainly include four aspects: the change of female view; the revival of female art and feminism; the integration of various artistic techniques; and the artist's pursuit of individuation. This paper not only discusses the artistic value brought by the change of female image in oil painting, but also discusses the reasons reflected by this change through this vision. This change and its causes reflect the change of women's status and identity and the hidden social situation, aesthetic taste, ideology and cultural connotation. The research on this subject also has an impact on my own creation, which will benefit me all my life.
【學位授予單位】：湖南科技大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213
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