發(fā)布時間：2018-10-20 06:39

【摘要】：當(dāng)今常見青綠山水“由盛至衰”或“衰落”等詞匯描述,但筆者認(rèn)為,從某種意義來講,所謂青綠山水之“衰落”實(shí)為偽命題。青綠山水雖經(jīng)歷過潛隱期,但并非存在真的衰落,其作為一種獨(dú)特的、古老的繪畫語言一直在醞釀、生發(fā)許多新的可能,并以新的繪畫形式存在。不管是水墨畫的發(fā)展還是文人畫的興起,都未使青綠山水這一繪畫語言衰落,即便是“一面倒”的情況下,許多文人也都在畫青綠山水畫,并經(jīng)文人之手,不斷演變出新的藝術(shù)形式,如淺降山水;淡彩山水;潑墨山水;重彩山水等都或多或少受到青綠山水的影響。如今,當(dāng)代青綠山水畫不僅以重彩形式發(fā)展活躍,并且用于人物、花鳥、攝影等領(lǐng)域。
[Abstract]:Nowadays, the common words of green landscape are "from prosperity to decline" or "decline", but the author thinks that the "decline" of the so-called green landscape is a false proposition in a certain sense. Although the green landscape has gone through a latent period, it does not really decline, as a unique, ancient painting language has been brewing, many new possibilities, and as a new form of painting exists. Neither the development of ink painting nor the rise of literati painting has made the painting language of green landscape decline. Even if it is "one-sided", many literati are also painting green landscape painting, and through the hands of literati, New art forms have been evolving, such as shallow-descent landscape; light color landscape; splash-ink landscape; heavy color landscape and so on are more or less affected by the green landscape. Nowadays, contemporary green landscape painting is not only active in the form of heavy colors, but also used in the fields of characters, flowers and birds, photography and so on.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 葉海晨;;詩畫合一看王維——賞王維的《輞川圖》[J];中國人力資源社會保障;2015年10期

2 單國霖;;吳門畫派盟主文徵明[J];中國書畫;2013年10期

3 宋力;文人畫思潮對元代青綠山水畫發(fā)展的影響[J];南京藝術(shù)學(xué)院學(xué)報(美術(shù)與設(shè)計(jì)版);2002年04期

相關(guān)博士學(xué)位論文 前3條

1 黃文祥;文徵明青綠山水研究[D];福建師范大學(xué);2015年

2 孔德平;原型與意造[D];中國藝術(shù)研究院;2012年

3 楊惠東;中國早期青綠山水形態(tài)與成因研究[D];南京藝術(shù)學(xué)院;2005年

相關(guān)碩士學(xué)位論文 前1條

1 江兆強(qiáng);傳統(tǒng)青綠山水畫盛衰演變之研究[D];魯東大學(xué);2016年

，

本文編號：2282330