發(fā)布時(shí)間：2018-10-18 09:45

【摘要】：本文從陶瓷壁畫(huà)色釉形態(tài)語(yǔ)言出發(fā),運(yùn)用形態(tài)學(xué)等理論作為研究基礎(chǔ),進(jìn)行田野考察并綜合相關(guān)文獻(xiàn)資料,對(duì)其形態(tài)語(yǔ)言進(jìn)行研究和分析。從色釉獨(dú)特的藝術(shù)表現(xiàn)力入手,結(jié)合大量的古今中外優(yōu)秀陶瓷壁畫(huà)作品,對(duì)色釉的材質(zhì)、肌理、釉色等方面來(lái)研究其不同于其它材料的獨(dú)特的形態(tài)語(yǔ)言。色釉的運(yùn)用能夠充分體現(xiàn)陶瓷壁畫(huà)藝術(shù)的藝術(shù)美和科學(xué)美。通過(guò)對(duì)色釉形態(tài)語(yǔ)言在陶瓷壁畫(huà)中多種表現(xiàn)形式的分析和總結(jié),闡述了色釉形態(tài)語(yǔ)言在陶瓷壁畫(huà)中獨(dú)特的美學(xué)價(jià)值,豐富并完善了陶瓷壁畫(huà)的藝術(shù)表現(xiàn)形式。色釉在現(xiàn)代陶瓷壁畫(huà)創(chuàng)作中更應(yīng)發(fā)揮其獨(dú)特的形態(tài)語(yǔ)言特點(diǎn),發(fā)揮色釉材質(zhì)與生俱來(lái)的品質(zhì)。在陶瓷壁畫(huà)的創(chuàng)作過(guò)程中,只有把色釉材質(zhì)的獨(dú)特性,豐富色彩,多變肌理與造型完美地結(jié)合起來(lái)才能恰如其分地表現(xiàn)出色釉的高雅和天然麗質(zhì)的審美情趣,才能創(chuàng)作出好的陶瓷壁畫(huà)作品。陶瓷壁畫(huà)色釉形態(tài)語(yǔ)言的運(yùn)用應(yīng)尋找如何從傳統(tǒng)藝術(shù)中探索新的表現(xiàn)方式。陶瓷壁畫(huà)色釉形態(tài)語(yǔ)言的表現(xiàn)結(jié)合傳統(tǒng)文化和傳統(tǒng)藝術(shù)手法的同時(shí),要運(yùn)用大量的新材料、新技術(shù)來(lái)增強(qiáng)色釉的表現(xiàn)力度,并運(yùn)用現(xiàn)代的藝術(shù)理念來(lái)豐富色釉的表現(xiàn)形式。色釉與新的藝術(shù)表現(xiàn)形式有意識(shí)的給合,會(huì)創(chuàng)造出出其不意的藝術(shù)效果,豐富了陶瓷壁畫(huà)的藝術(shù)語(yǔ)言,增強(qiáng)了藝術(shù)感染力,與時(shí)代的審美趣味相符合。 本論文分為四章：第一章是對(duì)形態(tài)語(yǔ)言的概念進(jìn)行界定并對(duì)色釉的起源與特性進(jìn)行分析；第二章主要從色釉的材質(zhì),肌理,釉色方面來(lái)對(duì)其形態(tài)語(yǔ)言進(jìn)行研究探討；第三章是對(duì)色釉形態(tài)語(yǔ)言在陶瓷壁畫(huà)中的表現(xiàn)進(jìn)行分析,得出色釉形態(tài)語(yǔ)言表現(xiàn)形式多樣,表現(xiàn)領(lǐng)域?qū)拸V的特點(diǎn)；最后一章,指出了色釉形態(tài)語(yǔ)言在陶瓷壁畫(huà)表現(xiàn)中存在的問(wèn)題,并從觀念的更新和綜合手段的運(yùn)用兩方面對(duì)色釉形態(tài)語(yǔ)言在現(xiàn)代陶瓷壁畫(huà)中的表現(xiàn)應(yīng)用進(jìn)行創(chuàng)新探討。
[Abstract]:In this paper, based on the morphological theory of ceramic mural color and glaze, the author makes a field investigation and synthesizes the relevant literature to study and analyze the morphological language of ceramic mural. Starting from the unique artistic expression of colored glaze and combining with a large number of excellent ceramic mural works in ancient and modern times, this paper studies its unique morphological language different from other materials in terms of its material, texture, glaze color and so on. The use of glaze can fully reflect the artistic and scientific beauty of ceramic mural art. Through the analysis and summary of various forms of expression of color glaze form language in ceramic mural, this paper expounds the unique aesthetic value of color glaze form language in ceramic mural, and enriches and perfects the art expression form of ceramic mural. In the creation of modern ceramic murals, the color glaze should give play to its unique morphological and linguistic characteristics and the inherent quality of the glaze material. In the process of the creation of ceramic murals, only by combining the uniqueness of the glaze material, rich color, changeable texture and shape perfectly can we properly show the elegance of the glaze and the aesthetic taste of natural beauty. In order to create a good ceramic murals. The application of the color and glaze form language of ceramic fresco should find out how to explore the new way of expression from the traditional art. With the combination of traditional culture and traditional art technique, the expression of color glaze form language of ceramic mural should be strengthened by a great deal of new materials and techniques, and the expression form of color glaze should be enriched by modern art idea. The combination of color glaze and new art expression will create unexpected artistic effect, enrich the artistic language of ceramic murals, enhance the artistic appeal and accord with the aesthetic taste of the times. This paper is divided into four chapters: the first chapter is to define the concept of morphological language and to analyze the origin and characteristics of color glaze, the second chapter mainly from the color glaze material, texture, glaze color to study the morphological language; The third chapter is the analysis of the color glaze form language in the ceramic murals, the shape of the color glaze form language expression in a variety of forms, broad performance of the characteristics of the last chapter, This paper points out the problems existing in the expression of color glaze form language in ceramic murals, and probes into the innovative application of color glaze form language in modern ceramic frescoes from two aspects: the renewal of concept and the application of comprehensive means.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.6;J527

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