陶瓷壁畫色釉形態(tài)語言研究
發(fā)布時間：2018-10-18 09:45
【摘要】：本文從陶瓷壁畫色釉形態(tài)語言出發(fā),運用形態(tài)學等理論作為研究基礎,進行田野考察并綜合相關文獻資料,對其形態(tài)語言進行研究和分析。從色釉獨特的藝術表現(xiàn)力入手,結(jié)合大量的古今中外優(yōu)秀陶瓷壁畫作品,對色釉的材質(zhì)、肌理、釉色等方面來研究其不同于其它材料的獨特的形態(tài)語言。色釉的運用能夠充分體現(xiàn)陶瓷壁畫藝術的藝術美和科學美。通過對色釉形態(tài)語言在陶瓷壁畫中多種表現(xiàn)形式的分析和總結(jié),闡述了色釉形態(tài)語言在陶瓷壁畫中獨特的美學價值,豐富并完善了陶瓷壁畫的藝術表現(xiàn)形式。色釉在現(xiàn)代陶瓷壁畫創(chuàng)作中更應發(fā)揮其獨特的形態(tài)語言特點,發(fā)揮色釉材質(zhì)與生俱來的品質(zhì)。在陶瓷壁畫的創(chuàng)作過程中,只有把色釉材質(zhì)的獨特性,豐富色彩,多變肌理與造型完美地結(jié)合起來才能恰如其分地表現(xiàn)出色釉的高雅和天然麗質(zhì)的審美情趣,才能創(chuàng)作出好的陶瓷壁畫作品。陶瓷壁畫色釉形態(tài)語言的運用應尋找如何從傳統(tǒng)藝術中探索新的表現(xiàn)方式。陶瓷壁畫色釉形態(tài)語言的表現(xiàn)結(jié)合傳統(tǒng)文化和傳統(tǒng)藝術手法的同時,要運用大量的新材料、新技術來增強色釉的表現(xiàn)力度,并運用現(xiàn)代的藝術理念來豐富色釉的表現(xiàn)形式。色釉與新的藝術表現(xiàn)形式有意識的給合,會創(chuàng)造出出其不意的藝術效果,豐富了陶瓷壁畫的藝術語言,增強了藝術感染力,與時代的審美趣味相符合。 本論文分為四章：第一章是對形態(tài)語言的概念進行界定并對色釉的起源與特性進行分析；第二章主要從色釉的材質(zhì),肌理,釉色方面來對其形態(tài)語言進行研究探討；第三章是對色釉形態(tài)語言在陶瓷壁畫中的表現(xiàn)進行分析,得出色釉形態(tài)語言表現(xiàn)形式多樣,表現(xiàn)領域?qū)拸V的特點；最后一章,指出了色釉形態(tài)語言在陶瓷壁畫表現(xiàn)中存在的問題,并從觀念的更新和綜合手段的運用兩方面對色釉形態(tài)語言在現(xiàn)代陶瓷壁畫中的表現(xiàn)應用進行創(chuàng)新探討。
[Abstract]:In this paper, based on the morphological theory of ceramic mural color and glaze, the author makes a field investigation and synthesizes the relevant literature to study and analyze the morphological language of ceramic mural. Starting from the unique artistic expression of colored glaze and combining with a large number of excellent ceramic mural works in ancient and modern times, this paper studies its unique morphological language different from other materials in terms of its material, texture, glaze color and so on. The use of glaze can fully reflect the artistic and scientific beauty of ceramic mural art. Through the analysis and summary of various forms of expression of color glaze form language in ceramic mural, this paper expounds the unique aesthetic value of color glaze form language in ceramic mural, and enriches and perfects the art expression form of ceramic mural. In the creation of modern ceramic murals, the color glaze should give play to its unique morphological and linguistic characteristics and the inherent quality of the glaze material. In the process of the creation of ceramic murals, only by combining the uniqueness of the glaze material, rich color, changeable texture and shape perfectly can we properly show the elegance of the glaze and the aesthetic taste of natural beauty. In order to create a good ceramic murals. The application of the color and glaze form language of ceramic fresco should find out how to explore the new way of expression from the traditional art. With the combination of traditional culture and traditional art technique, the expression of color glaze form language of ceramic mural should be strengthened by a great deal of new materials and techniques, and the expression form of color glaze should be enriched by modern art idea. The combination of color glaze and new art expression will create unexpected artistic effect, enrich the artistic language of ceramic murals, enhance the artistic appeal and accord with the aesthetic taste of the times. This paper is divided into four chapters: the first chapter is to define the concept of morphological language and to analyze the origin and characteristics of color glaze, the second chapter mainly from the color glaze material, texture, glaze color to study the morphological language; The third chapter is the analysis of the color glaze form language in the ceramic murals, the shape of the color glaze form language expression in a variety of forms, broad performance of the characteristics of the last chapter, This paper points out the problems existing in the expression of color glaze form language in ceramic murals, and probes into the innovative application of color glaze form language in modern ceramic frescoes from two aspects: the renewal of concept and the application of comprehensive means.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J218.6;J527
本文編號：2278747
[Abstract]:In this paper, based on the morphological theory of ceramic mural color and glaze, the author makes a field investigation and synthesizes the relevant literature to study and analyze the morphological language of ceramic mural. Starting from the unique artistic expression of colored glaze and combining with a large number of excellent ceramic mural works in ancient and modern times, this paper studies its unique morphological language different from other materials in terms of its material, texture, glaze color and so on. The use of glaze can fully reflect the artistic and scientific beauty of ceramic mural art. Through the analysis and summary of various forms of expression of color glaze form language in ceramic mural, this paper expounds the unique aesthetic value of color glaze form language in ceramic mural, and enriches and perfects the art expression form of ceramic mural. In the creation of modern ceramic murals, the color glaze should give play to its unique morphological and linguistic characteristics and the inherent quality of the glaze material. In the process of the creation of ceramic murals, only by combining the uniqueness of the glaze material, rich color, changeable texture and shape perfectly can we properly show the elegance of the glaze and the aesthetic taste of natural beauty. In order to create a good ceramic murals. The application of the color and glaze form language of ceramic fresco should find out how to explore the new way of expression from the traditional art. With the combination of traditional culture and traditional art technique, the expression of color glaze form language of ceramic mural should be strengthened by a great deal of new materials and techniques, and the expression form of color glaze should be enriched by modern art idea. The combination of color glaze and new art expression will create unexpected artistic effect, enrich the artistic language of ceramic murals, enhance the artistic appeal and accord with the aesthetic taste of the times. This paper is divided into four chapters: the first chapter is to define the concept of morphological language and to analyze the origin and characteristics of color glaze, the second chapter mainly from the color glaze material, texture, glaze color to study the morphological language; The third chapter is the analysis of the color glaze form language in the ceramic murals, the shape of the color glaze form language expression in a variety of forms, broad performance of the characteristics of the last chapter, This paper points out the problems existing in the expression of color glaze form language in ceramic murals, and probes into the innovative application of color glaze form language in modern ceramic frescoes from two aspects: the renewal of concept and the application of comprehensive means.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J218.6;J527
【參考文獻】
相關碩士學位論文 前10條
1 樂琦;高溫顏色釉在陶瓷裝飾中的應用[D];景德鎮(zhèn)陶瓷學院;2011年
2 江偉賢;現(xiàn)代陶藝在環(huán)境藝術中的運用[D];武漢理工大學;2004年
3 李雪暉;當代中國壁畫與公眾審美期待[D];山東師范大學;2004年
4 徐微;陶瓷壁飾的發(fā)展與應用[D];清華大學;2004年
5 伍璐璐;試析壁畫公共性與藝術家藝術個性的關系[D];中央美術學院;2007年
6 喻斐;論建筑環(huán)境中陶瓷壁畫的運用與發(fā)展[D];蘇州大學;2007年
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8 徐禹;現(xiàn)代陶藝壁飾情感化應用研究[D];江南大學;2008年
9 涂文靜;陶藝在公共環(huán)境空間的運用[D];景德鎮(zhèn)陶瓷學院;2008年
10 岑士英;論色釉在環(huán)境陶藝壁畫裝飾中的運用[D];景德鎮(zhèn)陶瓷學院;2010年
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