視域:談多重身份徐勇民
發(fā)布時間:2018-10-18 08:57
【摘要】:正視域,是視覺所及的范圍。當涉及哲學意義時,它就不僅指物理場所"看"的界限,更意味著精神層面"觀"的層級?,決定著一個人的眼力,這對藝術家來講尤為重要;觀,則包含心力、素養(yǎng)和底蘊,左右著一個人的境界。2015年"新建文檔——徐勇民"個展先后在武漢美術館、廣州美術學院大學城美術館展出,2017年,"再建文檔——徐勇民"在天津美術學院美術館展出。這些藝術展集中呈現(xiàn)了徐勇民院長白2007年至2017年間的眾多幅畫稿以及文字手稿,同時匯集數(shù)十萬文字的文集《新建文檔》《再建文檔》也陸續(xù)出版面世。這些作品是藝術家一個階段的藝術歷程,也是他作為教育
[Abstract]:Face up to the domain, is the scope of vision. When it comes to philosophical meaning, it not only refers to the boundary of physical place, but also to the level of spiritual view. Look, it determines a person's eye, which is particularly important for artists. The view, however, contains mental power, accomplishment, and inner information, which determines one's state of affairs. The 2015 "newly built document-Xu Yongmin" solo exhibition was successively held in the Wuhan Art Museum. Guangzhou Academy of Fine Arts University City Art Museum, 2017, "re-build documents-Xu Yongmin" exhibition at the Tianjin Academy of Fine Arts Art Museum. These exhibitions focus on numerous paintings and manuscripts from 2007 to 2017, as well as the collection of hundreds of thousands of characters, "New documents" and "rebuilding documents", which have also been published one after another. These works are the artistic process of the artist in one stage and his education as well.
【作者單位】: 鄭州輕工業(yè)學院藝術設計學院;
【分類號】:J212
本文編號:2278635
[Abstract]:Face up to the domain, is the scope of vision. When it comes to philosophical meaning, it not only refers to the boundary of physical place, but also to the level of spiritual view. Look, it determines a person's eye, which is particularly important for artists. The view, however, contains mental power, accomplishment, and inner information, which determines one's state of affairs. The 2015 "newly built document-Xu Yongmin" solo exhibition was successively held in the Wuhan Art Museum. Guangzhou Academy of Fine Arts University City Art Museum, 2017, "re-build documents-Xu Yongmin" exhibition at the Tianjin Academy of Fine Arts Art Museum. These exhibitions focus on numerous paintings and manuscripts from 2007 to 2017, as well as the collection of hundreds of thousands of characters, "New documents" and "rebuilding documents", which have also been published one after another. These works are the artistic process of the artist in one stage and his education as well.
【作者單位】: 鄭州輕工業(yè)學院藝術設計學院;
【分類號】:J212
【相似文獻】
相關期刊論文 前10條
1 張苗苗;;風華歲月與自為世界——林崗和龐X緣囊?guī)[J];美術;2010年08期
2 易英;沉重人生的浪漫詩情——洪磊的藝術歷程與主題[J];世界美術;1993年03期
3 凱梅;;重要的不是肉,重要的是什么?——解讀顧德新的藝術歷程[J];畫刊;2012年05期
4 李偉銘;在坦途與陷阱之間——馬西光的藝術歷程[J];藝術界;1999年01期
5 韋方;思與言之途——丁方的藝術歷程[J];藝術界;2000年03期
6 林伯欣;現(xiàn)代水墨的問題情境——從劉國松的藝術歷程談起[J];美術觀察;2000年11期
7 ;尹朝陽·路——批評家論尹朝陽藝術歷程[J];東方藝術;2007年09期
8 盧延光;;從沃土走向海洋——汪曉曙的藝術歷程[J];文藝爭鳴;2010年12期
9 戴維·科恩,張鵬;二元論者: 培根的藝術歷程[J];世界美術;1997年03期
10 劉沛沛;峽徑萬千流瑰麗到東!髂蠋煷竺佬g學院的藝術歷程[J];美術觀察;2002年03期
相關重要報紙文章 前2條
1 菲利普·杰奎琳;徐悲鴻和他的法國老師:杰出的藝術歷程[N];東方早報;2014年
2 范迪安;在現(xiàn)實與理想的邊界上表達意象[N];中國文化報;2013年
相關碩士學位論文 前1條
1 董國恩;周大正教授教學札記[D];西北民族大學;2012年
,本文編號:2278635
本文鏈接:http://www.lk138.cn/wenyilunwen/huihuayishu/2278635.html