中国韩国日本在线观看免费,A级尤物一区,日韩精品一二三区无码,欧美日韩少妇色

當(dāng)前位置:主頁(yè) > 文藝論文 > 繪畫論文 >

《直面》—油畫創(chuàng)作中的色彩表現(xiàn)研究

發(fā)布時(shí)間:2018-10-17 20:13
【摘要】:本次畢業(yè)設(shè)計(jì)的選題為“《直面》——油畫創(chuàng)作中的色彩表現(xiàn)研究”。時(shí)代變遷,油畫的發(fā)展歷經(jīng)古典主義繪畫到印象主義繪畫、后印象主義繪畫、再到現(xiàn)代藝術(shù),油畫的色彩表現(xiàn)形式經(jīng)歷了漫長(zhǎng)的蛻變過(guò)程。傳統(tǒng)油畫階段色彩只是造型的附庸,多用于對(duì)固有色的表現(xiàn),而在當(dāng)代藝術(shù)階段,油畫的色彩表現(xiàn)多為藝術(shù)本身服務(wù),油畫創(chuàng)作中更注重自由、原始的藝術(shù)表現(xiàn),當(dāng)代畫家更注重自身情感的宣泄和個(gè)人藝術(shù)特征的詮釋。當(dāng)畫家經(jīng)過(guò)各種風(fēng)格、流派和時(shí)代精神的錘煉,再把自身情感與色彩理論知識(shí)結(jié)合運(yùn)用于創(chuàng)作中,才能夠更好的呈現(xiàn)畫家的個(gè)人藝術(shù)風(fēng)格。色彩表現(xiàn)作品作為終極藝術(shù),畫家需要嚴(yán)謹(jǐn)?shù)纳世碚搧?lái)支撐創(chuàng)作中色彩變化的多樣性,藝術(shù)家不可能用單一的色彩模式進(jìn)行創(chuàng)作,本文按照學(xué)校給予的專業(yè)學(xué)位碩士論文規(guī)范,通過(guò)三個(gè)部分,對(duì)色彩表現(xiàn)突出的代表人物及其作品進(jìn)行梳理,主要對(duì)畫家的情感經(jīng)歷及畫面色彩表現(xiàn)進(jìn)行了分析和概括,闡述了筆者在創(chuàng)作中的心路歷程。第一部分為作品圖片。經(jīng)過(guò)前期素材篩選,創(chuàng)作的完成圖片和部分衍生作品圖,以及按照理論研究進(jìn)行的創(chuàng)作過(guò)程圖片的展示;第二部分為理論報(bào)告,細(xì)分為需求報(bào)告、理論研究報(bào)告、過(guò)程報(bào)告及研究總結(jié)。主要對(duì)色彩表現(xiàn)突出的代表人物及作品展開(kāi)相關(guān)分析。在理論基礎(chǔ)上探索色彩表現(xiàn)研究的實(shí)際價(jià)值,為自身課題研究和創(chuàng)作提供理論支撐,也是本課題的核心研究部分。第三部分為創(chuàng)作過(guò)程報(bào)告,在理論研究的基礎(chǔ)之上,確定個(gè)人創(chuàng)作理念與思路。從創(chuàng)作靈感來(lái)源、創(chuàng)作思路以及創(chuàng)作過(guò)程進(jìn)行細(xì)致闡述。為色彩表現(xiàn)課題的理論研究進(jìn)行實(shí)踐應(yīng)用和歸納總結(jié)。基于油畫創(chuàng)作而言,畫家的任何細(xì)小的直接或間接感受都可以使其抓住色彩感受的契機(jī),進(jìn)而激發(fā)畫家積淀的情感感悟和對(duì)現(xiàn)實(shí)的深度思考,通過(guò)色彩渠道來(lái)表現(xiàn)主觀意念,畫家的主觀感受與色彩理論相結(jié)合,再依靠創(chuàng)作過(guò)程中的直覺(jué)感受進(jìn)行表現(xiàn)色彩,才能夠創(chuàng)造出具有畫家自身獨(dú)特性的藝術(shù)風(fēng)格,從而產(chǎn)生與觀賞者的共鳴。此次畢業(yè)設(shè)計(jì)創(chuàng)作以布面油畫的形式,結(jié)合色彩表現(xiàn)理論研究和市場(chǎng)調(diào)研,進(jìn)行《直面》系列油畫創(chuàng)作。本文試從油畫創(chuàng)作者的角度,分析油畫色彩觀念的演變發(fā)展過(guò)程,以及近現(xiàn)代油畫藝術(shù)中色彩表現(xiàn)的差異。在近現(xiàn)代油畫發(fā)展過(guò)程中,油畫藝術(shù)家開(kāi)始注重作品的主觀色彩表現(xiàn),也更加注重探索自身的藝術(shù)風(fēng)格。期望此課題的研究對(duì)油畫創(chuàng)作實(shí)踐有所幫助!吨泵妗废盗杏彤媱(chuàng)作意在表達(dá)色彩在油畫中的情緒表現(xiàn),本次作品主要完成4幅80*100cm布面油畫作品,表達(dá)創(chuàng)作者主觀色彩感受,并將創(chuàng)作作品運(yùn)用于衍生品市場(chǎng),滿足客戶多樣化需求。
[Abstract]:The topic of this graduation design is "straight face"-the study of color expression in oil painting creation. The development of oil painting has experienced a long process of transformation from classical painting to impressionist painting, post-impressionist painting, and then to modern art. The color of traditional oil painting stage is only the vassal of modeling, it is mostly used to express the inherent color. In the contemporary art stage, the color expression of oil painting mostly serves the art itself. In oil painting creation, it pays more attention to the freedom and primitive artistic expression. Contemporary painters pay more attention to the catharsis of their emotions and the interpretation of their own artistic characteristics. When the painter after a variety of styles, schools and the spirit of the times, the combination of their own emotions and color theory knowledge in the creation, in order to better present the artist's personal artistic style. Color performance works as the ultimate art, painters need rigorous color theory to support the diversity of color changes in creation, artists can not use a single color model to create. In accordance with the standard of professional degree and master thesis given by the school, this paper, through three parts, combs the representative characters and their works with outstanding color performance, mainly analyzes and summarizes the painter's emotional experience and the color performance of the picture. This paper expounds the author's mental course in the process of creation. The first part is the picture of the work. After the pre-screening of the materials, the finished pictures and some derivative works are created, and the pictures of the creative process are displayed according to the theoretical research. The second part is the theoretical report, which is divided into the demand report, the theoretical research report, Process report and research summary. Mainly to the color performance outstanding representative personage and the work carries on the correlation analysis. Exploring the practical value of color expression research on the basis of theory, providing theoretical support for its own research and creation, is also the core research part of this subject. The third part is the creative process report, on the basis of theoretical research, to determine the concept and ideas of personal creation. From the source of creative inspiration, creative ideas and creative process to elaborate. For the color performance of the theoretical study of practical application and summary. Based on the oil painting creation, any small direct or indirect feeling of the painter can make him grasp the opportunity of the color feeling, and then stimulate the painter's accumulated emotional perception and deep thinking on the reality, and express the subjective idea through the color channel. Combining the subjective feeling of the painter with the theory of color, and then relying on the intuitive feeling in the creative process to express the color, can create the unique artistic style of the painter, thus producing the resonance with the viewer. The graduation design in the form of canvas oil painting, combined with color performance theory and market research, straight face series oil painting creation. This paper tries to analyze the evolution and development process of oil painting color concept and the difference of color expression in modern oil painting art from the angle of oil painting creators. In the process of modern oil painting development, oil painting artists began to pay attention to the subjective color of the work, but also pay more attention to exploring their own artistic style. It is expected that the research on this subject will be helpful to the practice of oil painting creation. "straight face" series oil painting creation is intended to express the emotional expression of color in the oil painting. This work mainly completes four 80*100cm canvas paintings to express the subjective color feelings of the creators. And the creation of works in the derivatives market to meet the diversified needs of customers.
【學(xué)位授予單位】:浙江理工大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J213

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 陳木榮;油畫創(chuàng)作的造型和色彩[J];廣西梧州師范高等專科學(xué)校學(xué)報(bào);2001年03期

2 苑廣華,董杰;油畫創(chuàng)作之我見(jiàn)[J];河北建筑科技學(xué)院學(xué)報(bào)(社科版);2002年04期

3 高鴻武;油畫創(chuàng)作隨想[J];美與時(shí)代;2004年05期

4 黃平;油畫創(chuàng)作教學(xué)思考[J];貴州大學(xué)學(xué)報(bào)(藝術(shù)版);2004年04期

5 洪新發(fā);油畫創(chuàng)作談[J];美術(shù)觀察;2005年08期

6 梁培先;;激情而唯美——冷先平油畫創(chuàng)作評(píng)析[J];藝術(shù)市場(chǎng);2006年04期

7 譚華;;論油畫創(chuàng)作過(guò)程[J];宜賓學(xué)院學(xué)報(bào);2006年08期

8 陳杰;;真實(shí)的對(duì)話——油畫創(chuàng)作和教學(xué)問(wèn)題的思考[J];藝術(shù)教育;2007年01期

9 鹿炳君;譚紅梅;;畫家之“我”在油畫創(chuàng)作中的意義[J];文藝研究;2007年05期

10 楊碩;;對(duì)油畫創(chuàng)作的幾點(diǎn)認(rèn)識(shí)[J];藝術(shù)研究;2007年01期

相關(guān)會(huì)議論文 前2條

1 孫亞光;;文化建設(shè)大發(fā)展大繁榮 做好油畫創(chuàng)作工作[A];2008山東省群眾文化學(xué)會(huì)論文集[C];2008年

2 詹明榮;;陶瓷油畫表現(xiàn)與創(chuàng)作探索[A];第九屆全國(guó)陶瓷藝術(shù)設(shè)計(jì)創(chuàng)新評(píng)比暨首屆中國(guó)陶瓷藝術(shù)大會(huì)論文集[C];2010年

相關(guān)重要報(bào)紙文章 前10條

1 北京師范大學(xué)南湖附屬學(xué)校 沈水明;油畫創(chuàng)作中個(gè)性視角和筆觸探究[N];美術(shù)報(bào);2013年

2 彭爭(zhēng)武 劉敏珍;塘廈擬建油畫創(chuàng)作基地[N];東莞日?qǐng)?bào);2009年

3 韓光亮 蘇婧;青島綠澤畫院謀求上市[N];青島日?qǐng)?bào);2010年

4 記者 王韶韻;打響南湖油畫品牌[N];嘉興日?qǐng)?bào);2011年

5 回力;常斌平的油畫創(chuàng)作[N];文藝報(bào);2007年

6 美術(shù)學(xué)院;三位教師參加賑災(zāi)義拍油畫創(chuàng)作[N];新清華;2008年

7 林子;油畫創(chuàng)作的水準(zhǔn)最終要落實(shí)到作品上[N];中國(guó)藝術(shù)報(bào);2009年

8 梁江;歷史畫創(chuàng)作的新收獲[N];中國(guó)藝術(shù)報(bào);2013年

9 劉海濤 房東日;油畫創(chuàng)作的精神性與時(shí)代性[N];美術(shù)報(bào);2010年

10 范迪安;走向堅(jiān)實(shí)的大地[N];美術(shù)報(bào);2012年

相關(guān)博士學(xué)位論文 前2條

1 周楊;建國(guó)以來(lái)中國(guó)油畫創(chuàng)作的時(shí)代癥象研究[D];東北師范大學(xué);2016年

2 金捷;中國(guó)表現(xiàn)性油畫創(chuàng)作教學(xué)研究[D];南京藝術(shù)學(xué)院;2008年

相關(guān)碩士學(xué)位論文 前10條

1 袁波;表現(xiàn)性油畫創(chuàng)作研究[D];西北師范大學(xué);2010年

2 余煒;重要的是發(fā)現(xiàn)—淺談?dòng)彤媱?chuàng)作中的題材與形式[D];江西師范大學(xué);2011年

3 王曉飛;油畫創(chuàng)作中裝飾性語(yǔ)言的探究與實(shí)踐[D];沈陽(yáng)師范大學(xué);2013年

4 辛志亮;我的油畫創(chuàng)作與泛卡通圖式[D];廣州大學(xué);2013年

5 陳祖濱;淺談圖像在當(dāng)代油畫創(chuàng)作中的價(jià)值[D];福建師范大學(xué);2012年

6 程海云;淺談稚拙藝術(shù)對(duì)我油畫創(chuàng)作的啟發(fā)[D];遼寧師范大學(xué);2013年

7 劉紫平;淺析“經(jīng)意、不經(jīng)意”在油畫創(chuàng)作中的運(yùn)用[D];遼寧師范大學(xué);2013年

8 胡雙江;照片在油畫創(chuàng)作中的應(yīng)用[D];河北師范大學(xué);2013年

9 李文韜;主觀因素對(duì)油畫創(chuàng)作的影響[D];新疆師范大學(xué);2014年

10 蔣浩森;淺談武俠精神在油畫創(chuàng)作中的表現(xiàn)[D];上海師范大學(xué);2015年

,

本文編號(hào):2277826

資料下載
論文發(fā)表

本文鏈接:http://www.lk138.cn/wenyilunwen/huihuayishu/2277826.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶72020***提供,本站僅收錄摘要或目錄,作者需要?jiǎng)h除請(qǐng)E-mail郵箱bigeng88@qq.com