【摘要】：在中國水墨人物畫基礎教學中,線性素描作為基礎教學中的重要組成部分,學術界對素描在水墨人物畫基礎教學中的應用等相關問題上產(chǎn)生不同意見,認為,素描影響下,水墨人物畫所呈現(xiàn)的面貌及意義不具有傳統(tǒng)人物畫的意象美,過于西化。所以,線性素描在水墨人物畫基礎教學中的具體實施得不到有力支持,使線性素描本身的價值得不到挖掘。本文在研究線性素描對水墨人物畫基礎教學的影響問題上,采用了以傳統(tǒng)線為背景,以素描影響下的水墨人物畫面貌為例證,來闡述線性素描與水墨人物畫基礎教學之間不可分割的聯(lián)系與意義。經(jīng)實踐研究表明,線性素描的特殊性在現(xiàn)代水墨人物畫基礎教學中具有很強的主導性作用,它所產(chǎn)生的價值及重要性正是本論文研究的重心。
[Abstract]:In the basic teaching of Chinese ink figure painting, linear sketch is an important part of basic teaching. The academic circles have different opinions on the application of sketch in the basic teaching of Chinese ink figure painting, and think that, under the influence of sketch, The appearance and significance of ink figure painting is not the image beauty of traditional figure painting, it is too westernized. Therefore, the implementation of linear sketch in the basic teaching of ink figure painting can not be fully supported, so that the value of linear sketch itself can not be excavated. In this paper, the influence of linear sketch on the basic teaching of ink figure painting is studied. The traditional line is used as the background, and the appearance of the figure painting under the influence of sketch is taken as an example. To explain the linear sketch and ink figure painting teaching of the inseparable relationship and significance. The practical research shows that the particularity of linear sketch has a strong leading role in the basic teaching of modern ink figure painting, and its value and importance is the focus of this paper.
【學位授予單位】：吉林藝術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212-4

【參考文獻】

相關碩士學位論文 前2條

1 陳川;線性素描“浮雕式造型”義疏[D];中央美術學院;2010年

2 肖順;論當代水墨人物畫創(chuàng)作的情感與形式[D];廣西師范大學;2010年

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本文編號：2275597