發(fā)布時(shí)間：2018-10-16 17:21

【摘要】：繪畫(huà)藝術(shù)作為文化的一種,它不受種族、國(guó)家和信仰的約束,即使以完全不同的表現(xiàn)方式誕生和發(fā)展于完全不同的歷史背景下,但是終會(huì)沖破一切阻礙為全世界人民知曉、領(lǐng)會(huì)其魅力。人們?cè)隈v足觀賞這些前人創(chuàng)造的藝術(shù)作品時(shí)感受到作者在他那個(gè)時(shí)代對(duì)生活對(duì)自我的理解,能讓觀者眼前再現(xiàn)出那個(gè)創(chuàng)作時(shí)面對(duì)的真實(shí)場(chǎng)景以及創(chuàng)作者那一刻的心緒。藝術(shù)無(wú)國(guó)界。東西方繪畫(huà)藝術(shù)發(fā)展中,歷代藝術(shù)創(chuàng)作者和理論研究者對(duì)繪畫(huà)藝術(shù)的理解存在著許多共通之處,時(shí)光可以讓它們相融合。繪畫(huà)最初出現(xiàn)都是以一些簡(jiǎn)單圖案的形式,是為了記錄生活中的一切,是人類進(jìn)步中產(chǎn)生的對(duì)美的需求,是高于溫飽、物質(zhì)的精神層面的需求。各個(gè)時(shí)期的藝術(shù)創(chuàng)作者成長(zhǎng)環(huán)境不一樣,對(duì)生活的理解不一樣,受教育背景的程度或者方式不一樣,內(nèi)省的深度不一樣,藝術(shù)的表達(dá)方式自然不一樣。但他們對(duì)藝術(shù)追求的最終目的卻總是不禁相同:尋找美和自我。莫奈是西方油畫(huà)創(chuàng)作歷史發(fā)展中的重要代表藝術(shù)家之一,是他將印象派的精髓提煉并傳播,終其一生使印象派在世界藝術(shù)史的長(zhǎng)河里立于重要地位。他的一生都在詮釋藝術(shù)的純真,把印象派作為自己人生的信仰,自從找到自我“印象”,一生鐘愛(ài)。謝赫是中國(guó)傳統(tǒng)繪畫(huà)藝術(shù)理論體系的總結(jié)者,也是引導(dǎo)者。二者在不同的國(guó)度和歷史背景下都將一生獻(xiàn)給了藝術(shù),獻(xiàn)給了人類文明,在對(duì)待繪畫(huà)上的理解似乎都在找“感覺(jué)”。將莫奈的藝術(shù)創(chuàng)作和中國(guó)傳統(tǒng)藝術(shù)相提并論最值得探討的地方在于他們各自的藝術(shù)核心:印象——?dú)忭�。本文第一章�?jié)為序言部分,介紹了與本論文相關(guān)的國(guó)內(nèi)外研究近況、選題的研究目的和意義、本論文研究的基本思路和方法;第二章簡(jiǎn)要敘述莫奈的大致生平以及“氣韻說(shuō)”出處來(lái)自于中國(guó)傳統(tǒng)繪畫(huà)藝術(shù)的理論研究成果,以此作為展開(kāi)論題的鋪墊,探究莫奈繪畫(huà)藝術(shù)中的藝術(shù)特征以及帶有東方韻味的藝術(shù)表現(xiàn),由此證明中西方對(duì)繪畫(huà)藝術(shù)的認(rèn)識(shí)和發(fā)展規(guī)律存在相融、共通之處;第三章節(jié)例舉莫奈作品,解讀莫奈繪畫(huà)藝術(shù),分析其中獨(dú)特的氣韻,獨(dú)特的藝術(shù)美;第四章為探究本論題所得啟發(fā)。
[Abstract]:The art of painting as a kind of culture is not bound by race, country or faith, even though it is born and developed in a completely different historical background in a completely different way, it will eventually break through all obstacles and be known to the people of the world. Grasp its charm. When people stop to see these works of art created by their predecessors, they feel that the author's understanding of life in his time can make the viewer reappear the real scene in front of him and the mood of the creator at that moment. Art knows no borders. In the development of painting art in East and West, there are many common points in the understanding of painting art by the creators and theoretical researchers of the past dynasties, which can be combined by time. Painting appeared in the form of some simple patterns in order to record everything in life, is the human progress of the demand for beauty, is higher than food and clothing, material spiritual needs. Art creators in different periods have different growing environment, different understanding of life, different education background or different ways, different introspection, different artistic expression. But the ultimate aim of their pursuit of art is always the same: looking for beauty and self. Monet is one of the important representative artists in the development of western oil painting history. He refined and disseminated the essence of Impressionism and made Impressionism stand in an important position in the world art history all his life. His whole life was to explain the innocence of art, regard Impressionism as his belief in life, since he found his own "impression", he loved it all his life. Sheikha is a summary of the theoretical system of Chinese traditional painting art, and also a guide. In different countries and historical backgrounds, both devote their lives to art and human civilization, and their understanding of painting seems to be looking for "feeling". Comparing Monet's artistic creation with Chinese traditional art is worth discussing in their respective artistic core: impression-charm. The first chapter of this paper is the preface, which introduces the recent research situation at home and abroad, the purpose and significance of the topic, the basic ideas and methods of this paper. The second chapter gives a brief account of the life of Monet and the provenance of "Qiyun Theory" from the theoretical research results of Chinese traditional painting art. This paper probes into the artistic characteristics of Monet's painting art and its artistic expression with oriental charm, which proves that the understanding and development law of painting art in China and the West are in harmony and common; the third chapter gives an example of Monet's works. Unscramble Monet's painting art, analyze its unique charm and unique artistic beauty.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205

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本文編號(hào)：2275103