法海寺壁畫技法與材料研究
發(fā)布時間：2018-10-15 10:54
【摘要】：法海寺壁畫是目前保存完整的明朝時期壁畫，其以精致細膩、富麗堂皇、氣勢恢宏等繪畫風格著稱于世，代表著明朝時期中國壁畫的最高成就，藝術價值、歷史價值和研究價值都非常高。這個由宮廷畫師為主創(chuàng)作的精美壁畫，以佛教文化為創(chuàng)作題材，沿用唐宋畫法，瀝粉貼金，，工筆重彩，所呈現(xiàn)出來的畫面給人以金碧輝煌、氣勢磅礴之感。作為中國悠久傳統(tǒng)壁畫歷史中的代表作品，法海寺壁畫給我們留下了寶貴而又豐富的物質文化遺產(chǎn)，它的藝術特點和理念對于當代壁畫甚至其它藝術的創(chuàng)作都有重要的借鑒價值。 文章立題《法海寺壁畫技法與材料研究》，并從五個部分來進行逐一闡述。第一部分，首先對中國壁畫的發(fā)展情況進行了介紹，主要介紹了莫高窟壁畫、永樂宮壁畫和法海寺壁畫；然后詳細的敘述了法海寺的歷史沿革，對法海寺壁畫的特色及價值進行了討論，并將其與同時期的西方文藝復興時期壁畫進行了比較。第二部分則著重賞析了法海寺的壁畫作品，包括兩幅《佛會圖》、三幅《祥云圖》、三幅《三大士圖》以及兩幅《帝釋梵天禮佛護法圖》。第三部分主要從構圖方式、人物造型、線條表現(xiàn)、色彩應用等四個方面，對法海寺壁畫創(chuàng)作中使用的技法進行了解析。第四部分則對法海寺壁畫使用的材料進行了研究，主要包括墻體制作方法、顏料的使用以及瀝粉堆金的工藝。第五部分對法海寺壁畫的風格來源進行了研究，認為法海寺繼承了唐代繪畫、晉北遼金壁畫和南宋院體繪畫的風格，是對中國歷代優(yōu)秀繪畫風格的繼承與發(fā)揚。 本文旨在通過研究法海寺壁畫的技法與材料兩個角度來解析法海寺壁畫中蘊含的藝術價值，引起人們對于中國傳統(tǒng)壁畫研究的重視，促使人們在進行當代中國壁畫創(chuàng)作的時候，能更好地吸收和借鑒中國傳統(tǒng)壁畫的藝術理念，從而創(chuàng)作出更具藝術魅力的壁畫作品。
[Abstract]:Fahai Temple frescoes are fully preserved at present in the Ming Dynasty. They are famous for their exquisite, magnificent and magnificent painting styles. They represent the highest achievement and artistic value of Chinese murals in the Ming Dynasty. Both historical value and research value are very high. This beautiful fresco, mainly created by court painters, takes Buddhist culture as the subject matter, follows the painting method of Tang and Song dynasties, draining powder and putting gold on gold, and meticulous brushwork, which presents a brilliant and majestic sense of grandeur. As a representative work in the history of Chinese traditional murals, Fahai Temple murals have left us precious and rich material and cultural heritage. Its artistic characteristics and ideas have important reference value for contemporary murals and even other art creation. In this paper, the title of Fahai Temple murals techniques and materials, and from five parts to explain one by one. The first part introduces the development of Chinese murals, mainly introduces the murals of Mogao Grottoes, Yongle Palace and Fahai Temple, and then describes the history of Fahai Temple in detail. The characteristics and value of Fahai Temple murals are discussed and compared with those of western Renaissance murals in the same period. The second part focuses on the appreciation of the murals of Fahai Temple, including two Buddhist paintings, three Xiangyun Pictures, three Great Scholars and two Divine paintings. The third part mainly analyzes the techniques used in the creation of Fahai Temple murals from four aspects: composition, character modeling, line expression and color application. In the fourth part, the materials used in Fahai Temple murals are studied, including the wall making method, the use of pigments and the process of depositing gold with leachate. The fifth part has carried on the research to the Fahai Temple mural style origin, believed that the Fahai Temple inherited the Tang Dynasty painting, the Jin Dynasty fresco painting style and the Southern Song Dynasty style painting style, was the inheritance and the development to the Chinese successive dynasties outstanding painting style. The purpose of this paper is to analyze the artistic value of Fahai Temple frescoes from the perspectives of techniques and materials of Fahai Temple murals, to arouse people's attention to the study of traditional Chinese murals, and to urge people to create contemporary Chinese murals. It can better absorb and draw lessons from the traditional Chinese mural art concept, thus creating more artistic charm of murals works.
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J218.6
本文編號：2272325
[Abstract]:Fahai Temple frescoes are fully preserved at present in the Ming Dynasty. They are famous for their exquisite, magnificent and magnificent painting styles. They represent the highest achievement and artistic value of Chinese murals in the Ming Dynasty. Both historical value and research value are very high. This beautiful fresco, mainly created by court painters, takes Buddhist culture as the subject matter, follows the painting method of Tang and Song dynasties, draining powder and putting gold on gold, and meticulous brushwork, which presents a brilliant and majestic sense of grandeur. As a representative work in the history of Chinese traditional murals, Fahai Temple murals have left us precious and rich material and cultural heritage. Its artistic characteristics and ideas have important reference value for contemporary murals and even other art creation. In this paper, the title of Fahai Temple murals techniques and materials, and from five parts to explain one by one. The first part introduces the development of Chinese murals, mainly introduces the murals of Mogao Grottoes, Yongle Palace and Fahai Temple, and then describes the history of Fahai Temple in detail. The characteristics and value of Fahai Temple murals are discussed and compared with those of western Renaissance murals in the same period. The second part focuses on the appreciation of the murals of Fahai Temple, including two Buddhist paintings, three Xiangyun Pictures, three Great Scholars and two Divine paintings. The third part mainly analyzes the techniques used in the creation of Fahai Temple murals from four aspects: composition, character modeling, line expression and color application. In the fourth part, the materials used in Fahai Temple murals are studied, including the wall making method, the use of pigments and the process of depositing gold with leachate. The fifth part has carried on the research to the Fahai Temple mural style origin, believed that the Fahai Temple inherited the Tang Dynasty painting, the Jin Dynasty fresco painting style and the Southern Song Dynasty style painting style, was the inheritance and the development to the Chinese successive dynasties outstanding painting style. The purpose of this paper is to analyze the artistic value of Fahai Temple frescoes from the perspectives of techniques and materials of Fahai Temple murals, to arouse people's attention to the study of traditional Chinese murals, and to urge people to create contemporary Chinese murals. It can better absorb and draw lessons from the traditional Chinese mural art concept, thus creating more artistic charm of murals works.
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J218.6
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本文編號：2272325
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