【摘要】：中國是世界上最早的文明古國之一，中國畫和中國的陶瓷藝術(shù)都是世界上獨(dú)一無二的，極具民族特色的藝術(shù)。縱觀中國繪畫發(fā)展史或陶瓷的發(fā)展史，陶瓷藝術(shù)品以及當(dāng)代繪畫作品，，不難發(fā)現(xiàn)瓷上繪畫和中國畫自始至終一直緊密聯(lián)系不可分割的代表著中國特色藝術(shù)文化。兩者相互聯(lián)系相互滲透從未脫離過影響，瓷上繪畫被賦予了人文關(guān)懷和情感色彩，承載著藝術(shù)進(jìn)程富有中式寓意和啟發(fā)。也可以等化的說，中國畫種中有多少流派和技法，那么瓷上繪畫中就可以尋找到多少種相類似，相平衡的激發(fā)風(fēng)格，從藝術(shù)理論上可以說兩者完全源自于同一個(gè)文化源流。有著同樣的地域特征和民族文化性，并且從某種程度上所顯現(xiàn)的相同的歷史價(jià)值、社會(huì)價(jià)值和審美價(jià)值。所以說，首先要從瓷上繪畫發(fā)展為基本歷程，從山水畫和繪畫瓷的交融寫山水畫和繪畫瓷之間的異同，通過審美變化，雅俗的辯證闡釋中國山水瓷畫的多元化和民族性的影響。 瓷上繪畫承載著幾千年的文明歷史，它在其本身的發(fā)展過程中蘊(yùn)含著科學(xué)技術(shù)和審美內(nèi)涵。也可以說，從陶瓷誕生之日起，陶瓷藝術(shù)就是與科技文化和藝術(shù)審美密切結(jié)合的極具民族性的產(chǎn)物。豐富多變的造型，色彩斑斕的釉色和裝飾紋案，繽紛多姿的彩繪和不多進(jìn)步不斷發(fā)展的工藝技法。原始先民們利用水、火、土以及各種礦物質(zhì)運(yùn)用人類的智慧將其科學(xué)技術(shù)與審美藝術(shù)有機(jī)結(jié)合。
[Abstract]:China is one of the earliest ancient civilizations in the world. Chinese painting and Chinese ceramic art are unique and national art in the world. Throughout the history of the development of Chinese painting or ceramic development, ceramic art and contemporary paintings, it is not difficult to find that porcelain painting and Chinese painting has always been closely linked with the inseparable representative of the art and culture with Chinese characteristics. The relationship between the two has never been separated from the influence, the porcelain painting has been endowed with humanistic care and emotional color, carrying the artistic process rich with Chinese moral and inspiration. It can also be equalized that there are many schools and techniques in Chinese painting, so how many similar, balanced inspiring styles can be found in the porcelain painting, from the art theory can be said to be completely derived from the same cultural origin. It has the same regional characteristics and national culture, and to some extent the same historical value, social value and aesthetic value. Therefore, first of all, from the porcelain painting development for the basic process, from the landscape painting and painting porcelain blend between the landscape painting and painting porcelain similarities and differences, through aesthetic changes, refined dialectical interpretation of the Chinese landscape porcelain painting diversity and national influence. Porcelain painting bears thousands of years of civilization history, it contains science and technology and aesthetic connotation in its own development process. It can also be said that from the date of the birth of ceramics, ceramic art is closely combined with science, technology, culture and art aesthetics. Rich and changeable modeling, colorful glaze and decorative cases, colorful painting and less progress of the continuous development of technology. Primitive ancestors used water, fire, soil and minerals to combine science and technology with aesthetic art.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 鄧平芝;;談?wù)劕F(xiàn)代中國畫[J];國畫家;2011年05期

2 王禮;;藝術(shù)表現(xiàn)中情與景的感悟[J];中國美術(shù);2011年04期

3 馮金玲;從陶瓷藝術(shù)的發(fā)展談?wù)勚袊嬇c瓷上繪畫[J];景德鎮(zhèn)陶瓷;2004年02期

4 汪盛強(qiáng);蘇勇雷;;論中國畫與陶瓷藝術(shù)[J];陶瓷研究;2010年02期

5 李少景;;淺談陶瓷繪畫中的審美意境與造“意”[J];陶瓷研究;2010年03期

6 程大利;;中國畫的本質(zhì)、特性、境界和欣賞[J];書畫藝術(shù);2011年04期

本文編號(hào)：2272204