本文選題：黑白木刻插圖（連環(huán)畫） + 藝術(shù)風(fēng)格�。� 參考：《云南藝術(shù)學(xué)院》2013年碩士論文

【摘要】：歷史走到今天，以圖畫為主的視覺藝術(shù)得到了空前的發(fā)展，我們不知不覺的深陷“讀圖世界”。視覺符號(hào)不僅取得了文化的中心地位，而且還漸漸形成了某種“霸權(quán)”。在讀圖時(shí)代，大量的文學(xué)作品轉(zhuǎn)型成圖文結(jié)合的讀物。在色彩繽紛的今天，插圖（連環(huán)畫）以各種形式展現(xiàn)給觀眾，黑白木刻作為插圖（連環(huán)畫）的一種表現(xiàn)形式，以其“剛健”、“質(zhì)樸”的美學(xué)風(fēng)味獨(dú)占鰲頭，給觀賞者以不同口味的“美食”。中國現(xiàn)代史黑白木刻創(chuàng)作史的重要階段，本文通過研究中國現(xiàn)代黑白木刻插圖（連環(huán)畫）史，把各個(gè)時(shí)期的黑白木刻插圖（連環(huán)畫）的歷史背景、藝術(shù)家及作品進(jìn)行了清晰、系統(tǒng)的介紹和分析。在每個(gè)時(shí)期的黑白木刻插圖（連環(huán)畫）分析中，運(yùn)用了美學(xué)的思想，結(jié)合了當(dāng)代觀賞者的眼光，做了詳細(xì)的解析和思考�？偨Y(jié)了黑白木刻插圖（連環(huán)畫）作為基礎(chǔ)性藝術(shù)對(duì)于藝術(shù)家的作用以及黑白木刻插圖（連環(huán)畫）的獨(dú)特魅力。對(duì)于目前整體文化呈現(xiàn)出的中西融合的趨勢(shì)，提出了如何在中西審美文化沖擊下找到適合自己的發(fā)展之路，并進(jìn)一步挖掘消費(fèi)中國傳統(tǒng)的審美文化精神，進(jìn)而適應(yīng)大眾審美趣味，實(shí)現(xiàn)藝術(shù)本土化發(fā)展的目標(biāo)。
[Abstract]:With the development of visual art based on pictures, we are unconsciously trapped in the world of reading pictures. Visual symbols have not only acquired the central position of culture, but also gradually formed some kind of hegemony. In the time of reading pictures, a large number of literary works were transformed into a combination of pictures and texts. In today's colorful days, illustrations (comic strips) are shown to the audience in various forms. Black and white wood carvings are regarded as a form of expression of illustrations (comic strips), with their "vigor" and "simplicity" as the leading aesthetic flavor. A "delicacy" that gives the viewer a variety of tastes. By studying the history of black-and-white woodcut illustrations (comic books) in Chinese modern history, this paper clarifies the historical background, artists and works of black-and-white woodcut illustrations (comic strips) in various periods. Introduction and analysis of the system. In the analysis of black-and-white woodcut illustrations (comic books) in each period, the author makes detailed analysis and thinking by using the thought of aesthetics and combining the eyes of contemporary viewers. This paper summarizes the role of black-and-white woodcut illustrations (comic strips) as a basic art to artists and the unique charm of black-and-white woodcut illustrations (comic strips). With regard to the trend of integration of Chinese and Western culture, this paper puts forward how to find a suitable way to develop under the impact of Chinese and Western aesthetic culture, and further excavate the spirit of consuming Chinese traditional aesthetic culture. Then adapts the popular esthetic interest, realizes the artistic localization development goal.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.4;J218.5

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