本文選題：版畫 + 獨(dú)幅版畫�。� 參考：《湖北美術(shù)學(xué)院》2014年碩士論文

【摘要】：版畫是依“版”而生的畫,“間接性”和“復(fù)數(shù)性”也是界定一幅作品是否是版畫的標(biāo)準(zhǔn),“間接性”主要體現(xiàn)版畫的創(chuàng)作方法上,通過木板、石板等基板的印刷間接得到畫面,而不是直接的手繪;而“復(fù)數(shù)性”主要體現(xiàn)在版畫的可復(fù)制性,這也是版畫早期的功能所在。但隨著社會(huì)的進(jìn)步發(fā)展,版畫也經(jīng)歷了由單純的復(fù)制功能到藝術(shù)創(chuàng)作的兩個(gè)階段,隨之也出現(xiàn)了一些不同于傳統(tǒng)版種的版畫技法,獨(dú)幅版畫便是其中一種。本文主要就是向大家介紹獨(dú)幅版畫特有的藝術(shù)特色,了解這個(gè)正在因?yàn)榘娈嬔该桶l(fā)展而興起的一種特殊版種,了解它的獨(dú)特魅力。因?yàn)樽髡弑究破陂g一直學(xué)習(xí)插畫,這種運(yùn)用平版為載體直接繪于版面上的版種,引起了作者強(qiáng)烈的興趣。本文主要以獨(dú)幅版畫創(chuàng)作所表現(xiàn)出來的藝術(shù)效果,以及其特有的審美特征為研究對(duì)象,通過對(duì)中外獨(dú)幅版畫的發(fā)展歷程學(xué)習(xí)研究并加以概括,將傳統(tǒng)版畫與獨(dú)幅版畫的特點(diǎn)和藝術(shù)性進(jìn)行對(duì)比,結(jié)合作者創(chuàng)作中的感受和實(shí)踐經(jīng)驗(yàn),并進(jìn)行分析總結(jié)來闡釋獨(dú)幅版畫的獨(dú)特藝術(shù)表現(xiàn)力及審美特征。獨(dú)幅版畫在藝術(shù)創(chuàng)作上,以其特有的靈活性、偶然性和隨意性受到了許多藝術(shù)家們的喜愛,相信獨(dú)幅版畫最終也會(huì)成為一個(gè)大家喜歡、社會(huì)接受、家喻戶曉的版種。
[Abstract]:Printmaking is based on the "edition". "indirectness" and "plural" are also the criteria for defining whether a work is a print. "indirectness" mainly reflects the creative method of the print, through the plank. The printing of substrates such as slate can get the picture indirectly, but not the direct hand-drawing, and the plural character is mainly reflected in the reproducibility of the printmaking, which is also the function of the early printmaking. However, with the development of society, printmaking has experienced two stages from simple reproduction function to artistic creation, and there are also some different printmaking techniques, one of which is single print. This article is mainly to introduce the unique artistic characteristics of the single print, to understand the rapid development of this special version of print, to understand its unique charm. Since the author studied illustrations during his undergraduate years, the use of lithography as a carrier directly on the layout of the edition species, aroused strong interest of the author. This article mainly takes the artistic effect of the creation of single print and its unique aesthetic characteristics as the research object, studies and generalizes the development course of the single print at home and abroad. This paper compares the characteristics and artistry of the traditional print with the single print, combines the feelings and practical experience in the author's creation, and analyzes and summarizes the unique artistic expression and aesthetic characteristics of the single print. Single print in art creation, with its unique flexibility, contingency and randomness has been loved by many artists, I believe that the single print will eventually become a popular, social acceptance, household name version of the species.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J217
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本文編號(hào)：1952456