發(fā)布時(shí)間：2018-05-25 05:37

  本文選題：庭院空間 + 意境　； 參考：《南京師范大學(xué)》2015年碩士論文

【摘要】：隨著中國城市化的發(fā)展,中國傳統(tǒng)庭院正在以驚人的速度在一點(diǎn)點(diǎn)的消失,對(duì)于中國人來說,每個(gè)人的心中都有一個(gè)院落情結(jié)。在世界庭院史上,中國的庭院是同時(shí)具備著精神氣質(zhì)和藝術(shù)美感的,和中國的文人繪畫一樣,是靈動(dòng)的夢(mèng)幻般的,乃至玄妙的。審美是不可量化的,也是不必具象的,更是難以科學(xué)化的。中國古人的思維方式是感性和寫意的,任何文字和繪圖都不是具象的、寫實(shí)的,而是虛實(shí)結(jié)合,留下相當(dāng)大的想象余地和模糊空間供我們后人揣摩,這也正是中國傳統(tǒng)庭院的精妙所在。中國傳統(tǒng)庭院作為古代人們的主要居住休憩的場(chǎng)所,其景觀質(zhì)量能夠影響到人們的心理、生理以及人們的精神世界和居住生活品質(zhì)。我們都有這樣的一個(gè)感受：良好的居住景觀環(huán)境能夠舒緩和庇護(hù)我們白日里緊張的、疲憊的身心,無論我們的庭院的一草一木、一泉一石,還是松、藤、竹、卉、抑或是人工設(shè)置的亭、廊、橋、椅,抑或是精致的臺(tái)階和曲徑通幽的小徑,都能夠?qū)⒛銉?nèi)心久藏的詩意喚醒,享受自身心靈深處的寧靜和溫馨。對(duì)于現(xiàn)在而言,建筑的集中形成了城市,城市化本來也是人類文明的標(biāo)志,然而居住庭院空間缺乏人性化的人文內(nèi)涵,只是一味的模仿,“天人合一”的思想離我們?cè)絹碓竭h(yuǎn),居住在這樣的景觀空間里易于疲勞、孤獨(dú)、人情冷漠,與大自然越來越遠(yuǎn),這是我們現(xiàn)在庭院設(shè)計(jì)的問題所在。因此,傳統(tǒng)庭院不僅僅是一種形式或形態(tài),而是具有深厚的中華民族的文化內(nèi)涵,如何繼承傳統(tǒng)中的精華把它引入到現(xiàn)代庭院設(shè)計(jì)中,是我們迫切要研究的一個(gè)課題。本文從庭院的含義到它的特征再到庭院的分類以及它所具有的文化內(nèi)涵,進(jìn)行了描述,然后借古喻今,分析當(dāng)代庭院的空間內(nèi)容,借以表明筆者的目的,讓我們?cè)趥鹘y(tǒng)優(yōu)秀的基礎(chǔ)上進(jìn)行創(chuàng)新,探索適合中國特色的庭院設(shè)計(jì)之路。對(duì)國外優(yōu)秀的庭院文化進(jìn)行分析,在相關(guān)領(lǐng)域研究國外先輩們對(duì)傳統(tǒng)庭院文化以及空間形態(tài)理論著作,并結(jié)合國外實(shí)際的案例來分析理解傳統(tǒng)庭院的內(nèi)涵。文章最后分析在優(yōu)秀民族文化下,庭院設(shè)計(jì)與傳統(tǒng)文化的巧妙結(jié)合,對(duì)于現(xiàn)實(shí)有一定的意義。
[Abstract]:With the development of urbanization in China, the traditional Chinese courtyard is disappearing at an alarming rate. For Chinese people, everyone has a complex in their hearts. In the history of the world courtyard, the Chinese courtyard has both spiritual temperament and artistic beauty, like Chinese literati painting, it is dreamlike and even mysterious. Aesthetics is not quantifiable, also need not be concrete, more difficult to scientific. The way of thinking of the ancient Chinese people was perceptual and freehand, and any words and drawings were not concrete, realistic, but a combination of vanity and reality, leaving considerable room for imagination and vague space for future generations to figure out. This is precisely the essence of the Chinese traditional courtyard. As the main living place of ancient people, the landscape quality of Chinese traditional courtyard can affect people's psychology, physiology, people's spiritual world and living quality. We all have a feeling that a good living landscape environment can soothe and protect our tense, tired body and mind in the day, whether our courtyard is a plant, a spring, a stone, or pine, rattan, bamboo, grass, etc. Or artificial pavilions, corridors, bridges, chairs, or delicate steps and winding paths, can wake up your heart's long hidden poetic, enjoy the peace and warmth of your heart. For now, the concentration of architecture forms the city, and urbanization was originally the symbol of human civilization. However, the living courtyard space lacks the humanistic connotation of humanization, but it is just imitating blindly, and the thought of "the unity of nature and man" is farther and farther away from us. Living in such landscape space is easy to fatigue, lonely, human indifference, and far away from nature, which is the problem of our garden design. Therefore, the traditional courtyard is not only a form or form, but also has a profound cultural connotation of the Chinese nation. How to inherit the essence of the tradition to introduce it into the design of modern courtyard is an urgent subject that we should study. From the meaning of courtyard to its characteristics, to the classification of courtyard and its cultural connotation, this paper describes it, and then analyzes the space content of contemporary courtyard by using ancient metaphors, in order to show the purpose of the author. Let us innovate on the basis of traditional excellence and explore the road of courtyard design suitable for Chinese characteristics. This paper analyzes the outstanding courtyard culture in foreign countries, studies the theoretical works on traditional courtyard culture and spatial form of foreign forefathers in related fields, and analyzes and understands the connotation of traditional courtyard by combining with the actual cases of foreign countries. Finally, the article analyzes the combination of courtyard design and traditional culture under the excellent national culture, which has certain significance to reality.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU986.58

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本文編號(hào)：1932337