發(fā)布時間：2018-05-25 08:02

  本文選題：宋莊 + 畫家村　； 參考：《北方工業(yè)大學》2015年碩士論文

【摘要】：上世紀九十年代中期,一批當代藝術的先驅來到自然寧靜的宋莊,這些藝術家有當時的世界級藝術大師黃永玉,也有被譽為中國當代藝術教父的藝術策展人和批評家栗憲庭,也有方力鈞、劉煒、岳敏君、楊少斌等當時還未成名的青年藝術家。自1993年至今,宋莊藝術家的數(shù)量由最開始的十幾人發(fā)展到目前的五千人,包括來自美國、意大利、韓國、法國、英國等國的200多名國外藝術家。其人員構成由原來單純的架上畫家、藝術評論家開始擴展到雕塑家、攝影家、表演藝術家、觀念藝術家、獨立制片人、音樂人、詩人、職業(yè)作家等眾多藝術門類。宋莊原創(chuàng)藝術在中國,乃至世界藝術領域的影響力迅速壯大。 宋莊小堡村在過去的十幾年時間,經歷了由一個普通的農村發(fā)展到一個畫家村,再到今天的文化創(chuàng)意產業(yè)集聚中心,它引領著中國當代藝術的發(fā)展,見證了中國文化創(chuàng)意產業(yè)由起步走向輝煌。這里作為中國當代藝術發(fā)展的圣地,它在不斷的創(chuàng)造著中國當代藝術的奇跡。在多數(shù)人眼中,宋莊是藝術家的樂園,年輕人夢想起航的地方,但是在宋莊的很多藝術家卻認為宋莊的發(fā)展模式是失敗的。 北京宋莊畫家村作為藝術家聚集的村鎮(zhèn),從其形成到發(fā)展的軌跡是值得反思和總結的。從藝術家進入宋莊之后,畫家村由一個原始的自然村落生長成藝術村落,其村落的建筑類型和空間結構也隨之發(fā)生了一系列的變化,增加了許多為藝術家的生活和進行藝術創(chuàng)作服務的建筑空間類型,而且整個村落的街道廣場空間都發(fā)生了藝術性的蛻變。因此對各種類型的建筑空間和景觀節(jié)點空間加以調研和總結,是為了找尋這類藝術村鎮(zhèn)發(fā)展的基本規(guī)律和空間組合的特征。 本論文主要通過深入調查分析宋莊畫家村聚落建筑空間類型的產生及現(xiàn)狀特點,探析宋莊畫家村聚落建筑空間類型,通過多語境、多角度、多層次深入研究,從城市和建筑的角度入手,對其藝術聚落、建筑聚落分布特征、空間特色、單體建筑深入剖析,分析不同藝術工作者對空間的不同需求。希望本論文的研究成果一方面為處于發(fā)展階段的宋莊畫家村提供一定的發(fā)展建議,另一方面也為其他發(fā)展文化創(chuàng)意產業(yè)的村落空間建設提供可借鑒的方法和途徑。
[Abstract]:In the mid-1990s, a group of pioneers of contemporary art came to the tranquil nature of Songzhuang. These artists included Huang Yongyu, a world-class art master at that time, and an art curator and critic, Li Xianting, who was known as the godfather of Chinese contemporary art. There are also Fang Lijun, Liu Wei, Yue Minjun, Yang Shaobin and other young artists who were not famous at that time. Since 1993, the number of artists in Songzhuang has grown from the first dozen to the present 5,000, including more than 200 foreign artists from the United States, Italy, South Korea, France, Britain and other countries. Its personnel is composed by the original simple shelf painter, the art critic begins to expand to the sculptor, the photographer, the performance artist, the idea artist, the independent producer, the musician, the poet, the professional writer and so on numerous artistic categories. Song Zhuang original art in China, and even in the world of art rapidly growing influence. In the past ten years, Songzhuang Xiaobao Village has experienced from an ordinary rural area to a painting village, and then to today's cultural and creative industry agglomeration center, which leads the development of Chinese contemporary art. Witnessed China's cultural and creative industries from the start to brilliant. Here as the sacred land of the development of Chinese contemporary art, it is constantly creating the miracle of Chinese contemporary art. In most people's eyes, Songzhuang is an artist's paradise, where young people dream of sailing, but many artists in Songzhuang believe that Songzhuang's development model is a failure. Songzhuang painting Village in Beijing, as a town where artists gather, is worthy of reflection and summary from its formation to development. Since the artist entered Songzhuang, the village of painting has grown from a primitive natural village into an art village, and the architectural types and spatial structure of the village have undergone a series of changes. Many types of architectural space for artists' life and artistic creation have been added, and the street square space of the whole village has undergone artistic transformation. Therefore, to investigate and summarize the various types of architectural space and landscape node space is to find out the basic law of the development of this kind of art villages and towns and the characteristics of spatial combination. This paper mainly through the thorough investigation and analysis Song Zhuang village settlement building space type generation and the present situation characteristic, analyzes the Song Zhuang painting village settlement building space type, through the multi-context, the multi-angle, the multi-level thorough research, From the point of view of city and architecture, this paper analyzes the artistic settlement, the distribution characteristics of architectural settlements, spatial characteristics and individual buildings, and analyzes the different demands of different art workers on space. Hope that the research results of this paper on the one hand for the development stage of Songzhuang painting village to provide certain development advice, on the other hand for the development of cultural and creative industries of the village space construction can be used for reference ways and means.
【學位授予單位】：北方工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TU982.29;TU-024

【參考文獻】

相關期刊論文 前10條

1 趙弘;陳智國;;將通州建設成為北京城市副中心的戰(zhàn)略思考[J];北京市經濟管理干部學院學報;2011年01期

2 孔建華;;北京市宋莊原創(chuàng)藝術集聚區(qū)的發(fā)展研究[J];北京社會科學;2007年03期

3 孔建華;;宋莊原創(chuàng)藝術集聚區(qū)發(fā)展方略[J];城市問題;2007年05期

4 李艷鋒;;中國大陸地區(qū)畫廊業(yè)的區(qū)域分化[J];大美術;2006年11期

5 陳丹青;;畫廊與藝術家[J];東方藝術;2007年13期

6 汪民安;宋莊藝術家的存在方式[J];讀書;2001年12期

7 栗憲庭;宋莊藝術家聚集區(qū)的模式[J];北京規(guī)劃建設;2005年05期

8 趙之楓;陳U，

本文編號：1932699