發(fā)布時間：2018-05-23 18:09

  本文選題：清商樂舞 + 歷史流變�。� 參考：《河南大學(xué)》2015年碩士論文

【摘要】：清商樂舞作為我國傳統(tǒng)舞蹈文化中的一種極具表演性、風格性、審美性為一體的舞蹈形態(tài),在魏晉南北朝時期發(fā)展興盛,為我國民間傳統(tǒng)舞蹈文化的保存及唐代燕樂舞蹈的形成和發(fā)展奠定了基礎(chǔ)。可以說,從魏晉南北朝開始,中國舞蹈才進入一個全新的發(fā)展階段,人們開始注重舞蹈藝術(shù)本體,使舞蹈最為重要的本質(zhì)功能得以歸復(fù)。清商樂舞在魏晉南北朝統(tǒng)治階層和文人士大夫的參與提倡下,其舞蹈在舞容、舞形、舞情、舞意等方面無不體現(xiàn)出這一時期輕盈、神逸、婉約、脫俗的獨特士文化特征。探索舞蹈藝術(shù)的形式美,使得這一時期的舞蹈出現(xiàn)空前繁榮,尤其是清商樂舞的繁榮發(fā)展,更在中國古代舞蹈發(fā)展史上占有重要位置。本論文以魏晉南北朝清商樂舞為研究對象,在搜集整理歷史文獻和該內(nèi)容已有研究成果的基礎(chǔ)上,運用舞蹈社會學(xué)、歷史學(xué)和文化學(xué)相結(jié)合的研究方法,以清商樂舞的流變與文化價值為切入點,闡釋其發(fā)展脈絡(luò),探索其在歷史演進過程中所呈現(xiàn)的文化特征�？v觀全文,其內(nèi)容主要由三個部分組成。其中對清商樂舞形成發(fā)展的歷史原因和定義特征的構(gòu)架是本文研究的前提和基礎(chǔ),而對其在歷史演進過程中的嬗變和文化價值解析這兩部分是本課題研究的重點,以期更深層次的探尋古代傳統(tǒng)舞蹈的藝術(shù)內(nèi)涵。第一章概述了魏晉南北朝清商樂舞的發(fā)展狀況及其社會背景。首先在第一節(jié)中運用文獻學(xué)的研究方法對清商樂舞進行概述,對其主要形式和風格特征進行分析。在第二節(jié)中,筆者試圖運用舞蹈社會學(xué)的研究方法從魏晉南北朝相關(guān)歷史背景以及這一時期所呈現(xiàn)的哲學(xué)文藝思潮之中探尋其外部環(huán)境,進而闡釋清商樂舞在魏晉南北朝發(fā)展興盛的社會理論基礎(chǔ)。第二章是清商樂舞的歷史流變。在第一節(jié)中主要梳理了清商樂舞的發(fā)展歷程,其大致經(jīng)歷了曹魏(清商樂舞的形成期)、兩晉(清商樂舞的發(fā)展期)、南北朝(清商樂舞的鼎盛期)這三個階段。其中南北朝變遷是其發(fā)展的重要時期,由于政權(quán)頻替,其統(tǒng)治范圍由北向南發(fā)生轉(zhuǎn)移,社會意識形態(tài)和生活方式也隨之發(fā)生了巨大改變,從而使得這一時期清商樂舞在舞容風貌、審美范式等方面較以前都有了很大的不同。到了北朝,各民族樂舞文化的頻繁交流也在很大程度上促進了清商樂舞的繁榮。在第二節(jié)中,筆者嘗試從舞蹈審美的維度,結(jié)合史學(xué)與文獻學(xué)等多重研究視角,對清商樂舞在歷史演進過程中舞容風貌、舞蹈內(nèi)容以及施用功能的嬗變作出分析。第三章是清商樂舞的文化價值解讀。清商樂舞作為魏晉南北朝文化的重要組成部分,在漫長的歷史演進過程中逐漸形成了其特有的精神文化內(nèi)涵。本文通過研究發(fā)現(xiàn)：清商樂舞由于受魏晉玄學(xué)這一哲學(xué)思潮的影響,呈現(xiàn)出了典型的雅士文化特征,這一時期魏晉文人的親身參與創(chuàng)作,使得清商樂舞具有了文人文化價值。伴隨著人們主體生命意識的覺醒,人們的審美意識也開始變得自覺。這一時期清商樂舞呈現(xiàn)了與以往任何歷史時期的舞蹈藝術(shù)全然不同的美學(xué)風貌,成為中國傳統(tǒng)舞蹈審美的典范,具有相當高的審美價值。筆者以“輕、哀、氣韻生動”的審美形態(tài)作為本文研究清商樂舞審美價值的切入點。
[Abstract]:The Qing Shang music and dance, as a performing, stylistic and aesthetic style of dance in the traditional dance culture of our country, developed and flourished in the period of the Wei, Jin and Northern and Southern Dynasties, which laid the foundation for the preservation of Chinese folk traditional dance culture and the formation and development of the Tang Dynasty dance of the Yan music. In a new stage of development, people begin to pay attention to the noumenon of dance art and make the most important function of the dance return. With the participation of the ruling class and the literati and officials of the northern and Southern Dynasties in the Wei, Jin, and the Jin Dynasty, the dance of the Qing Shang Dynasty embodies the dance, dance, dance, and dance. The unique cultural features of the custom, the exploration of the form beauty of the dance art, made the dance of this period flourishing, especially the prosperity and development of the Qing Shang music and dance, and also played an important position in the history of the development of Chinese ancient dance. On the basis of the research results, using the research method of dance sociology, history and culture, the development context of Qing Shang music and dance is explained and its cultural characteristics are explored in the course of historical evolution. The content of the full text is mainly composed of three parts. The two parts of the historical evolution and cultural value analysis are the key points of the study, in order to explore the artistic connotation of the ancient traditional dance in a deeper level. Chapter one outlines the development of the Qing Shang music and dance in the Wei and Jin Dynasties and the northern and Southern Dynasties. The first section, in the first section, makes an overview of the Qing Shang music and dance in the first section, and analyzes its main forms and style characteristics. In the second section, the author tries to use the research method of dance sociology from the related historical scenes of the Wei, Jin, northern and Southern Dynasties and the philosophical and literary thoughts presented in this period. In the tide, explore its external environment, and then explain the social theory foundation of the Qing Shang music and dance in the Wei, Jin and Northern and Southern Dynasties. The second chapter is the historical evolution of the Qing Shang music and dance. In the first section, it mainly combed the development course of the Qing Shang music and dance, which roughly experienced Cao Wei (the period of the Qing Shang music and dance), the Jin Dynasty (the development period of the Qing Shang music and dance), the northern and Southern Dynasties ( The three stages of the flourishing period of the Qing Shang music and dance. The northern and Southern Dynasties were the important period of its development. As a result of the political power, its ruling range was shifted from north to south, and the social ideology and life style had changed greatly, which made the Qing Shang dance in such aspects as the appearance of dance and the aesthetic paradigm in this period. In the Northern Dynasty, the frequent exchanges of music and dance cultures of all nationalities have also greatly promoted the prosperity of the music and dance of the Qing Dynasty. In the second section, the author tries to dance in the historical evolution process of the Qing Shang music and dance from the perspective of the dance aesthetic dimension and the multiple research perspectives of history and Philology, and the content and application of the dance in the process of historical evolution. The third chapter is the interpretation of the cultural value of the Qing Shang music and dance. The Qing Shang music and dance, as an important part of the culture of the northern and Southern Dynasties in the Wei and Jin Dynasties, gradually formed its unique spiritual and cultural connotation during the long history of the evolution of the Qing Dynasty. In this period, the Qing Shang music and dance had the cultural value of the literati. With the awakening of people's consciousness of life, the aesthetic consciousness of the people began to become conscious. The Qing Shang and dance presented the dance art with any historical period in this period. All the different aesthetic features have become a model of Chinese Traditional Dance Aesthetics and have a high aesthetic value. The author takes the aesthetic form of "light, mourning and vivid" as the breakthrough point to study the aesthetic value of the Qing Shang music and dance.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J609.2

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本文編號：1925792