東巴文字的構(gòu)形藝術(shù)及其平面設(shè)計(jì)應(yīng)用研究
發(fā)布時(shí)間：2018-10-18 08:04
【摘要】：東巴文字是我國(guó)民族文化的一塊瑰寶,被譽(yù)為“文字史上的活化石”。它以強(qiáng)烈的圖形特征吸引了國(guó)內(nèi)外眾多學(xué)者,并在語言文字學(xué)領(lǐng)域取得了豐碩的研究成果。然而,隨著社會(huì)的發(fā)展,東巴文字的語言功能開始逐漸喪失,其傳承和利用正面臨著重大挑戰(zhàn)。本文以東巴文字的圖形構(gòu)成為切入點(diǎn),針對(duì)東巴文字的內(nèi)部結(jié)構(gòu)特征,以“形素”為基本載體,探討東巴文字的構(gòu)形藝術(shù)“有哪些”以及“如何用”的問題。對(duì)于這些問題的研究將有助于強(qiáng)化東巴文字的視覺認(rèn)知度、指導(dǎo)平面設(shè)計(jì)、豐富設(shè)計(jì)元素,從而提升東巴文字的藝術(shù)價(jià)值和文化價(jià)值,以新的視角弘揚(yáng)和傳承民族文化。 本文以發(fā)展的視角,著眼于東巴文字基本形素的變異與組合的動(dòng)態(tài)構(gòu)形過程,從共時(shí)和歷時(shí)的層面探究出東巴文字的構(gòu)形藝術(shù),對(duì)各個(gè)構(gòu)形藝術(shù)進(jìn)行分析,探討各個(gè)構(gòu)形藝術(shù)對(duì)于平面設(shè)計(jì)的啟示,并應(yīng)用各個(gè)構(gòu)形藝術(shù)進(jìn)行實(shí)際案例的設(shè)計(jì)。本文的研究對(duì)于民族藝術(shù)的發(fā)展以及現(xiàn)代設(shè)計(jì)的發(fā)展都具有積極的意義。 全文共分為八章： 第一章為緒論。本章主要介紹了目前國(guó)內(nèi)外與本課題相關(guān)的研究,闡述了本文研究的目的與意義以及主要內(nèi)容。 第二章為東巴文字的構(gòu)形藝術(shù)。本章分析了東巴文字構(gòu)形藝術(shù)形成的原因,提出東巴文字構(gòu)形的基本載體“形素”的概念,并歸納與闡述了構(gòu)形藝術(shù)的類別。 第三章為東巴文字的多維取象構(gòu)形藝術(shù)與應(yīng)用。本章分析了東巴文字多維取象構(gòu)形藝術(shù)的內(nèi)涵,探討了多維取象構(gòu)形藝術(shù)對(duì)圖形創(chuàng)意的啟示以及在圖形創(chuàng)意中的應(yīng)用。 第四章為東巴文字的趣味表態(tài)構(gòu)形藝術(shù)與應(yīng)用。本章分析了東巴文字趣味表態(tài)構(gòu)形藝術(shù)的內(nèi)涵,說明了趣味表態(tài)構(gòu)形藝術(shù)對(duì)平面設(shè)計(jì)的啟迪作用,并將趣味表態(tài)構(gòu)形藝術(shù)應(yīng)用于茶包裝設(shè)計(jì)以及奧運(yùn)圖標(biāo)設(shè)計(jì)。 第五章為東巴文字的聯(lián)合會(huì)意構(gòu)形藝術(shù)與應(yīng)用。本章分析了東巴文字聯(lián)合會(huì)意構(gòu)形的基本含義、形與意以及表現(xiàn)技法,說明了聯(lián)合會(huì)意構(gòu)形藝術(shù)對(duì)平面設(shè)計(jì)的啟迪作用,并將聯(lián)合會(huì)意構(gòu)形藝術(shù)應(yīng)用于永和豆?jié){品牌形象廣告設(shè)計(jì)以及東巴祭司圖形設(shè)計(jì)。 第六章為東巴文字的特征攝取構(gòu)形藝術(shù)與應(yīng)用。本章分析了東巴文字特征攝取構(gòu)形藝術(shù)的內(nèi)涵,說明了特征攝取構(gòu)形藝術(shù)對(duì)平面設(shè)計(jì)的啟迪作用,并將特征攝取構(gòu)形藝術(shù)應(yīng)用于四季文字圖形化設(shè)計(jì)。 第七章為東巴文字的形象替代構(gòu)形藝術(shù)與應(yīng)用。本章分析了東巴文字形象替代構(gòu)形藝術(shù)的內(nèi)涵,說明了形象替代構(gòu)形藝術(shù)對(duì)字體設(shè)計(jì)的啟迪作用,并將形象替代構(gòu)形藝術(shù)應(yīng)用于東巴文字與漢字結(jié)合的圖形化設(shè)計(jì)。 第八章為結(jié)論。本章闡述了全文的研究成果與創(chuàng)新點(diǎn)以及對(duì)未來研究的展望。
[Abstract]:Dongba script is a treasure of Chinese national culture, known as "the living fossil in the history of characters". It has attracted many scholars at home and abroad with strong graphic features, and has made great achievements in the field of linguistics and philology. However, with the development of society, the language function of Dongba characters has been gradually lost, and its inheritance and utilization are facing great challenges. Based on the graphic composition of Dongba characters and the internal structural characteristics of Dongba characters, this paper discusses the "what" and "how to use" Dongba characters in the form art of Dongba characters, taking "form element" as the basic carrier. The study of these problems will help to strengthen the visual awareness of Dongba characters, guide graphic design, enrich the elements of design, thereby enhance the artistic and cultural values of Dongba characters, and carry forward and inherit national culture from a new perspective. From the perspective of development, this paper focuses on the variation of the basic morpheme and the dynamic configuration process of the combination of Dongba characters, explores the formation art of Dongba characters from the synchronic and diachronic levels, and analyzes each configuration art. This paper probes into the enlightenment of each form art to the plane design, and carries on the actual case design with each configuration art. The research of this paper has positive significance for the development of national art and modern design. The full text is divided into eight chapters: the first chapter is the introduction. This chapter mainly introduces the current domestic and foreign research related to this topic, describes the purpose and significance of this study and the main content. The second chapter is the formation art of Dongba characters. This chapter analyzes the reasons for the formation of Dongba character configuration art, puts forward the concept of the basic carrier of Dongba character configuration, and summarizes and expounds the types of the formation art. The third chapter is the multi-dimensional conformation art and application of Dongba characters. This chapter analyzes the connotation of Dongba characters' multi-dimensional image conformation art, discusses the inspiration of multi-dimensional image conformation art to graphic creativity and its application in graphic creativity. The fourth chapter is the art and application of Dongba characters. This chapter analyzes the connotation of Dongba characters' interesting configuration art, explains the enlightening effect of the interesting stance configuration art on the graphic design, and applies it to the tea packaging design and the Olympic icon design. Chapter five is the art and application of Dongba characters. This chapter analyzes the basic meaning, the form and the meaning, and the expressive techniques of the Dongba character Federation, and explains the enlightening effect of the Federation's Italy configuration art on the graphic design. And the union conformation art applies to the Yonghe soybean milk brand image advertisement design and the Dongba priest graphic design. The sixth chapter is the characteristics of Dongba character uptake configuration art and application. This chapter analyzes the connotation of Dongba character feature ingest configuration art, explains the enlightening effect of feature ingestion configuration art on graphic design, and applies feature ingest configuration art to the graphic design of the four seasons characters. The seventh chapter is the art and application of Dongba characters. This chapter analyzes the connotation of Dongba character image alternative configuration art, explains the enlightening effect of image substitution configuration art on font design, and applies image substitution configuration art to the graphic design of Dongba characters combined with Chinese characters. Chapter 8 is the conclusion. This chapter describes the research results and innovations of the full text as well as the prospects for future research.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J524
本文編號(hào)：2278509
[Abstract]:Dongba script is a treasure of Chinese national culture, known as "the living fossil in the history of characters". It has attracted many scholars at home and abroad with strong graphic features, and has made great achievements in the field of linguistics and philology. However, with the development of society, the language function of Dongba characters has been gradually lost, and its inheritance and utilization are facing great challenges. Based on the graphic composition of Dongba characters and the internal structural characteristics of Dongba characters, this paper discusses the "what" and "how to use" Dongba characters in the form art of Dongba characters, taking "form element" as the basic carrier. The study of these problems will help to strengthen the visual awareness of Dongba characters, guide graphic design, enrich the elements of design, thereby enhance the artistic and cultural values of Dongba characters, and carry forward and inherit national culture from a new perspective. From the perspective of development, this paper focuses on the variation of the basic morpheme and the dynamic configuration process of the combination of Dongba characters, explores the formation art of Dongba characters from the synchronic and diachronic levels, and analyzes each configuration art. This paper probes into the enlightenment of each form art to the plane design, and carries on the actual case design with each configuration art. The research of this paper has positive significance for the development of national art and modern design. The full text is divided into eight chapters: the first chapter is the introduction. This chapter mainly introduces the current domestic and foreign research related to this topic, describes the purpose and significance of this study and the main content. The second chapter is the formation art of Dongba characters. This chapter analyzes the reasons for the formation of Dongba character configuration art, puts forward the concept of the basic carrier of Dongba character configuration, and summarizes and expounds the types of the formation art. The third chapter is the multi-dimensional conformation art and application of Dongba characters. This chapter analyzes the connotation of Dongba characters' multi-dimensional image conformation art, discusses the inspiration of multi-dimensional image conformation art to graphic creativity and its application in graphic creativity. The fourth chapter is the art and application of Dongba characters. This chapter analyzes the connotation of Dongba characters' interesting configuration art, explains the enlightening effect of the interesting stance configuration art on the graphic design, and applies it to the tea packaging design and the Olympic icon design. Chapter five is the art and application of Dongba characters. This chapter analyzes the basic meaning, the form and the meaning, and the expressive techniques of the Dongba character Federation, and explains the enlightening effect of the Federation's Italy configuration art on the graphic design. And the union conformation art applies to the Yonghe soybean milk brand image advertisement design and the Dongba priest graphic design. The sixth chapter is the characteristics of Dongba character uptake configuration art and application. This chapter analyzes the connotation of Dongba character feature ingest configuration art, explains the enlightening effect of feature ingestion configuration art on graphic design, and applies feature ingest configuration art to the graphic design of the four seasons characters. The seventh chapter is the art and application of Dongba characters. This chapter analyzes the connotation of Dongba character image alternative configuration art, explains the enlightening effect of image substitution configuration art on font design, and applies image substitution configuration art to the graphic design of Dongba characters combined with Chinese characters. Chapter 8 is the conclusion. This chapter describes the research results and innovations of the full text as well as the prospects for future research.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J524
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，本文編號(hào)：2278509
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