新世紀(jì)中國(guó)都市喜劇電影中的困境敘事研究
發(fā)布時(shí)間：2018-12-18 04:30
【摘要】：新世紀(jì)中國(guó)都市喜劇電影作為反映都市男女生存和發(fā)展?fàn)顟B(tài)的一面鏡子,它喜劇化的表現(xiàn)方式緊貼著現(xiàn)代大眾的審美和精神現(xiàn)狀。同時(shí),伴隨著時(shí)代的發(fā)展,在困境敘事上,它明顯地呈現(xiàn)出了與以往不同的新現(xiàn)象。因而本文從新世紀(jì)中國(guó)都市喜劇電影入手,重點(diǎn)研究相關(guān)影片敘事中的困境設(shè)置和解決。困境,即電影敘事中有意打破主人公生活的平衡,限制其實(shí)現(xiàn)欲望目標(biāo)的一種情景。研究中發(fā)現(xiàn)這些困境是具有性別色彩的:不同性別主人公所面臨的困境在戲劇沖突層面上存在差異,人物實(shí)現(xiàn)戲劇目的過(guò)程中的阻礙因素也有所不同,解決途徑也大相徑庭。本文意在對(duì)具體影片的解析中厘清帶有性別色彩的敘事策略背后的社會(huì)文化心理,剖析時(shí)代癥候,加深我們對(duì)于自身精神和生存現(xiàn)狀的認(rèn)識(shí)。本文發(fā)現(xiàn),從喜劇電影發(fā)展史上來(lái)看,新世紀(jì)都市喜劇提高了性別意識(shí)自覺(jué)性和敏感度,但其模式化的敘事策略卻反映出在當(dāng)今社會(huì)解構(gòu)傳統(tǒng)性別觀念、重構(gòu)兩性氣質(zhì)的復(fù)雜性。首先,影片在沖突層面及欲望受阻因素的設(shè)置上,以二元化的性別意識(shí)為主導(dǎo),基于傳統(tǒng)的性別刻板印象而制造,例如男性面對(duì)的是人與社會(huì)的沖突,人的內(nèi)心沖突;而女性面對(duì)的是女人與男人的沖突。其次,主人公突圍了困境,收獲“圓滿”結(jié)局,但真正實(shí)現(xiàn)自我重構(gòu)的并不多。雖然在困境中展現(xiàn)的兩性主體意識(shí)在一定程度上跳出了傳統(tǒng)的藩籬,但受男性中心意識(shí)與消費(fèi)時(shí)代大眾文化的影響,大多數(shù)男女仍面臨著對(duì)“自我”的困惑,處于焦慮、迷茫狀態(tài)。喜劇策略在其中營(yíng)造輕松幽默氛圍,遮蔽了影片處理困境時(shí)顯露的逃避心理和保守態(tài)度,而性別話語(yǔ)也再次悄然重回父權(quán)制的話語(yǔ)體系之中。最后,這些喜劇中的價(jià)值判斷、文化觀念與性別認(rèn)知會(huì)潛移默化地影響著受眾,其敘事策略和表現(xiàn)形式也會(huì)對(duì)當(dāng)下同類型創(chuàng)作產(chǎn)生影響。因而要實(shí)現(xiàn)以客觀平等的視角審視性別間的差異,承認(rèn)各自生命的主體價(jià)值,重構(gòu)健康的兩性氣質(zhì),新世紀(jì)都市喜劇影片未來(lái)發(fā)展任重而道遠(yuǎn)。
[Abstract]:As a mirror reflecting the existence and development of urban men and women, Chinese urban comedy films in the new century are closely related to the aesthetic and spiritual situation of modern people. At the same time, with the development of the times, it obviously presents a new phenomenon different from the past. Therefore, this paper starts with the Chinese urban comedy film in the new century, and focuses on the setting and solving of the dilemma in the narration of the relevant films. Dilemma is a situation in which the protagonist's life balance is deliberately broken and his desire goal is restricted in the film narration. The study found that these dilemmas are of gender color: the dilemma faced by different gender protagonists is different on the level of drama conflict, and the obstacles in the process of the characters' achievement of drama purposes are also different, and the ways to solve them are also quite different. The purpose of this paper is to clarify the social and cultural psychology behind the narrative strategy with gender color in the analysis of specific films, to analyze the symptoms of the times and to deepen our understanding of our own spirit and existing situation. This paper finds that, from the history of the development of comedy films, urban comedy in the new century has improved the consciousness and sensitivity of gender consciousness, but its stylized narrative strategy reflects the deconstruction of traditional gender concepts in today's society. Reconstructing the complexity of bisexual temperament. First of all, the film is based on the traditional gender stereotype, for example, the conflict between man and society and the inner conflict. What women face is the conflict between women and men. Secondly, the protagonist broke through the predicament and got a happy ending, but few of them really realized self-reconstruction. Although the consciousness of the subject of both sexes in the predicament has jumped out of the traditional barriers to a certain extent, most men and women still face the confusion of "self" and are anxious because of the influence of the male-centered consciousness and the mass culture of the consumption era. A state of confusion. Comedy strategy creates an atmosphere of relaxed humor, which obscures the evasive psychology and conservative attitude of the film in dealing with the predicament, and gender discourse is again quietly returned to the patriarchal discourse system. Finally, the value judgment, cultural concept and gender cognition in these comedies will influence the audience, and their narrative strategies and forms of expression will also have an impact on the contemporary creation of the same type. Therefore, in order to realize the objective and equal perspective to examine the differences between sexes, to recognize the value of their own lives and to reconstruct their healthy gender temperament, the future development of urban comedy films in the new century has a long way to go.
【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J905
[Abstract]:As a mirror reflecting the existence and development of urban men and women, Chinese urban comedy films in the new century are closely related to the aesthetic and spiritual situation of modern people. At the same time, with the development of the times, it obviously presents a new phenomenon different from the past. Therefore, this paper starts with the Chinese urban comedy film in the new century, and focuses on the setting and solving of the dilemma in the narration of the relevant films. Dilemma is a situation in which the protagonist's life balance is deliberately broken and his desire goal is restricted in the film narration. The study found that these dilemmas are of gender color: the dilemma faced by different gender protagonists is different on the level of drama conflict, and the obstacles in the process of the characters' achievement of drama purposes are also different, and the ways to solve them are also quite different. The purpose of this paper is to clarify the social and cultural psychology behind the narrative strategy with gender color in the analysis of specific films, to analyze the symptoms of the times and to deepen our understanding of our own spirit and existing situation. This paper finds that, from the history of the development of comedy films, urban comedy in the new century has improved the consciousness and sensitivity of gender consciousness, but its stylized narrative strategy reflects the deconstruction of traditional gender concepts in today's society. Reconstructing the complexity of bisexual temperament. First of all, the film is based on the traditional gender stereotype, for example, the conflict between man and society and the inner conflict. What women face is the conflict between women and men. Secondly, the protagonist broke through the predicament and got a happy ending, but few of them really realized self-reconstruction. Although the consciousness of the subject of both sexes in the predicament has jumped out of the traditional barriers to a certain extent, most men and women still face the confusion of "self" and are anxious because of the influence of the male-centered consciousness and the mass culture of the consumption era. A state of confusion. Comedy strategy creates an atmosphere of relaxed humor, which obscures the evasive psychology and conservative attitude of the film in dealing with the predicament, and gender discourse is again quietly returned to the patriarchal discourse system. Finally, the value judgment, cultural concept and gender cognition in these comedies will influence the audience, and their narrative strategies and forms of expression will also have an impact on the contemporary creation of the same type. Therefore, in order to realize the objective and equal perspective to examine the differences between sexes, to recognize the value of their own lives and to reconstruct their healthy gender temperament, the future development of urban comedy films in the new century has a long way to go.
【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J905
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