張藝謀電影的敘事傾向
發(fā)布時間：2018-12-11 04:22
【摘要】：談及流于銀幕的中國電影,尤其是當(dāng)代中國電影,無論如何也不能繞開導(dǎo)演張藝謀。張藝謀作為中國第五代導(dǎo)演的領(lǐng)軍人物,從1982年進(jìn)入影壇以來,始終創(chuàng)作不輟,并且其作品在國際、國內(nèi)電影節(jié)上屢獲殊榮,成績斐然。稱其神話也好,傳奇也罷,無可厚非的是憑借對社會文化語境準(zhǔn)確地認(rèn)知與把握,對電影藝術(shù)形式富于見地地創(chuàng)新與探索,以及對電影表現(xiàn)內(nèi)容大膽地挑戰(zhàn)與顛覆,張藝謀當(dāng)之無愧地成為蜚聲海內(nèi)外的殿堂級電影大師,得到了國內(nèi)外學(xué)界的高度關(guān)注。對張藝謀及其電影的研究迄今己出現(xiàn)了不少有創(chuàng)見的成果,但在敘事方面仍大有挖掘的余地和空間。因此,本論文聚焦于張藝謀電影的敘事語境、敘事策略以及敘事主旨來探討其敘事傾向?qū)⑹且患饬x重大的事情。 本論文以張藝謀二十余年來導(dǎo)演的電影作品為研究依據(jù),以電影敘事學(xué)為主要理論支撐,同時結(jié)合傳播學(xué)、歷史學(xué)、文藝學(xué)等相關(guān)學(xué)科的知識,對張藝謀電影的敘事傾向進(jìn)行較為系統(tǒng)地梳理和論說。文章在緒論部分闡述了本文的選題背景及意義,國內(nèi)外對張藝謀電影的研究現(xiàn)狀、電影敘事學(xué)的文獻(xiàn)綜述、和本文的研究方法與思路。第一章討論的是張藝謀的電影敘事與敘事語境之間的關(guān)系問題。在對張藝謀導(dǎo)演的電影作品進(jìn)行綜述之后,就計劃經(jīng)濟(jì)時代和市場經(jīng)濟(jì)時代不同的政治氣候、社會環(huán)境進(jìn)行了分析,論證了其電影敘事總能與變化著的社會文化語境形成互文關(guān)系。第二章分析了張藝謀電影的敘事策略,集中對電影敘事結(jié)構(gòu)、時間、空間、聚焦方式和視聽造型進(jìn)行分析,并歸納其敘事特點(diǎn)。第三章就張藝謀電影的敘事主旨予以了詮釋,主要體現(xiàn)在對傳統(tǒng)民族文化的關(guān)注和對社會生命人性的審視。 本論文力求站在整體性的高度上,對張藝謀導(dǎo)演的電影作品進(jìn)行理性分析和學(xué)理歸納,從而總結(jié)出張藝謀電影在敘事方面的傾向和特征,試圖為全面把握張藝謀的導(dǎo)演創(chuàng)作提供一些啟示,并期冀對中國電影的發(fā)展提供些許指導(dǎo)意義和借鑒價值。
[Abstract]:When it comes to Chinese films on screen, especially contemporary Chinese films, director Zhang Yimou cannot be bypassed. Zhang Yimou, as the leading figure of the fifth generation director in China, has been creating constantly since he entered the film world in 1982, and his works have won many awards in international and domestic film festivals. Whether it is a myth or a legend, what is beyond reproach is the accurate understanding and grasp of the social and cultural context, the insightful innovation and exploration of the film art form, and the bold challenge and subversion of the film's performance. Zhang Yimou has become a famous master of film at home and abroad, and has received great attention from scholars at home and abroad. The study of Zhang Yimou and his films has produced many creative achievements, but there is still room for further exploration in narrative. Therefore, it is of great significance to focus on the narrative context, narrative strategy and narrative purport of Zhang Yimou's film. This thesis is based on the film works directed by Zhang Yimou for more than 20 years, the main theoretical support of film narratology, and the knowledge of communication, history, literature and art, etc. The narrative tendency of Zhang Yimou film is systematically combed and discussed. In the introduction part, the paper expounds the background and significance of this paper, the research status of Zhang Yimou film at home and abroad, the literature review of film narratology, and the research methods and ideas of this paper. The first chapter discusses the relationship between Zhang Yimou's narrative and narrative context. After summarizing the films directed by Zhang Yimou, this paper analyzes the different political climate and social environment of the planned economy and the market economy. It demonstrates that the film narrative can form intertextuality with the changing social and cultural context. The second chapter analyzes the narrative strategy of Zhang Yimou's film, focusing on the narrative structure, time, space, focusing mode and audio-visual modeling, and summarizes its narrative characteristics. The third chapter interprets the narrative purport of Zhang Yimou's film, which is mainly reflected in the concern of traditional national culture and the examination of human nature of social life. This thesis tries to make a rational analysis and theoretical induction of Zhang Yimou's film works from the perspective of integrity, so as to sum up the narrative tendency and characteristics of Zhang Yimou's films. This paper tries to provide some enlightenment for the comprehensive understanding of Zhang Yimou's director creation, and hopes to provide some guiding significance and reference value for the development of Chinese film.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
本文編號：2371856
[Abstract]:When it comes to Chinese films on screen, especially contemporary Chinese films, director Zhang Yimou cannot be bypassed. Zhang Yimou, as the leading figure of the fifth generation director in China, has been creating constantly since he entered the film world in 1982, and his works have won many awards in international and domestic film festivals. Whether it is a myth or a legend, what is beyond reproach is the accurate understanding and grasp of the social and cultural context, the insightful innovation and exploration of the film art form, and the bold challenge and subversion of the film's performance. Zhang Yimou has become a famous master of film at home and abroad, and has received great attention from scholars at home and abroad. The study of Zhang Yimou and his films has produced many creative achievements, but there is still room for further exploration in narrative. Therefore, it is of great significance to focus on the narrative context, narrative strategy and narrative purport of Zhang Yimou's film. This thesis is based on the film works directed by Zhang Yimou for more than 20 years, the main theoretical support of film narratology, and the knowledge of communication, history, literature and art, etc. The narrative tendency of Zhang Yimou film is systematically combed and discussed. In the introduction part, the paper expounds the background and significance of this paper, the research status of Zhang Yimou film at home and abroad, the literature review of film narratology, and the research methods and ideas of this paper. The first chapter discusses the relationship between Zhang Yimou's narrative and narrative context. After summarizing the films directed by Zhang Yimou, this paper analyzes the different political climate and social environment of the planned economy and the market economy. It demonstrates that the film narrative can form intertextuality with the changing social and cultural context. The second chapter analyzes the narrative strategy of Zhang Yimou's film, focusing on the narrative structure, time, space, focusing mode and audio-visual modeling, and summarizes its narrative characteristics. The third chapter interprets the narrative purport of Zhang Yimou's film, which is mainly reflected in the concern of traditional national culture and the examination of human nature of social life. This thesis tries to make a rational analysis and theoretical induction of Zhang Yimou's film works from the perspective of integrity, so as to sum up the narrative tendency and characteristics of Zhang Yimou's films. This paper tries to provide some enlightenment for the comprehensive understanding of Zhang Yimou's director creation, and hopes to provide some guiding significance and reference value for the development of Chinese film.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 梁振華;;影像奇觀與文學(xué)魔杖——論張藝謀電影的文學(xué)化想象[J];北京社會科學(xué);2009年06期
2 劉樹勇;《紅高粱》的造型藝術(shù)[J];當(dāng)代電影;1988年04期
3 饒朔光;社會/文化轉(zhuǎn)型與電影的分化及其整合——90年代中國電影研究論綱[J];當(dāng)代電影;2001年01期
4 張頤武;《英雄》:新世紀(jì)的隱喻[J];當(dāng)代電影;2003年02期
5 鄭洞天;;“種蘿卜”的門道[J];大眾電影;2006年01期
6 金洪申;;論電視劇《滿天星》的戲劇沖突[J];電影文學(xué);2007年19期
7 王曉;;躍動的色彩 彩色的語言——淺析張藝謀電影中的色彩藝術(shù)[J];電影評介;2006年23期
8 王小紅;李彥武;;談張藝謀“武俠片”的人文內(nèi)涵[J];電影評介;2007年16期
9 費(fèi)·正興;論張藝謀的“點(diǎn)金之術(shù)” 《菊豆》與《末代皇帝》之比較[J];電影藝術(shù);1998年02期
10 張穎;張藝謀訪談[J];電影創(chuàng)作;1999年03期
相關(guān)碩士學(xué)位論文 前1條
1 周麗娣;賈樟柯電影的敘事研究[D];重慶師范大學(xué);2011年
，本文編號：2371856
本文鏈接：http://www.lk138.cn/wenyilunwen/dianyingdianshilunwen/2371856.html
教材專著
