【摘要】：中國(guó)竹笛是我國(guó)民族樂(lè)器中最古老、最具魅力的吹管樂(lè)器之一,屬于橫吹的開管樂(lè)器。竹笛演奏實(shí)踐中的音準(zhǔn)不但需要依靠演奏者的高超的演奏技術(shù),更需要內(nèi)在音準(zhǔn)理念調(diào)節(jié),然而,各地方音樂(lè)由于音律的迥異,使得某些音程關(guān)系有所不同,其某些音的音高也會(huì)有細(xì)微波動(dòng),所以演奏者對(duì)于音準(zhǔn)問(wèn)題的把握,成為了影響竹笛演奏的主要因素。本文在律學(xué)視角下對(duì)中國(guó)傳統(tǒng)六孔竹笛演奏實(shí)踐中的音準(zhǔn)問(wèn)題進(jìn)行深入的研究和探討,全方位的介紹了影響傳統(tǒng)六孔竹笛演奏實(shí)踐中音準(zhǔn)問(wèn)題的諸多因素,也闡明了傳統(tǒng)六孔竹笛是一件可以多律制取向的樂(lè)器。旨在幫助演奏者正確理解幾種常用音律概念、掌握多種音律混合運(yùn)用的能力、把握樂(lè)曲中各音的“相對(duì)音高”、更好地詮釋竹笛音樂(lè)作品的內(nèi)涵,同時(shí)具備著與西洋樂(lè)器、其它民族音樂(lè)作品密切融合的能力。全文分為三個(gè)章節(jié):第一章闡述律制觀念下的音準(zhǔn)概念,詳細(xì)地介紹“十二平均律的音準(zhǔn)概念”、“五度相生律的音準(zhǔn)概念”及“純律的音準(zhǔn)概念”,并進(jìn)行分析比較。第二章闡述了傳統(tǒng)六孔竹笛演奏實(shí)踐中的律制取向問(wèn)題:從傳統(tǒng)的竹笛音樂(lè)作品、現(xiàn)代創(chuàng)作的竹笛音樂(lè)作品、多聲部的竹笛音樂(lè)作品的演奏實(shí)踐及傳統(tǒng)六孔竹笛自身構(gòu)造的特點(diǎn)等四個(gè)方面進(jìn)行論述,分析竹笛演奏實(shí)踐中的不同律制取向的問(wèn)題。第三章是本文的主體,首先從音樂(lè)作品旋律的具體形態(tài)來(lái)分析音律的運(yùn)用及音準(zhǔn)問(wèn)題,然后對(duì)部分地區(qū)的地方音樂(lè)風(fēng)格的樂(lè)曲的音律特點(diǎn)進(jìn)行論述,以適應(yīng)演奏實(shí)踐中的音準(zhǔn)符合人們的聽覺(jué)習(xí)慣和審美要求。
[Abstract]:Chinese bamboo flute is one of the oldest and most attractive wind instruments in China. In the practice of bamboo flute playing, the sound quality not only depends on the excellent playing technique of the performer, but also needs the adjustment of the internal sound level idea. However, due to the different timbre, some interval relations are different in the music of different places. The pitch of some of its sounds also fluctuates slightly, so the player's grasp of the sound accuracy has become the main factor that affects the bamboo flute playing. From the perspective of law, this paper makes a deep research and discussion on the sound level in the practice of traditional six-hole bamboo flute playing in China, and introduces in all directions the many factors that affect the sound quality in the practice of traditional six-hole bamboo flute playing. It also shows that the traditional six-hole bamboo flute is a musical instrument with multi-rhythm orientation. The aim is to help players correctly understand several commonly used musical concepts, master the ability of mixing various rhythms, grasp the "relative pitch" of each sound in a piece of music, better interpret the connotation of a bamboo flute musical work, and at the same time have a musical instrument with Western instruments. The ability of other folk music works to be closely integrated. The paper is divided into three chapters: the first chapter describes the concept of sound level under the concept of law system, and introduces in detail the concept of "the sound level of the law of twelve average", "the concept of the phonetic level of the law of five degrees" and "the concept of sound accuracy of pure law", and makes an analysis and comparison. In the second chapter, the author expounds the problems in the practice of traditional six-hole bamboo flute playing: the traditional bamboo flute music works, the modern bamboo flute music works, the traditional bamboo flute music works, the modern bamboo flute music works, the traditional bamboo flute music works, the modern bamboo flute music works. In this paper, the performance practice of the musical works of bamboo flute with multi-sound part and the characteristics of the traditional six-hole bamboo flute are discussed in this paper, and the problems of different legal orientation in the practice of playing bamboo flute are analyzed. The third chapter is the main body of this paper, first from the specific form of music melodies to analyze the use of rhythm and tone, and then the local music style in some areas of the music characteristics of the rhythm. In order to adapt to the playing practice of sound in line with people's auditory habits and aesthetic requirements.
【學(xué)位授予單位】：四川音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.11

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