發(fā)布時間：2018-03-22 06:20

  本文選題：當代中國古典舞體系　切入點：發(fā)生　出處：《沈陽師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：舞蹈作為一門的表演藝術(shù),當代中國古典舞,自有它的年輕而又古老的雙重人格。一說當代中國古典舞的年輕是在于其形成了自己的理論基礎(chǔ)和表演模式,僅僅是在1949年新中國建立之后的半個多世紀,其形態(tài)、概念、內(nèi)涵,也在半個多世紀之中不斷地發(fā)展、豐富并且拓展;二說當代中國古典舞的古老是在于舞蹈這門藝術(shù),本身就帶著歷史的厚重卻又沉淀在中華古典文化和獨特的民族美學(xué)思想的沃土之中。特別是在中華民族所尊崇的儒家、道家、佛家等宗教思想的一些觀念,為這門舞蹈表演藝術(shù)注入了獨特的文化基因與底蘊,使得這門新興的表演藝術(shù)形式擁有著一種古樸、典雅、厚重的歷史感。如今,我們所提到的“中國古典舞”,它是中華人民共和國建國以后(二十世紀五十年代),經(jīng)過幾代舞蹈家們對中國特有傳統(tǒng)的古典舞蹈進行了一系列復(fù)原與再創(chuàng)造。因此,“當代”二字加在了“中國古典舞”的前面是非常合情合理的。本論文旨在通過對于當代中國古典舞,做出了梳理與分析,用諸多的當代古典舞發(fā)生、發(fā)展為基本切入點,來探討中國當代古典舞的發(fā)展脈絡(luò)。另外,也將從中國當代古典舞的歷史成因問題,來研究中國當代古典舞,所產(chǎn)生和發(fā)展的歷史背景,研究中國當代古典舞的現(xiàn)狀以及未來走向,去找尋到盡可能合乎歷史規(guī)律和客觀規(guī)律的發(fā)展目標以及線索,并且通過探索當代中國古典舞的發(fā)生、發(fā)展、以及各種風格流派、風格迥異,來給予全面而又客觀的分析與研究。全文共分為四章來進行闡述。第一章從當代中國古典舞的成因背景著手,系統(tǒng)的通過總結(jié)當代中國古典舞的大概念,以及產(chǎn)生的原因歸納出當代中國古典舞的釋義。并通過早期與中期發(fā)展的歷史背景來分析了其形成的背景,在第一章的最后拋出了一個問題就是構(gòu)成了當代中國古典舞的四大學(xué)派的提出與形成;第二章承上啟下剖析當代中國古典舞體系(四大學(xué)派)形成的理論依據(jù);第三章是通過理論指導(dǎo)和實踐,重點探析在理論依據(jù)指導(dǎo)下的當代中國古典舞,其中各個門派的風格特征;第四章總體的對于文章進行宏觀的把控。通過對于當代中國古典舞體系發(fā)展趨向的理解,來提出問題和解決問題,更好地為當代中國古典舞的健康發(fā)展,做出自己微薄的參考理論依據(jù)。對于當代中國古典舞體系所發(fā)生和發(fā)展問題,筆者通過了對于當代中國古典舞體系進行了多視角的研究,發(fā)現(xiàn)了一些不斷健全中的當代中國古典舞體系。并對于不同學(xué)派、風格特征的研究與把握,提出了發(fā)展趨勢的研判。
[Abstract]:Dance as a performing art, contemporary Chinese classical dance, has its own young and ancient dual personality. Only more than half a century after the founding of New China in 1949, its form, concept and connotation have been continuously developed, enriched and expanded in more than half a century. Second, it is said that the ancient art of contemporary Chinese classical dance lies in the art of dance. It is in the fertile soil of Chinese classical culture and unique national aesthetic thoughts, especially in the religious ideas of Confucianism, Taoism, Buddhism and so on, which are respected by the Chinese nation. This new form of performing art has a simple, elegant and heavy sense of history. We refer to the "Chinese classical dance", which is after the founding of the people's Republic of China (1950s), after generations of dancers to the Chinese traditional classical dance a series of restoration and re-creation. Therefore, it is very reasonable to add the word "contemporary" in front of "Chinese classical dance". This paper makes a combing and analysis, discusses the development of Chinese contemporary classical dance by using a lot of contemporary classical dance occurrence and development as the basic breakthrough point. In addition, it will also discuss the historical origin of Chinese contemporary classical dance. To study the historical background of the emergence and development of Chinese contemporary classical dance, to study the present situation and future trend of Chinese contemporary classical dance, to find out the development goals and clues that conform to the historical and objective laws as far as possible. And by exploring the emergence and development of contemporary Chinese classical dance, as well as various styles and genres, the styles are quite different. The thesis is divided into four chapters. The first chapter begins with the background of the origin of contemporary Chinese classical dance, and systematically summarizes the great concept of contemporary Chinese classical dance. And the reasons for the emergence of modern Chinese classical dance interpretation. And through the early and medium-term development of the historical background to analyze its formation background, At the end of the first chapter, a problem is put forward and formed, the second chapter analyzes the theoretical basis of the formation of the contemporary Chinese classical dance system (the four schools). The third chapter is through the theoretical guidance and practice, focusing on the theoretical basis under the guidance of contemporary Chinese classical dance, in which the style of each school characteristics; The fourth chapter of the overall macro control of the article. Through the understanding of the development trend of contemporary Chinese classical dance system, to put forward problems and solve problems, better for the healthy development of contemporary Chinese classical dance, To make their own meager reference theoretical basis. For contemporary Chinese classical dance system occurrence and development, the author through the contemporary Chinese classical dance system to carry out a multi-perspective study, The author finds some modern Chinese classical dance systems which are constantly improving, and studies and grasps the characteristics of different schools and styles, and puts forward the research and judgment of the development trend.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J722.4

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本文編號：1647444