發(fā)布時(shí)間：2018-05-13 06:39

  本文選題：禪意 + 空間設(shè)計(jì)��； 參考：《西南交通大學(xué)》2015年碩士論文

【摘要】：禪修是心靈的培育,現(xiàn)在東方禪已成了人們生活的一種智慧。身處喧嘩而嘈雜的大都市,很多人都或多或少的有不同的心境矛盾以及精神壓力,所以禪修旅游成為了大眾放松的新寵兒,這在旅游本質(zhì)上是一種回溯——回歸到過去對修行、求學(xué)的游歷,關(guān)注個(gè)人在旅途中的體驗(yàn),獲取心靈與智慧的提升。在這一背景下,旅游景區(qū)中的各種禪修建筑便為我們提供了一個(gè)真正的“放逐心情、牧養(yǎng)心靈”的空間場所。在旅游景區(qū)禪修建筑設(shè)計(jì)中,禪認(rèn)為“無便是有,少便是多”,用物質(zhì)上的“少”,去匹配精神上的“多”,這也是將人們引入幽玄禪境的一種方式,它體現(xiàn)出東方禪韻傳統(tǒng)的謙虛、樸素、委婉的文化基因。禪意空間以“空無、靜謐、簡素”的美學(xué)理念為現(xiàn)代景區(qū)禪修建筑的設(shè)計(jì)靈魂,為當(dāng)今禪修旅游中的游客提供了有無盡可能性的精神世界,也就是大家常說的“空故納萬境”。這種充滿著禪意的空間設(shè)計(jì)方法及理念,對景區(qū)的開發(fā)方向和現(xiàn)代建筑創(chuàng)作思路都提出了疑問,并通過禪文化視角對不同景區(qū)中禪修建筑進(jìn)行深入研究,歸納總結(jié)景區(qū)禪修建筑的設(shè)計(jì)要素,指引現(xiàn)代旅游景區(qū)禪修建筑創(chuàng)作新方向,具有十分重要的意義。本文通過對禪意空間的概念與禪修及其建筑空間特點(diǎn)相關(guān)理論的研究,歸納其空間哲學(xué)基礎(chǔ)與演變特征,在此基礎(chǔ)上剖析當(dāng)代旅游景區(qū)禪修建筑中禪文化的的創(chuàng)作語言,從而得出禪意空間的物質(zhì)載體與精神表象,然后應(yīng)用到我國旅游景區(qū)禪修建筑設(shè)計(jì)實(shí)踐中,以領(lǐng)悟禪意的“破除我執(zhí),轉(zhuǎn)識成智”之境,使建筑設(shè)計(jì)成為“無藝之藝”,使旅游者在這樸實(shí)無華的藝術(shù)形態(tài)中體驗(yàn)一種枯寂的景象,感悟一種均衡、靜謐之美,既強(qiáng)調(diào)“心”的頓悟,突顯其文化意義,又從中尋求空寂、平和、真善美的內(nèi)省。
[Abstract]:Meditation is the cultivation of the mind. Now the Oriental Zen has become a kind of wisdom in people's life. In a noisy and noisy metropolis, many people have different mood and mental pressure. So the meditation tourism has become the new favorite of the public, which is a backtracking in the essence of Tourism - return to the past to the practice. In this context, the various Zen buildings in the tourist attractions provide us with a real space for "exile and feed the mind" in this context. In the design of the Buddhist temple construction, Zen thinks that "there is nothing but less is more." The use of "less" in material to match the spiritual "more" is a way of introducing people into the dark Zen realm, which embodies the humility, simplicity and Euphemism of the traditional oriental hyphen. The tourists in the world provide the spiritual world with endless possibilities, that is, "empty space", which is often said by everyone. This kind of space design method and idea, full of Zen, questions the development direction of the scenic spots and the ideas of modern architectural creation, and studies the meditation architecture in different scenic spots through the perspective of Zen culture. It is of great significance to sum up the design elements of the meditation architecture in the scenic area and guide the new direction of the modern tourist attractions meditation architecture. Through the study of the concept of Zen space and the related theories of the Zen and the architectural space characteristics, this paper sums up the spatial philosophical foundation and the characteristics of the evolution, and analyses the Zen of the contemporary tourist attractions on this basis. The creation language of Zen culture in the building is repaired, and then the material carrier and mental image of the Zen space are obtained, and then it is applied to the practice of the Zen architectural design in the tourist attractions of our country, in order to understand the Zen's "break my obsession and realize the wisdom", and make the architectural design a "art of no art", and make the tourists in this simple and unadorned art form. The experience of a dead scene, a sense of balance, the beauty of quiet, not only stress the "heart" of the insight, highlight its cultural significance, but also from the search for silence, peace, true, good and beautiful introspection.

【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU252

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本文編號：1882093